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Allegory & Migration of Symbols PB


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Цена: 2064р.
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Автор: Rudolf Wittkower
Название:  Allegory & Migration of Symbols PB   (Аллегория и перемещение символов)
Издательство: Thames & Hudson
Классификация:
Общие вопросы искусства

ISBN: 0500274703
ISBN-13(EAN): 9780500274705
ISBN: 0-500-27470-3
ISBN-13(EAN): 978-0-500-27470-5
Обложка/Формат: Paperback
Страницы: 224
Вес: 0.702 кг.
Дата издания: 23.02.1987
Серия: Art Reference, Theory & Criticism
Иллюстрации: 251 illustrations
Размер: 251 x 181 x 20
Читательская аудитория: General (us: trade)
Подзаголовок: The collected essays of rudolf wittkower
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Поставляется из: Англии
Описание: Rudolf Wittkower deplored specialiation. For him, it was the fact that art communicated experience which made it a rewarding study, and nothing fascinated him more than the way in which one culture picked up and transformed the images of another. This volume draws together fourteen essays written over a thirty-three-year period in which he ranges far and wide in search of these migrating symbols, trying to penetrate the meaning that artists have given them or that they have unconsciously conveyed.

The esays - each with its original illustrations and notes - fall into two main groups. The first traces instances where oriental imagery has entered the art of the West - specifically the strange images of Eagle and Serpent, and the long catalogue of monsters which the ancient and medieval worlds took so completely for granted and which held meanings for them not always apparent to ourselves. The second looks at the sources of some favourite allegorical motifs of the Renaissance - Chance, Time, Resurrection, Patience, Death, Virtue, Grammatica - and shows how they keep their identity throughout revolutions of taste and style.

One essay explores an intriguing byway of art history, the 15th centurys claim to have rediscovered hieroglyphics. Another finds a consistency and purpose in El Grecos apparently mechanical repitition of the same gestures in painting after painting. Finally Professor Wittkower faces the basic question of why a picture - whether by Leonardo or a child of three - can mean anything at all.


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Two Concepts of Allegory

Автор: Nuttell
Название: Two Concepts of Allegory
ISBN: 0300118740 ISBN-13(EAN): 9780300118742
Издательство: Yale University Press
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Цена: 1756 р.
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Описание: The fundamental subject of A. D. Nuttall's bold and daring first book, "Two Concepts of Allegory", is a particular habit of thought - the practice of thinking about universals as though they were concrete things.

His study takes the form of an inquiry into certain conceptual questions raised, in the first place, by the allegorical critics of "The Tempest", and, in the second place, by allegorical and quasi-allegorical poetry in general. The argument has the further consequence of suggesting that allegory and metaphysics are in practice more closely allied than is commonly supposed. This paperback reissue includes a new preface by the author.

A Closer Look - Allegory

Автор: Langmuir
Название: A Closer Look - Allegory
ISBN: 1857094859 ISBN-13(EAN): 9781857094855
Издательство: Yale University Press
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Цена: 1096 р.
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Описание: When we say that `Love is blind` or `Time flies` - making concepts sound like living beings - we are using the language of allegory. Painters have long relied on allegory to create `message pictures`. This guide helps readers understand the language of allegory within Western painting - be it from the National Gallery or from other collections.

Douglas Gordon`s Vanity Allegory

Автор: Douglas Gordon
Название: Douglas Gordon`s Vanity Allegory
ISBN: 0892073330 ISBN-13(EAN): 9780892073337
Издательство: Thames & Hudson
Цена: 2586 р.
Наличие на складе: Нет в наличии.

Описание: Douglas Gordon is an inveterate storyteller. The fictions that he weaves extends outward from the objects of his art--film, video, sound installations, photographs and text works--to encompass his own artistic persona. "Douglas Gordon's Vanity of Allegory," an exhibition conceived specifically for the Deutsche Guggenheim, Berlin, explores the notion of the veiled self-portrait as an art-historical trope, a literary device and a cinematic strategy while it examines the intersection of vanitas as a meditation on the ephemeral nature of life itself, and a ploy to remain immortal. For "Douglas Gordon's Vanity of Allegory," Gordon turned to the history of art for source material. His installation includes loans from the Guggenheim and private collections, as well as examples of his own work and that of his peers. By combining historical and contemporary art and film, Gordon has created a visual collage that narrates issues of self-representation and double identity. This catalogue illustrates each object in the show along with Gordon's rationale for its inclusion.


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