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Italian Renaissance Sculpture Pb, 

Italian Renaissance Sculpture Pb


Название:  Italian Renaissance Sculpture Pb   (Итальянская скульптура Ренессанса)
Издательство: Phaidon Press Ltd.
Классификация:
Искусство Ренессанса
Скульптура и прочие объемные художественные формы

ISBN: 0714838829
ISBN-13(EAN): 9780714838823
ISBN: 0-7148-3882-9
ISBN-13(EAN): 978-0-7148-3882-3
Обложка/Формат: Paperback
Страницы: 444
Вес: 2.676 кг.
Дата издания: 01.02.2000
Серия: Introduction to italian sculpture s.
Язык: ENG
Издание: New ed of 4 revised
Иллюстрации: 329 duotone illustrations, notes, bibliography, index
Размер: 28.91 x 25.02 x 4.37 cm
Читательская аудитория: General (us: trade)
Подзаголовок: Italian Renaissance Sculpture
Рейтинг:
Поставляется из: Англии
Описание: For the fourth edition of this introduction to Italian sculpture, the author has thoroughly revised the text, notes and bibliographies, incorporating all the significant new research and publications since the last major revision in 1970-2. Volume II, spanning the 15th century, is dominated by the revolutionary genius of Donatello, whose work is illustrated. The author traces through this period the development, or revival of the free-standing statue, the relief, the bronze statuette, the equestrian monument and the portrait bust. Other great masters include Luca della Robbia, Verrocchio, Antonio Rossellino, Desiderio da Settignano, Riccio, Francesco Laurana and Tullio Lombardo. The new edition of this work provides an accessible introduction to the subject for scholars, students and all lovers of Italian art. At the same time its scholarly notes make it a valuable reference work. Each volume in the set of three can be enjoyed in its own right.
Описание: Revised and updated, this volume of John Pope-Hennessy`s guide to Italian sculpture spans the 15th century. The author traces the development, or revival of forms such as the bronze statuette, and covers the revolutionary work of Donatello, Luca della Robbia, Verrocchio and Antonio Rossellino.
Дополнительное описание: Кол-во стр.: 444
Формат: 290 x 250
Дата издания: 2000
Страна: UK
Круг читателей: general
Иллюстрации: 329 illustrations, notes, bibliog , index
Вес: 2676
Серия: Introduction to Italian Sculpture S., v.2



