Автор: Tom Wolfe Название: Traditional Santa Carving with Tom Wolfe ISBN: 0887403662 ISBN-13(EAN): 9780887403668 Издательство: Schiffer Рейтинг: Цена: 2358.00 р. Наличие на складе: Поставка под заказ.
Описание: After the great success of Santa and His Friends, Tom Wolfe presents a group of traditional Santas that have been found in American Art, literature, and advertising since the 1860s and have a warm place in the imaginations of children and the memories of adults. With easy to follow, step-by-step instructions accompanied by full color photos, this is a great book for the beginning and intermediate carver.
Автор: Tom Wolfe Название: Carving Traditional Woodspirits with Tom Wolfe ISBN: 088740538X ISBN-13(EAN): 9780887405389 Издательство: Schiffer Рейтинг: Цена: 2176.00 р. Наличие на складе: Поставка под заказ.
Описание: When Tom Wolfe published his first book on Woodspirits, Tom Wolfe Carves Woodspirits and Walking Sticks, we had no idea how popular it would become. Thousands of people saw it, bought it, and asked for more. So here it is, a new collection of Woodspirits, this time done in the traditional Bavarian way. Carved from a section of a tree, the branch forms the hat. Of course Tom brings his own inimitable style to the carving, making it lively and creative. As always he takes the carver step-by-step through the carving process. There can be no pattern, because each Woodspirit springs from a unique piece of wood. But the technique and the sequence of carving can be easily learned through the step-by-step color illustrations. A gallery of several Woodspirits will give the carver many ideas about the variety and variations they can obtain when they release the Spirits from the Wood.
Автор: Gregor Hohenberg Название: Traditional Couture. Folkloric Heritage Costumes ISBN: 3899555724 ISBN-13(EAN): 9783899555721 Издательство: Gestalten Рейтинг: Цена: 7204.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Traditional clothing represents the regions where it is produced along with their cultures and handcraft. Its creativity and longevity is inspiring high fashion designers of today and tomorrow. Traditional clothing is essentially haute couture. Made with high quality fabrics and elaborate workmanship, it embodies cultural heritage and style. Encompassing a surprising variety of garments, it represents premium handcraft, an awareness of tradition, a sense of belonging, and an affinity to one s homeland. At the same time, folkloric clothing is inspiring some of today and tomorrow s most ambitious and radical fashion designers. In Traditional Couture, photographer Gregor Hohenberg succeeds in building a visual bridge between the outmoded and the avant-garde in German folkloric fashion. He portrays the individuals, young and old alike, who wear traditional attire in all the regions of his homeland, as well as their surroundings. Furthermore, he depicts the distinctive garments in all their glorious detail: pearls, seams, embroidery, and colors all of which are completely unaffected by the seasonal influences of the fashion industry. This book is a dazzling journey in pictures featuring an almost overwhelming abundance of visual symbols and stylistic inspiration. At the same time, Traditional Couture captures the grace and dignity with which this clothing is worn. The book eschews kitschy German folklore to show how donning traditional dress can change one s composure, lend charisma, and make a statement while providing a relaxed sense of self-confidence and feeding a passion for special attire at special occasions. There is simply no other clothing that represents the wearer s biography and region in quite the same way. Traditional German outfits are made to last a lifetime and handed down to future generations. Some of their details are so elaborately made that hardly anyone has the time or skill to create them today. Tailors that still master this art are in high demand far beyond regional borders. Consequently, traditional clothing is a handcraft that connects people. The distinctive quality, identity, and intensity of the attire featured in Traditional Couture is inspiring fashion designers to rethink their collections in new directions. While giant fashion brands are surrendering to global, fast-lived trends, more and more small manufacturers are creating enduring garments: heirlooms instead of throw-away T-shirts.
Автор: McMahon, Peter Название: Cape Cod Modern ISBN: 1935202162 ISBN-13(EAN): 9781935202165 Издательство: Thames & Hudson Рейтинг: Цена: 6600.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
From the "summer Bauhaus" on, the Cape's modern designers enjoyed a lifestyle based on communion with nature, solitary creativity and shared festivity
In the summer of 1937, Walter Gropius, founder of the Bauhaus and a professor at Harvard's new Graduate School of Design, rented a house on Planting Island, near the base of Cape Cod. There, he and his wife, Ise, hosted a festive reunion of Bauhaus masters and students who had recently emigrated from Europe: Marcel Breuer, Herbert Bayer, L szl Moholy-Nagy, Xanti Schawinsky and others. Together they feasted, swam and planned their futures on a new continent, all sensing they were on the cusp of a momentous new phase in their lives. Yet even as they moved on, the group never lost its connection to the Cape Cod coast. Several members returned, when they had the means, to travel farther up the peninsula, rent cabins, buy land and design their ideal summer homes. Thus began a chapter in the history of modern architecture that has never been told--until now. The flow of talent onto the Outer Cape continued and, within a few years, the area was a hotbed of intellectual currents from New York, Boston, Cambridge and the country's top schools of architecture and design. Avant-garde homes began to appear in the woods and on the dunes; by the 1970s, there were about 100 modern houses of interest here. In this story, we meet, among others, the Boston Brahmins Jack Phillips and Nathaniel Saltonstall; the self-taught architect, carpenter and painter Jack Hall; the Finn Olav Hammarstr m, who had worked for Alvar Aalto; and the prolific Charlie Zehnder, who brought the lessons of both Frank Lloyd Wright and Brutalism to the Cape. Initially, these designers had no clients; they built for themselves and their families, or for friends sympathetic to their ideals. Their homes were laboratories, places to work through ideas without spending much money. The result of this ferment is a body of work unlike any other, a regional modernism fusing the building traditions of Cape Cod fishing towns with Bauhaus concepts and postwar experimentation.
--Peter Terzian "Cape Cod Modern"
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