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Henri Cartier-Bresson: A Propos De Paris, Bresson H C

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Автор: Bresson H C
Название:  Henri Cartier-Bresson: A Propos De Paris   (Анри-Картье Бренссон:Кстати о Париже)
Издательство: Hachette Book Group
Предметы искусства и их обращение
Отдельные фотографы
Фотографии: собрания, портреты, репортажи

ISBN: 0821224964
ISBN-13(EAN): 9780821224960
ISBN: 0-8212-2496-4
ISBN-13(EAN): 978-0-8212-2496-0
Обложка/Формат: Paperback
Страницы: 168
Вес: 0.975 кг.
Дата издания: May 1998
Язык: English
Размер: 26.24 x 24.05 x 1.63 cm
Поставляется из: США

Robert bresson

Автор: Cunneen
Название: Robert bresson
ISBN: 0826416055 ISBN-13(EAN): 9780826416056
Издательство: Bloomsbury
Цена: 2702 р.
Наличие на складе: Есть (1 шт.)
Описание: Although Bresson is widely regarded as one of the greatest directors of the 20th century, his films are rarely shown in the English-speaking world. This book introduces his movies to a broader audience and assesses 13 of his most significant films in the context of detailed plot summaires, vivid character descriptions and settings.

Notes on the Cinematograph

Автор: Bresson Robert
Название: Notes on the Cinematograph
ISBN: 1681370247 ISBN-13(EAN): 9781681370248
Издательство: Random House (USA)
Цена: от 970 р.
Наличие на складе: Есть

Описание: A key influence on the French New Wave and the director of such iconic works as "Pickpocket "and "A Man Escaped," Robert Bresson is one of the central figures of French cinema. "Notes on the Cinematograph "is not only his definitive treatise on film its inherent peculiarity and potential but an ascetic meditation on how art transcends, and is transformed by, the senses.
Bresson upends inherited truths with empirical ones, calling for film to divest itself of the trappings of theater in order to come into its own as an art form. While theater is capable of simulation, film can capture immanent being. Therefore, he argues, the two forms are innately at odds: No marriage of theater and cinematography without both being exterminated.
To this end, Bresson rechristens his actors models and conducts them through grueling shoots where they repeat their lines and movements until he deems them vacant of actorly intention and charged, instead, with inscrutability: A model. Enclosed in his mysterious appearance. He has brought home to him all of him that was outside. He is there, behind that forehead, those cheeks. "

Touching God: The Novels of Georges Bernanos in the Films of Robert Bresson

Автор: Curran, Beth Kathryn (Author), Alvarez-Detrell, Ta
Название: Touching God: The Novels of Georges Bernanos in the Films of Robert Bresson
ISBN: 0820478261 ISBN-13(EAN): 9780820478265
Издательство: Неизвестно
Цена: 7477 р.
Наличие на складе: Есть (1 шт.)
Описание: Robert Bresson (1901-1999), one of the most original film-makers in the history of cinema, adapted two novels by Georges Bernanos (1888-1948), Journal d'un cur de campagne and Nouvelle Histoire de Mouchette. The Catholic novelist Bernanos and the spiritual filmmaker Bresson, each in his own way, articulate grace and redemption through the suffering and death of their heroes/heroines. As a result, the reader and the spectator come to sense the presence of God in all four works. Bresson's techniques are presented and analyzed, as well as his later move to films without grace and redemption.

Henri Cartier-Bresson in India

Название: Henri Cartier-Bresson in India
ISBN: 0821227351 ISBN-13(EAN): 9780821227350
Издательство: Hachette Book Group
Цена: 2587 р.
Наличие на складе: Поставка под заказ.

Описание: This record of Cartier-Bresson's fascination with India over half a lifetime contains the very best of his photographs of that country, produced during six extended visits, the first at the time of Independence, the most recent in 1987. His images are shaped by an eye and a mind legendary for their empathy and for going to the heart of the matter. Cartier-Bresson's talent, his famous "mantle of invisibility" and his good connections with such figures as Nehru, allowed him to capture the quintessence of India - a land renowned for its contradictions and variety. His pictures of Hindus in refugee camps after the Partition or of beggars in Calcutta, speak with the same passion and authority as those of the Maharaja of Baroda's sumptuous birthday celebrations, or of the Mountbattens posed on the steps of Government House. Considerable space is given to his famous reportages, such as the astonishing sequence on the death and cremation of Gandhi. Above all, his skill selects the apparently ordinary faces and scenes from market, temple or countryside that define the spirit of a country.

Henri Cartier-Bresson: Photographer

Автор: Cartier-Bresson/Bonnefoy
Название: Henri Cartier-Bresson: Photographer
ISBN: 0821219863 ISBN-13(EAN): 9780821219867
Издательство: Hachette Book Group
Цена: 9240 р.
Наличие на складе: Поставка под заказ.

Bresson on Bresson: Interviews, 1943-1983

Автор: Bresson Robert
Название: Bresson on Bresson: Interviews, 1943-1983
ISBN: 1681370441 ISBN-13(EAN): 9781681370446
Издательство: Random House (USA)
Цена: 1706 р.
Наличие на складе: Невозможна поставка.

Описание: One of the most influential directors in the history of French cinema, Robert Bresson never strayed from his iconoclastic ways, insisting on the use of nonprofessional actors, shunning the advances of Cinerama and CinemaScope (and the work of most of his predecessors and peers), mincing no words about the damaging influence of capitalism and the studio system on the still-developing in his view art of film. Organized chronologically, this collection of interviews and testimonials reveals the development of Bresson s thought over the course of forty years, punctuated by recurring mantras such as Sound cinema invented silence, Characters don t make a film; a film makes its characters, Cinema is a form of writing, and (paraphrased from the Bible) Every idle word shall be counted. His integrity and originality earned him the respect of younger innovators, notably the filmmakers of the French New Wave, whose importance he recognized from the start. Perhaps the most striking cumulative effect of this palimpsest of self-interpretation is the revelation, beneath the apparently hyper-controlled aesthetic of Bresson s films, of a near-religious belief in the value of intuition, not only that of the creator but that of the general public, which he claims to deeply respect: People are always ready to feel before they understand. And that s how it should be. "

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