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The Urban Image of Late antique Constantinople, Sarah Bassett

The Urban Image of Late antique Constantinople

Автор: Sarah Bassett
Название:  The Urban Image of Late antique Constantinople   (Городские виды древнего Константинополя)
Издательство: Cambridge Academ
Искусство: доисторическое искусство
Искусство: 500 - 1400 гг

ISBN: 0521030846
ISBN-13(EAN): 9780521030847
ISBN: 0-521-03084-6
ISBN-13(EAN): 978-0-521-03084-7
Обложка/Формат: Paperback
Страницы: 314
Вес: 0.501 кг.
Дата издания: 18.01.2007
Язык: ENG
Издание: New ed
Иллюстрации: 1 line figure 42 halftones 7 maps
Размер: 24.41 x 16.99 x 1.68 cm
Читательская аудитория: Professional & vocational
Ссылка на Издательство: Link
Поставляется из: Англии
Описание: From its foundation in the fourth century to its fall to the Ottoman Turks in the fifteenth, the city of Constantinople boasted a collection of antiquities unrivalled by any city of the medieval world. The Urban Image of Late Antique Constantinople reconstructs the collection from the time that the city was founded by Constantine the Great through the sixth-century reign of the emperor Justinian. Drawing on medieval literary sources and, to a lesser extent, graphic and archaeological material, it identifies and describes the antiquities that were known to have stood in the city’s public spaces. Individual displays of statues are analysed as well as examined in conjunction with one another against the city’s topographical setting, in an effort to understand how ancient sculpture was used to create a distinct historical identity for Constantinople.
Описание: This book reconstructs Constantinople`s collection of antiquities from its foundation to its fall.
Дополнительное описание: Subject: Art / Architecture
Readership: architecture, art history
Level: academic researchers, graduate students
Format: 247 x 174 mm 314pp 1 line diagram 42 half-tones 7 maps
Chapter Titles: List of illustrations; Periodicals: abbreviations; Primary sources; Abbreviations; Preface; Introduction; 1. The shape of the city; 2. Creating the collection; 3. The Constantinian collections; 4. Theodosian Constantinople; 5. The Lausos collection; 6. Justinian and antiquity; The catalogue; Notes; Select bibliography; Index.

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Vision and Image in Early Christian England

Автор: Henderson
Название: Vision and Image in Early Christian England
ISBN: 0521180732 ISBN-13(EAN): 9780521180733
Издательство: Cambridge Academ
Цена: 2716 р.
Наличие на складе: Поставка под заказ.

Image and Text in Graeco-Roman Antiquity Volume 0

Автор: Michael Squire
Название: Image and Text in Graeco-Roman Antiquity Volume 0
ISBN: 0521756014 ISBN-13(EAN): 9780521756013
Издательство: Cambridge Academ
Цена: 8152 р.
Наличие на складе: Поставка под заказ.
Описание: The relation between the visual and the verbal spheres has been much contested in recent years, from laments about the ‘logocentricism’ of the academy to the heralding of the ‘pictorial turn’ of the multimedia age. This lavishly illustrated book recontextualises these debates through the historical lens of Greek and Roman antiquity. Dr Squire shows how modern Western concepts of ‘words’ and ‘pictures’ derive from a post-Reformation tradition of theology and aesthetics. Where modern critics assume a bipartite separation between images and texts, classical antiquity toyed with a more playful and engaged relation between the two. By using the ancient world to rethink our own ideologies of the visual and the verbal, this interdisciplinary book brings together classics and art history, as well as a sustained reflection on their historiography: the result is a new and explosive cultural history of Western visual thinking.

Image and Audience

Автор: Bradley, Richard
Название: Image and Audience
ISBN: 0199533857 ISBN-13(EAN): 9780199533855
Издательство: Oxford Academ
Цена: 4383 р.
Наличие на складе: Поставка под заказ.
Описание: In this extensively illustrated study, Richard Bradley asks why ancient objects were created and when and how they were used. He considers how the first definitions of prehistoric artworks were made, and the ways in which they might be related to practices in the visual arts today.

The Urban Development of Rome in the Age of Alexander VII

Автор: Dorothy Metzger Habel
Название: The Urban Development of Rome in the Age of Alexander VII
ISBN: 0521772648 ISBN-13(EAN): 9780521772648
Издательство: Cambridge Academ
Цена: 6048 р.
Наличие на складе: Поставка под заказ.
Описание: This study considers the urban development of Rome in the mid- seventeenth century as conceived and guided by the Chigi pope, Alexander VII. Focusing on discrete zones within the city, including the Quirinal, the Piazza del Popolo, Piazza S. Marco, the Corso, and the Vatican, Dorothy Metzger Habel suggests that Alexander VII masterminded a new conceptualization of the city, which was grounded in the architectural formulae of late antique Roman Asia. Using these principles, Habel argues, architects and builders were sensitized to the physical characteristics of particular sites and drew relationships between buildings within the urban fabric. These planning methods contributed formally and iconographically to the architectural future of Rome. Including an in-depth analysis of all available evidence - archival sources, working and presentational drawings, and the physical fabric of key monuments and their situation within the topography of Rome - Habel’s book offers a new and innovative model for histories of urban architecture and planning.

Observation and Image-Making in Gothic Art

Автор: Jean A. Givens
Название: Observation and Image-Making in Gothic Art
ISBN: 0521830311 ISBN-13(EAN): 9780521830317
Издательство: Cambridge Academ
Цена: 4207 р.
Наличие на складе: Поставка под заказ.
Описание: Observation and Image-Making in Gothic Art examines the working practices of medieval artists and challenges many assumptions about pre-modern science and art, especially the notion that descriptive art is a natural response to scientific empiricism. Late medieval images range from vividly specific to barely identifiable, but descriptiveness in the medieval context rarely correlates with a modern notion of function. Rather, scientific illustrations are often less descriptive than sacred art, and thus an inversion of the relationship between art and science.

In this study, Jean Givens defines late medieval visual communication strategies and reveals the various modes of organizing and displaying knowledge. She demonstrates how medieval image making offers new insights into the syntax of visual communication and the function of descriptive art in both sacred and secular contexts.


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