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Women, Modernism, and Performance, Penny Farfan



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Автор: Penny Farfan
Название:  Women, Modernism, and Performance
Перевод названия: Пенни Фарфан: Женщины, модернизм и представление
ISBN: 9780521040983
Издательство: Cambridge Academ
Классификация:
ISBN-10: 0521040981
Обложка/Формат: Paperback
Страницы: 188
Вес: 0.28 кг.
Дата издания: 27.08.2007
Язык: English
Иллюстрации: 6 b/w illus.
Размер: 229 x 152 x 11
Читательская аудитория: Professional & vocational
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Англии
Дополнительное описание: Subject: Philosophy / Philosophy (general)
Readership: drama, English literature
Level: academic researchers, graduate students
Format: 228 x 152 mm 185pp 6 half-tones
Chapter Titles: List of illustrations; List of abbreviations; Acknowledgements; Introduction; 1. From 'Hedda Gabler' to 'Votes for Women': Elizabeth Robins's early feminist critique of Ibsen; 2. Feminist Shakespeare: Ellen Terry’s comic ideal; 3. Unimagined parts, unlived selves: Virginia Woolf on Ellen Terry and the art of acting; 4. Staging the ob/scene; 5. Writing/performing: Virginia Woolf between the acts; 6. Feminism, tragedy, history: the fate of Isadora Duncan; Conclusion; Notes; Bibliography; Index.





Chinese Theatre and the Actor in Performance

Автор: Jo Riley
Название: Chinese Theatre and the Actor in Performance
ISBN: 0521035236 ISBN-13(EAN): 9780521035231
Издательство: Cambridge Academ
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Цена: 9941 р.
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Описание: This work gives an ‘inside’ view of Chinese theatre and the actor in performance. In doing so it also challenges Western theatre artists such as Brecht, Grotowski, Barba and Schechner, who have extracted from Chinese theatre elements which might enrich their own theatres. Jo Riley writes from her personal observations of, and dialogue with, Chinese actors and her first-hand experiences of the theatre world of China in general, none of which was possible before 1980. She uses not only jingju (so misrepresented as Peking opera) but also exorcism, puppet theatre and ancient animation rites at the tomb to provide models for exploring the process of creating presence on the Chinese stage. Her study is well illustrated with photographs and diagrams and is accessible to anyone interested in theatre, even those with no knowledge of Chinese or Chinese theatre.

Popular Culture and Performance in the Victorian City

Автор: Peter Bailey
Название: Popular Culture and Performance in the Victorian City
ISBN: 0521543487 ISBN-13(EAN): 9780521543484
Издательство: Cambridge Academ
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Цена: 6325 р.
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Описание: This lively and highly innovative book reconstructs the texture and meaning of popular pleasure in the Victorian entertainment industry. Integrating theories of language and social action with close reading of contemporary sources, Peter Bailey provides a richly detailed study of the pub, music-hall, theatre and comic newspaper. Analysis of the interplay between entrepreneurs, performers, social critics and audience reveals distinctive codes of humour, sociability and glamour that constituted a new populist ideology of consumerism and the good time. Bailey shows how the new leisure world offered a repertoire of roles that enabled its audience to negotiate the unsettling encounters of urban life. Bailey offers challenging interpretations of respectability, sexuality, and the cultural politics of class and gender in a distinctive, personal voice.

Speech and Performance in Shakespeare`s Sonnets and Plays

Автор: David Schalkwyk
Название: Speech and Performance in Shakespeare`s Sonnets and Plays
ISBN: 052103633X ISBN-13(EAN): 9780521036337
Издательство: Cambridge Academ
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Цена: 6325 р.
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Описание: David Schalkwyk offers a sustained reading of Shakespeare’s sonnets in relation to his plays. He argues that the language of the sonnets is primarily performative rather than descriptive, and bases this distinction on the philosophy of Ludwig Wittgenstein and J. L. Austin. In a wide-ranging analysis of both the 1609 Quarto of Shakespeare’s sonnets and the Petrarchan discourses in a selection of plays, Schalkwyk addresses such issues as embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire, both in the published poems and on the stage and in the context of the early modern period. In a provocative discussion of the question of proper names and naming events in the sonnets and plays, the book seeks to reopen the question of the autobiographical nature of Shakespeare’s sonnets.

A Short History of Western Performance Space

Автор: David Wiles
Название: A Short History of Western Performance Space
ISBN: 0521813247 ISBN-13(EAN): 9780521813242
Издательство: Cambridge Academ
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Цена: 8677 р.
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Описание: This innovative book provides a historical account of performance space within the theatrical traditions of western Europe. David Wiles takes a broad-based view of theatrical activity as something that occurs in churches, streets, pubs and galleries as much as in buildings explicitly designed to be ‘theatres’. He traces a diverse set of continuities from Greece and Rome to the present, including many areas that do not figure in standard accounts of theatre history. Drawing on the cultural geography of Henri Lefebvre, the book identifies theatrical performances as spatial practices characteristic of particular social structures. It is not a history of contexts for dramatic literature, but the history of an activity rooted in bodies and environments. Wiles uses this historical material to address a pressing concern of the present: is theatre better performed in modern architect-designed, apparently neutral empty spaces, or characterful ‘found’ spaces?

