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The Graphic Works of Odilon Redon


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Автор: Redon Odilon
Название:  The Graphic Works of Odilon Redon
Перевод названия: Одилон Редон - графическме работы
ISBN: 9780486446592
Издательство: Dover
Классификация:

ISBN-10: 048644659X
Обложка/Формат: Paperback
Страницы: 240
Вес: 0.87 кг.
Дата издания: 20.09.2005
Серия: Dover fine art, history of art
Язык: English
Размер: 278 x 213 x 11
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Поставляется из: США
Описание: One of the most expressive artists of the Symbolism movement, Odilon (1840-1916) led a quiet life. Withdrawn in manner, conventional in dress, and virtually unknown for the first half of his career, the French painter and graphic artist drew upon his own startlingly complex and fantastic inner world to create haunting works that reveal an existence beyond that of everyday vision. He transformed common subjects and models into strange, eerie images and exhibited a predilection for spiders and serpents, skeletons and skulls, gnomes and monsters -- all rendered in a distinctive style of controlled, delicate realism.
Redons popularity arose chiefly among young progressive artists, who considered his works as visual correspondence to the literary symbolism of Mallarme. Modern devotees regard Redons translation of the subconscious world of dreams into visual reality as a precursor to Surrealism. This modestly priced volume offers a rich compilation of the influential artists graphic works, with 209 illustrations -- 72 lithographs, plus 37 etchings and engravings -- depicting unforgettable scenes of fantasy and mystery.



I Am the First Consciousness of Chaos: The Black Album

Автор: Redon Odilon
Название: I Am the First Consciousness of Chaos: The Black Album
ISBN: 0985762551 ISBN-13(EAN): 9780985762551
Издательство: Неизвестно
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Цена: 4476.00 р.
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Описание: I AM THE FIRST CONSCIOUSNESS OF CHAOS collects the key noirs -- lithographs, etchings and charcoals -- of Odilon Redon, perhaps the most enigmatic and esoteric figure in the artistic lineage that leads directly from Symbolism to Surrealism. Never previously available in a single trade volume, the majority of Redon's noirs -- over 250 illustrations -- are finally collated here, along with illuminating excerpts from the decadent texts which inspired their creation. Authors featured include J-K Huysmans, Gustave Flaubert, Charles Baudelaire, Edward Bulwer-Lytton, St John the Divine, Edgar Allan Poe and others; the book also includes an autobiographical introductory essay by Redon himself.
With proclamations such as everything in art occurs through voluntary submission to the advent of the unconscious and my originality consists in putting the logic of the visible at the service of the invisible, Odilon Redon (1840-1916) established a theoretical legacy which now places him as one of the key precursors of Surrealist thought. And along with Gustave Moreau and Georges Seurat, Redon was one of the first painters to excite the imagination of a young Andre Breton.
A contemporary of the Impressionists, Redon chose to align himself with literary Symbolism, demonstrated by his friendship with Stephane Mallarme and his visual interpretations of the decadent texts of such writers as Baudelaire, Flaubert, Poe, and others. His reputation as a purveyor of phantasmic visions was sealed by the description of his work included in J-K Huysmans' decadent bible A Rebours, in 1884, and his rise to prominence in the 20th century was precipitated by the inclusion of many of his works at the controversial Armory Show, held in New York in 1913.


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