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При оформлении заказа до: 25 май 2017
Ориентировочная дата поставки: 19 июн 2017
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Описание: In this volume, a team of noted Italian art historians trace the evolution of Renaissance intarsia through a discussion of twelve of the most important intarsia cycles. These include the famous studiolo of Federico da Montefeltro in the ducal palace at Urbino; the sacristy of Santa Maria in Organo at Verona, which Vasari described as the most beautiful in all of Italy; and the choir of Santa Maria Maggiore in Bergamo, the cartoons for which were prepared by Lorenzo Lotto. Drawing on the latest scholarship and, in some cases, newly discovered documentary evidence, the authors explain the historical context and iconography of these masterpieces, as well as their connections to the painting, sculpture, and architecture of the time. Their insightful essays are illustrated with some two hundred new color images, the result of an extensive photographic campaign carried out exclusively for this work.
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Издательство: Abrams
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Описание: This box of postcards representing Disney's modern classics collects concept art-many pieces never before published-and final frames from ten iconic films made since Disney's renaissance in the 1990s, spanning from The Little Mermaid in 1989 to Big Hero 6 in 2014.
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Описание: This new book in the World of Art series surveys the dynamic developments in sculptural practice worldwide since the mid-1990s, outlining major trends and identifying important and vibrant artists who are forging new paths and setting the contemporary agenda. It explores such key topics as the use of the body in sculpture, the appropriation of everyday ephemera, the use of light and sound as technological elements, nature and ecology as dominant and pressing issues, the inter-relationship of sculpture with design and other evolving fields of contemporary art, and the huge impact of installation. Established artists such as Damien Hirst, Jeff Koons, Mariko Mori, Ai Weiwei and Rachel Whiteread are featured alongside an international cross-section of promising new talent, including Polly Morgan, Patricia Piccinini, Sopheap Pich and Anselm Reyle. With over 200 photographs displaying a huge range of sculptural works, both in the gallery and on-site, Sculpture Now offers an authoritative and highly readable look at one of the most exciting arenas of contemporary artistic practice.
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ISBN: 1851776400 ISBN-13(EAN): 9781851776405
Издательство: Abrams
Цена: 3049 р.
Наличие на складе: Поставка под заказ.
Описание: This volume brings together new research by some of the world's leading experts, exploring the artistic production and cultural context of Renaissance sculpture from Ghiberti's Gates of Paradise to the small bronzes of Giambologna and his followers. The essays cover a range of sculptural materials and forms to cast fresh light on the artists, their creative and collaborative processes, and those who commissioned, owned and responded to their work. The papers were originally presented at a conference at the V&A in 2010 as part of the Robert H. Smith Renaissance Sculpture Programme.
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Название: Pliny and the Artistic Culture of the Italian Renaissance
ISBN: 0300186037 ISBN-13(EAN): 9780300186031
Издательство: Yale University Press
Цена: 4158 р.
Наличие на складе: Поставка под заказ.
Описание: Pliny's "Natural History" (A.D. 77-79) served as an indispensable guide to and exemplar of the ideals of art for Renaissance artists, patrons, and theorists. Bearing the imprimatur of antiquity, the "Natural History" gave permission to do art on a grand scale, to value it, and to see it as an incomparable source of prestige and pleasure. In "Pliny and the Artistic Culture of the Italian Renaissance", Sarah Blake McHam surveys Pliny's influence, from Petrarch, the first figure to recognize Pliny's relevance to understanding the history of Greek art and its reception by the Romans, to Vasari and late 16th-century theorists. McHam charts the historiography of Latin and Italian manuscripts and early printed copies of the "Natural History" to trace the dissemination of its contents to artists from Donatello and Ghiberti to Michelangelo and Titian. Meanwhile, benefactors commissioned works intended to emulate the prototypes Pliny described, aligning themselves with the great patrons of antiquity. This is a richly illustrated, comprehensive reference work of social history, myth making, iconography, theory, and criticism.
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Название: The Springtime of the Renaissance: Sculpture and the Arts in Florence 1400-60
ISBN: 8874611862 ISBN-13(EAN): 9788874611867
Издательство: ACC-distribution titles
Цена: 3520 р.
Наличие на складе: Есть у поставщика.Поставка под заказ.
Описание: The exhibition is divided into different parts, the first (Section I: The Legacy of the Fathers) exploring the rediscovery of ancient art in the 13th and 14th centuries by the likes of Nicola Pisano, Arnolfo and their successors. It then looks into the assimilation of Gothic style of French origin, including Brunelleschi's renowned sculpture, which is the starting point for the Early Renaissance. The exhibition follows development and influences from monumental sculptures by the likes of Donatello, Ghiberti, Nanni di Banco and Michelozzo, painting by artists such as Masaccio, Paolo Uccello, Andrea del Castagno and Filippo Lippi, and the impact on the political and spiritual mood of the city. Other elements include the development of perspective in bas-relief work, a taste for 'new beauty' and new commissions in places of worship, and the transition to the private patronage of the powerful Medici family. This beautiful exhibition catalogue encompasses the exhibition through over 200 images.
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Название: The Digital Renaissance: Old Master Techniques in New Digital Software
ISBN: 1781571376 ISBN-13(EAN): 9781781571378
Издательство: Thames & Hudson
Цена: 1480 р.
Наличие на складе: Есть (2 шт.)
Описание: Digital painting programs - notably Corel's painter - are now developed to the point that they can superbly emulate the whole gamut of conventional painting techniques. With a computer and a cheap graphics tablet, anyone can now pick up a digital brush and aspire to create amazing work. For the first time, expert author Carlyn Beccia shows how these powerful digital tools can be used to successfully emulate old master painting techniques. Each chapter showcases one great painter (the selection includes Michelangelo, Van Gogh, Sargent, Gustav Klimt, Matisse, Picasso and others) and analyses the techniques that set each one apart. These techniques are then imitated in stepby- step tutorials, allowing the reader to achieve amazingly convincing results.
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Автор: Wolfthal
Название: In and Out of the Material Bed - Seeing Sex in Renaissance Art
ISBN: 0300141548 ISBN-13(EAN): 9780300141542
Издательство: Yale University Press
Цена: 2310 р.
Наличие на складе: Поставка под заказ.
Описание: This book explores images whose sexual content has all too often been either ignored or denied. Each chapter is devoted to a place that artists associated with sexual activity or desire: the bed, the dressing area of the home, the window and doorway, the bath, and the street. By examining both canonical works, such as Jan van Eyck's "Arnolfini Portrait" and Petrus Christus' "Goldsmith's Shop" and long-neglected objects, such as combs, badges and bathhouse murals, and by investigating a wide range of subjects - same-sex desire, adultery, marriage, courtship, and prostitution - Diane Wolfthal demonstrates how illicit forms of sexuality were linked to the 'chaste sexuality' of marriage. Wofthal shows how both church and state attempted to regulate sexual conduct, and she examines those sources not only that reinforced this way of thinking, but also that resisted or subverted it. The insistence that sexual intercourse be confined to marriage, performed in a particular way and reserved for purposes of procreation is shown to be subverted and undermined both in the imagery produced around the subject, and in the reality itself.
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