Автор: Kubo, Tite Название: Bleach, Vol. 70 ISBN: 1421588676 ISBN-13(EAN): 9781421588674 Издательство: Viz Media Рейтинг: Цена: 1246 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Part-time student, full-time Soul Reaper, Ichigo is one of the chosen few guardians of the afterlife. Ichigo Kurosaki never asked for the ability to see ghosts—he was born with the gift. When his family is attacked by a Hollow—a malevolent lost soul—Ichigo becomes a Soul Reaper, dedicating his life to protecting the innocent and helping the tortured spirits themselves find peace. Find out why Tite Kubo’s Bleach has become an international manga smash-hit! Jugo and Bazz spent their childhood together, but their paths diverged once they met Yhwach. They now stand against each other as enemies, but what's truly in their hearts? Meanwhile, Kenpachi and Mayuri face off against the weirdest Quincy yet!
Автор: Kubo, Chisato Hayato, Ito Название: Utafanya nini? ISBN: 9987081193 ISBN-13(EAN): 9789987081196 Издательство: Неизвестно Рейтинг: Цена: 2504 р. Наличие на складе: Невозможна поставка.
Автор: Kubo, Tite Название: Bleach (3-in-1 Edition), Vol. 20 ISBN: 1421590972 ISBN-13(EAN): 9781421590974 Издательство: Viz Media Рейтинг: Цена: 1870 р. Наличие на складе: Невозможна поставка.
Описание: Part-time student, full-time Soul Reaper, Ichigo is one of the chosen few guardians of the afterlife. Ichigo Kurosaki never asked for the ability to see ghosts—he was born with the gift. When his family is attacked by a Hollow—a malevolent lost soul—Ichigo becomes a Soul Reaper, dedicating his life to protecting the innocent and helping the tortured spirits themselves find peace. The mysterious Vandenreich warriors were more than the Soul Reapers could deal with—even with the help of Captain General Yamamoto! In the wake of the disastrous battle, Ichigo retreats to the royal palace to heal his wounds. Once his body is whole, it’s time for more grueling training…and a dark revelation about his past!
Описание: Often problematically labeled as "Brutalist" architecture, the concrete buildings that transformed Boston during 1960s and 1970s were conceived with progressive-minded intentions by some of the world's most influential designers, including Marcel Breuer, Le Corbusier, I. M. Pei, Henry Cobb, Araldo Cossutta, Gerhard Kallmann and Michael McKinnell, Paul Rudolph, Josep Llu s Sert, and The Architects Collaborative. As a worldwide phenomenon, building with concrete represents one of the major architectural movements of the postwar years, but in Boston it was deployed in more numerous and diverse civic, cultural, and academic projects than in any other major U.S. city. After decades of stagnation and corrupt leadership, public investment in Boston in the 1960s catalyzed enormous growth, resulting in a generation of bold buildings that shared a vocabulary of concrete modernism. The period from the 1960 arrival of Edward J. Logue as the powerful and often controversial director of the Boston Redevelopment Authority to the reopening of Quincy Market in 1976 saw Boston as an urban laboratory for the exploration of concrete's structural and sculptural qualities. What emerged was a vision for the city's widespread revitalization often referred to as the "New Boston." Today, when concrete buildings across the nation are in danger of insensitive renovation or demolition, Heroic presents the concrete structures that defined Boston during this remarkable period--from the well-known (Boston City Hall, New England Aquarium, and cornerstones of the Massachusetts Institute of Technology and Harvard University) to the already lost (Mary Otis Stevens and Thomas F. McNulty's concrete Lincoln House and Studio; Sert, Jackson & Associates' Martin Luther King Jr. Elementary School)--with hundreds of images; essays by architectural historians Joan Ockman, Lizabeth Cohen, Keith N. Morgan, and Douglass Shand-Tucci; and interviews with a number of the architects themselves. The product of 8 years of research and advocacy, Heroic surveys the intentions and aspirations of this period and considers anew its legacies--both troubled and inspired.
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