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Renaissance Clothing and the Materials of Memory, Ann Rosalind Jones



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Цена: 4474р.
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Автор: Ann Rosalind Jones
Название:  Renaissance Clothing and the Materials of Memory
Издательство: Cambridge Academ
Классификация:
Литературоведение

ISBN: 0521786630
ISBN-13(EAN): 9780521786638
ISBN: 0-521-78663-0
ISBN-13(EAN): 978-0-521-78663-8
Обложка/Формат: Paperback
Страницы: 384
Вес: 0.674 кг.
Дата издания: 25.01.2001
Серия: Cambridge Studies in Renaissance Literature and Culture
Язык: ENG
Иллюстрации: 58 half-tones
Размер: 25.15 x 16.71 x 1.96 cm
Читательская аудитория: Professional & vocational
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Англии
Описание: During the late sixteenth century ‘fashion’ first took on the sense of restless change in contrast to the older sense of fashioning or making. As fashionings, clothes were perceived as material forms of personal and social identity which made the man or woman. In Renaissance Clothing and the Materials of Memory Jones and Stallybrass argue that the making and transmission of fabrics and clothing were central to the making of Renaissance culture. Their examination explores the role of clothes as forms of memory transmitted from master to servant, from friend to friend, from lover to lover. This book offers a close reading of literary texts, paintings, textiles, theatrical documents, and ephemera to reveal how clothing and textiles were crucial to the making and unmaking of concepts of status, gender, sexuality, and religion in the Renaissance. The book is illustrated with a wide range of images from portraits to embroidery.
Дополнительное описание: Subject: English literature / English literature- Renaissance and early modern to 1700
Readership: English literature, theatre history, early modern British and European history, gender studies
Level: academic researchers, graduate students
Format: 247 x 174 mm 384pp 58 half-tones
Chapter Titles: Acknowledgements; List of illustrations; Introduction: fashion, fetishism and memory in early modern England and Europe; Part I. Material Subjects: 1. The currency of clothing; 2. Composing the subject: making portraits; 3. Yellow starch: fabrications of the Jacobean court; Part II. Gendered Habits: 4. Arachne’s web: Velazquez’s Las Hilanderas; 5. The fate of spinning: Penelope and the Three Fates; 6. The needle and the pen: needlework and the appropriation of printed texts; Part III. Staging Clothes: 7. The circulation of clothes and the making of the English theater; 8. Transvestism and the ‘body beneath’: speculating on the boy actor; 9. (In)alienable possessions: Griselda, clothing and the exchange of women; 10. Of ghosts and garments: the materiality of memory on the Renaissance stage; Conclusion: the end(s) of livery; Notes; Index.





Memory and Intertextuality in Renaissance Literature

Автор: Lyne
Название: Memory and Intertextuality in Renaissance Literature
ISBN: 1107083443 ISBN-13(EAN): 9781107083448
Издательство: Cambridge Academ
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Цена: 7389 р.
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Описание: This book uses theories of memory derived from cognitive science to offer new ways of understanding how literary works remember other literary works. Using terms derived from psychology – implicit and explicit memory, interference and forgetting – Raphael Lyne shows how works by Renaissance writers such as Wyatt, Shakespeare, Jonson, and Milton interact with their sources. The poems and plays in question are themselves sources of insight into the workings of memory, sharing and anticipating some scientific categories in the process of their thinking. Lyne proposes a way forward for cognitive approaches to literature, in which both experiments and texts are valued as contributors to interdisciplinary questions. His book will interest researchers and upper-level students of renaissance literature and drama, Shakespeare studies, memory studies, and classical reception.

Memory and Forgetting in English Renaissance Drama

Автор: Garrett A. Sullivan
Название: Memory and Forgetting in English Renaissance Drama
ISBN: 0521848423 ISBN-13(EAN): 9780521848428
Издательство: Cambridge Academ
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Цена: 6973 р.
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Описание: Engaging debates over the nature of subjectivity in early modern England, this fascinating and original study examines sixteenth- and seventeenth-century conceptions of memory and forgetting, and their importance to the drama and culture of the time. Garrett A. Sullivan, Jr.

discusses memory and forgetting as categories in terms of which a variety of behaviours - from seeking salvation to pursuing vengeance to succumbing to desire - are conceptualized. Drawing upon a range of literary and non-literary discourses, represented by treatises on the passions, sermons, anti-theatrical tracts, epic poems and more, Shakespeare, Marlowe and Webster stage 'self-recollection' and, more commonly, 'self-forgetting', the latter providing a powerful model for dramatic subjectivity. Focusing on works such as Macbeth, Hamlet, Dr.

Faustus and The Duchess of Malfi, Sullivan reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment, selfhood and social practice.


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