Performance and Identity in the Classical World

Автор: Anne Duncan
Название: Performance and Identity in the Classical World
ISBN: 052185282X ISBN-13(EAN): 9780521852821
Издательство: Cambridge Academ
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Цена: 12833 р.
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Описание: Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. Actors were often viewed as frauds and impostors, capable of deliberately fabricating their identities. Conversely, they were sometimes viewed as possessed by the characters that they played, or as merely playing themselves onstage. Numerous sources reveal an uneasy fascination with actors and acting, from the writings of elite intellectuals (philosophers, orators, biographers, historians) to the abundant theatrical anecdotes that can be read as a body of ‘popular performance theory.’ Performance and Identity in the Classical World examines these sources, along with dramatic texts and addresses the issue of impersonation, from the late fifth century BCE to the early Roman Empire.

Greek Theatre Performance

Автор: David Wiles
Название: Greek Theatre Performance
ISBN: 052164027X ISBN-13(EAN): 9780521640275
Издательство: Cambridge Academ
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Цена: 12652 р.
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Описание: In this fascinating and accessible book, David Wiles introduces ancient Greek theatre to students and enthusiasts interested in knowing how the plays were performed. Theatre was a ceremony bound up with fundamental activities in ancient Athenian life and Wiles explores those elements which created the theatre of the time. Actors rather than writers are the book’s main concern and Wiles examines how the actor used the resources of story-telling, dance, mask, song and visual action to create a large-scale event that would shape the life of the citizen community. The book assumes no prior knowledge of the ancient world, and is written to answer the questions of those who want to know how the plays were performed, what they meant in their original social context, what they might mean in a modern performance and what can be learned from and achieved by performances of Greek plays today.

Speech and Performance in Shakespeare`s Sonnets and Plays

Автор: David Schalkwyk
Название: Speech and Performance in Shakespeare`s Sonnets and Plays
ISBN: 0521811155 ISBN-13(EAN): 9780521811156
Издательство: Cambridge Academ
Рейтинг:
Цена: 14279 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: David Schalkwyk offers a sustained reading of Shakespeare’s sonnets in relation to his plays. He argues that the language of the sonnets is primarily performative rather than descriptive, and bases this distinction on the philosophy of Ludwig Wittgenstein and J. L. Austin. In a wide-ranging analysis of both the 1609 Quarto of Shakespeare’s sonnets and the Petrarchan discourses in a selection of plays, Schalkwyk addresses such issues as embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire, both in the published poems and on the stage and in the context of the early modern period. In a provocative discussion of the question of proper names and naming events in the sonnets and plays, the book seeks to reopen the question of the autobiographical nature of Shakespeare’s sonnets.

Modernism and performance

Автор: Taxidou, Olga
Название: Modernism and performance
ISBN: 1403941017 ISBN-13(EAN): 9781403941015
Издательство: Springer
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Цена: 5196 р.
Наличие на складе: Нет в наличии.

Описание: The concept of performance as a distinct artistic practice emerges within the discourses of modernity. This guide to modernism and performance introduces key developments and debates of the period, such as the rise of the director, theories of acting, modes of production and complex relationships to classical and oriental drama.

Violence Against Women in Early Modern Performance

Автор: Solga Kim
Название: Violence Against Women in Early Modern Performance
ISBN: 1137274719 ISBN-13(EAN): 9781137274717
Издательство: Springer
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Цена: 8909 р.
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Описание: Examining some of the most iconic texts in English theatre history, including Titus Andronicus, The Duchess of Malfi and The Changeling, this book reveals the pernicious erasure of rape and violence against women in the early modern era, and the politics and ethics of rehearsing these negotiations on the twentieth- and twenty-first century stages.

Professing Performance

Автор: Shannon Jackson
Название: Professing Performance
ISBN: 0521651891 ISBN-13(EAN): 9780521651899
Издательство: Cambridge Academ
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Цена: 14641 р.
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Описание: Today’s academic discourse is filled with the word ‘perform’. Nestled amongst a variety of prefixes and suffixes (re-, post-, -ance, -ivity?), the term functions as a vehicle for a host of contemporary inquiries. For students, artists, and scholars of performance and theatre, this development is intriguing and complex. By examining the history of theatre studies and related institutions and by comparing the very different disciplinary interpretations and developments that led to this engagement, Professing Performance offers ways of placing performance theory and performance studies in context. Shannon Jackson considers the connection amongst a range of performance forms such as oratory, theatre, dance, and performance art and explores performance as both a humanistic and technical field of education. Throughout, she explores the institutional history of performance in the US academy in order to revise current debates around the role of the arts and humanities in higher education.

How Plays Work: Reading and Performance (Hb)

Автор: Meisel
Название: How Plays Work: Reading and Performance (Hb)
ISBN: 0199215499 ISBN-13(EAN): 9780199215492
Издательство: Oxford Academ
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Цена: 9219 р.
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Описание: Martin Meisel`s engaging book looks at how we read plays on the page. Cultivated in tone and jargon-free, his incisive account is illuminated by dozens of judiciously chosen examples from western drama - from classical Greek dramatists to contemporary playwrights, both canonical and relatively obscure. How Plays Work will appeal as much to the serious student of the theatre as to the playgoer who likes to read a play before seeing it performed.

Theory Performance Studies

Автор: Auslander
Название: Theory Performance Studies
ISBN: 0415974534 ISBN-13(EAN): 9780415974530
Издательство: Taylor&Francis
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Цена: 2902 р.
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Описание: Looks at the way the concept of performance has been engaged across a number of disciplines. This guide provides biographical, theoretical, and bibliographical information of theoretical thinkers along with a discussion of their relevance to theatre and performance studies and suggestions for future research.


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