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Mondrian
Варианты приобретения
Цена:
5775.00р.
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о цене
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Отсутствует. Возможна поставка под заказ.
При оформлении заказа до:
2025-08-04
Ориентировочная дата поставки:
Август-начало Сентября
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Автор:
Cooper
(Купер)
Название:
Mondrian
Перевод названия: Мондриан
ISBN:
9780300089288
Издательство:
Wiley yUP
Классификация:
История художественных и оформительских стилей: с 1900 г.
Живопись
ISBN-10: 0300089287
Обложка/Формат: Hardcover
Страницы: 304
Вес: 1.77 кг.
Дата издания: 02/04/2001
Язык: English
Читательская аудитория: Professional & VocationalTertiary Education (US: C
Поставляется из: Англии
Описание: Just before World War II, Piet Mondrian fled from Paris to London and later to New York, where he lived until his death in 1944. Upon his arrival in Manhattan, the artist began reworking seventeen of the paintings be brought with him, many of which had already been finished and exhibited. He changed lines and added blocks and bars of color to give them what he called more boogie-woogie.
In this groundbreaking book, Harry Cooper, an authority on Mondrians art, and Ron Spronk, an expert on the technical examination of paintings, investigate the artists so-called transatlantic paintings and his unusual working method during this period. Their collaboration offers an intimate look into the studio of one of the greatest modern artists and establishes a new model for the integration of art history, theory, and technical analysis. The book begins with two essays by Cooper that discuss the critical reception of Mondrians work, the place o the transatlantic paintings in the evolution of his art, and the particular significance of their dates and titles.
Spronks essay presents technical discoveries based on the authors original research, reproducing and interpreting many new X-radiographs, photomicrographs, and photographs taken under ultraviolet and infrared light. The catalogue features such major paintings as Place de la Concorde (1938-43) from the Dallas Museum of Art and No. 12 (1936-42) from the National Gallery of Canada.
Each work is discussed in a comprehensive entry accompanied by a dazzling array of illustrations that take the reader under the surface of the painting to reveal its genesis. This is the catalogue for an exhibition that opens at the Harvard University Art Museums in April 2001 and then travels to the Dallas Museum of Art.
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