Автор: Blom, Ivo Название: Reframing luchino visconti ISBN: 9088905487 ISBN-13(EAN): 9789088905483 Издательство: Marston Book Services Рейтинг: Цена: 7315 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Reframing Luchino Visconti: Film and Art gives new and unique insights into the roots of the visual vocabulary of one of Italy’s most reputed film authors. It meticulously researches Visconti’s appropriation of European art in his set and costume design, from pictorial citations and the archaeology of the set to the use of portraits and pictorial references in costume design. Yet it also investigates Visconti’s cinematography in combination with his mise-en-scene in terms of staging, framing, mobile framing, and mirroring. Here not only aesthetic conventions from art but also those from silent and sound cinema have been clearly appropriated by Visconti and his crew. This book gives answers to the question: where does the visual splendour of Visconti’s films come from? “This book, apart from showing a long-standing passion and fidelity, gives us one of the most original international researches ever produced on Visconti’s work. Through thorough archival research and numerous interviews with people close to Visconti such as his crew members, Ivo Blom’s monograph reveals the extraordinary network of iconographic and cultural connections that unite Visconti’s work, expose Visconti’s cinematographic signature and link different historic events with crucial moments in Visconti’s personal life.” – Gian Piero Brunetta (Universita di Padova) CLUES is an international scientific series covering research in the field of culture, history and heritage which have been written by, or were performed under the supervision of members of the research institute CLUE+.
Описание: Luchino Visconti's trilogy of films Ludwig, Death in Venice and The Damned explore the complex relationship between the themes and ideals of German Romanticism and their impact on the catastrophe of the Third Reich. The personality and works of Richard Wagner to a large extent epitomize German Romanticism as a whole, while the writings of Thomas Mann and Friedrich Nietzsche provide the greatest critique of this dark and troubled but sublime and emotionally overwhelming culture. Along with contrasting approaches to this subject by other filmmakers such as Hans-J rgen Syberberg, Ken Russell and Tony Palmer, this book explores how the preoccupations of the German Romantic movement led to Nazism, and contrasts the ways in which filmmakers have presented this continuum. The book also discusses the impact of Wagner's musical dramas on the art form of the cinema itself.
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