Описание: "The Corporate Commonwealth" traces the evolution of corporations during the English Renaissance and explores the many types of corporations that once flourished. Along the way, the book offers important insights into our own definitions of fiction, politics, and value. Henry S. Turner uses the resources of economic and political history, literary analysis, and political philosophy to demonstrate how a number of English institutions with corporate associations including universities, guilds, towns and cities, and religious groups were gradually narrowed to the commercial, for-profit corporation we know today, and how the joint-stock corporation, in turn, became both a template for the modern state and a political force that the state could no longer contain. Through innovative readings of works by Thomas More, William Shakespeare, Francis Bacon, and Thomas Hobbes, among others, Turner tracks the corporation from the courts to the stage, from commonwealth to colony, and from the object of utopian fiction to the subject of tragic violence. A provocative look at the corporation s peculiar character as both an institution "and" a person," The Corporate Commonwealth" uses the past to suggest ways in which today s corporations might be refashioned into a source of progressive and collective public action."
Описание: The paratexts in early modern English playbooks – the materials to be found primarily in their preliminary pages and end matter – provide a rich source of information for scholars interested in Shakespeare, Renaissance drama and the history of the book. In addition, these materials offer valuable insights into the rise of dramatic authorship in print, early modern attitudes towards theatre, notorious literary wrangles and the production of drama both on the stage and in the printing house. This unique two-volume reference is the first to include all paratextual materials in early modern English playbooks, from the emergence of print drama to the closure of the theatres in 1642. The texts have been transcribed from their original versions and presented in old-spelling. With an introduction, user's guide, multiple indices and a finding list, the editors provide a comprehensive overview of seminal texts which have never before been fully transcribed, annotated and cross-referenced.
Описание: Although it was the largest and final battle of the Pacific War, the Battle for Okinawa has long been overshadowed by other dramatic events in 1945. The books that have been written about it emphasise the role of infantrymen, armour, and U.S. Marines. This work takes a fresh perspective and focuses on the vital role played by the U.S. Army’s forward artillery observers—the eyes and ears of American artillery who were among the least recognised heroes of the war. According to Rodney Earl Walton, U.S. artillerymen matched Japanese gunners in intensity and surpassed them in effectiveness because their forward observers were able to provide a much shorter response time to requests for artillery support. Divided into teams consisting of four or five men led by an artillery lieutenant, these observers would spend three days on the front lines directing artillery against enemy positions, return to their artillery battery for three days, and then rotate up to the line of battle again. While trying to maximise the damage inflicted on the enemy, the men had to deal with the ever-present possibility of firing on their own forces. The ability to shift artillery fire throughout the battlefield was a new development in World War II, and its evolution is fully examined in the book. <br><br>Walton, the son of one of the forward observers on Okinawa, spent more than twenty years investigating what happened to his father and other artillerymen during the conflict. Interviews with the artillerymen and the infantrymen they supported are central to his story, which is filled with gripping and sometimes humorous accounts of what happened. The work stands as a stirring tribute from the “baby boom generation” to the “greatest generation.”
Описание: The book chronicles the extensive training and heroic service of the New York National guard's 104th Field Artillery Regiment from the period of 1916 to 1919. The regiment, initially called the 1st field Artillery Regiment, served as border patrol in Texas during the Mexican Punitive Expedition in 1916, and trained at the gunnery field at La Gloria, Texas. During World War I, they trained by the Glassy Mountains at Camp Wadsworth in South Carolina, and then at the School of Fire of Camp de Souge near Bordeaux, France. Because of this extensive training, elements of the 27th Division were splintered off and placed within a number of other divisions. The 52nd Field Artillery Brigade, under which the 104th Field Artillery Regiment served, was attached to the 33rd Division as their artillery, and then the 79th Division for the entire Meuse-Argonne Offensive near Verdun. Using field diaries, photos and letters, their story of courage under extreme conditions including enemy shelling and gas is recorded and their memory preserved.
Описание: Samuel Rawson Gardiner (1829–1902) was a Victorian historian of the seventeenth century, noted for his use of and editorial work on primary sources. This ten-volume edition of his history of the period 1603 to 1642 was published in 1883–4.
Описание: John Cox tells the intriguing story of stage devils from their earliest appearance in English plays to the closing of the theatres by parliamentary order in 1642. The book represents a major revision of E. K. Chambers’ ideas of stage devils in The Medieval Stage (1903), arguing that this is not a history of gradual secularization, as scholarship has maintained for the last century, but rather that stage devils were profoundly shaped from the outset by the assumptions of sacred drama and retained this shape virtually unchanged until the advent of permanent commercial theatres near London. The book spans both medieval and Renaissance drama including the medieval Mystery cycles on the one hand, through to plays by Greene, Marlowe, Shakespeare (1 and 2 Henry VI), Jonson, Middleton and Davenant. An appendix lists all known devil plays in English from the beginning to 1642.
Автор: John H. Astington Название: English Court Theatre, 1558–1642 ISBN: 0521030064 ISBN-13(EAN): 9780521030069 Издательство: Cambridge Academ Рейтинг: Цена: 5964 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Several famous playwrights of the Elizabethan and Stuart periods, including Shakespeare, wrote for open-air public theatres and also for the private, indoor theatres at the palaces at which the court resided. This book is a full account of such court theatre, and examines the theatrical entertainments for Elizabeth I, James I and Charles I. By contrast with the now vanished playhouses of the time, four of the royal chambers used as theatres survive, and the author attempts to draw as full a picture as he can of such places, the physical and aesthetic conditions under which actors worked in them, and the composition and conduct of court audiences. The book includes plans and illustrations of the theatres and an appendix which lists all known court performances of plays and masques between 1558 and 1652.