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Bernini & the Bell Towers


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Автор: McPhee
Название:  Bernini & the Bell Towers
Перевод названия: Бернини и колокольни
ISBN: 9780300089820
Издательство: Wiley yUP
Классификация:

ISBN-10: 0300089821
Обложка/Формат: Hardcover
Страницы: 352
Вес: 1.62 кг.
Дата издания: 19/11/2002
Язык: English
Читательская аудитория: General (US: Trade)Professional & VocationalTertia
Поставляется из: Англии
Описание: In 1638, the great artist-architect Gianlorenzo Bernini began one of the most ambitious architectural projects of his career: to design and construct massive twin bell towers atop St. Peters basilica at the Vatican. But the project failed spectacularly.

Berninis reputation was permanently tarnished, and the scandal of the bell towers sparked a controversy that persists to this day. What happened? Who was responsible? How did events unfold in this dramatic episode of architectural history? This illustrated volume tells the complete story of the bell towers. Presenting both visual and documentary evidence, Sarah McPhee reconstructs the entire affair, the architectural and political milieu, the evolution of the designs, and the varying influences of all those involved in the project.

McPhee examines the multiple constraints under which Bernini worked, including the ambitions of the Pope, the criticisms of rival architects, the financial and political constraints of the building committee, the monumental history of the basilica, and the geology of the site. She reinterprets Berninis role as architect and shows convincingly that the failure of the bell tower was not Berninis own. Instead, it was the failure of the institution of the Vatican, driven by liturgical and political imperatives, that doomed the project despite the architects heroic efforts.



Bernini: Sculpting in Clay (Metropolitan Museum of Art)

Автор: Dickerson C D
Название: Bernini: Sculpting in Clay (Metropolitan Museum of Art)
ISBN: 0300185006 ISBN-13(EAN): 9780300185003
Издательство: Wiley yUP
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Цена: 7425.00 р.
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Описание: The brilliantly expressive clay models created by Gian Lorenzo Bernini (1598-1680) as "sketches" for his works in marble offer extraordinary insights into his creative imagination. Although long admired, the terracotta models have never been the subject of such detailed examination. This publication presents a wealth of new discoveries (including evidence of the artist's fingerprints imprinted on the clay), resolving lingering issues of attribution while giving readers a vivid sense of how the artist and his assistants fulfilled a steady stream of monumental commissions. Essays describe Bernini's education as a modeler; his approach to preparatory drawings; his use of assistants; and the response to his models by 17th-century collectors. Extensive research by conservators and art historians explores the different types of models created in Bernini's workshop. Richly illustrated, Bernini transforms our understanding of the sculptor and his distinctive and fascinating working methods.


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