Автор: Adams, Laurie Schneider Название: Italian renaissance art, 2nd edition ISBN: 0813349028 ISBN-13(EAN): 9780813349022 Издательство: Taylor&Francis Рейтинг: Цена: 32186.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Now thoroughly revised and updated throughout, featuring extended discussions of Mannerism and the expanding role of women in the visual arts and significant illustration program enhancements, Italian Renaissance Art is a readable, student-friendly, lavishly-illustrated introduction to one of the greatest periods of artistic genius in western history. Art historian Laurie Schneider Adams opens the text with the late Byzantine work of Cimabue and concludes with the transition to Mannerism. The author presents the most important and innovative artists and their principal works, with a clear emphasis on selectivity and understanding. Italian Renaissance Art also focuses on style and iconography, and on art and artists, incorporating different methodological approaches to create a wider understanding and appreciation of the art. Distinguishing features of the second edition include: More than 400 images throughout the work, with over 300 in full-color. Over 50 images were changed from black and white to full-color for this edition. Illustration program now includes works by Correggio, Bronzino, and Pontormo.Large format illustrations retained for readability and visual access by students. Design changes make the text more attractive and readable. 'Connections', with thumbnail images of earlier works, show the historical continuity of the images. 'Comparison' thumbnails have also been added for the purpose of comparing and contrasting later works with earlier ones. New treatment of Mannerism and the expanding role of women in the visual arts. Coverage includes Lavinia Fontana, Sofonisba Anguissola, and Properzia de' Rossi, and a new feature box discusses the role of Isabella d'Este as an influential art patron and humanist. Maps, plans, and diagrams included throughout. Also features a historical chronology, a full glossary of art-historical terms, and a select bibliography.
Название: Italian Renaissance ISBN: 3848008394 ISBN-13(EAN): 9783848008391 Издательство: Ullmann Рейтинг: Цена: 1727.00 р. Наличие на складе: Нет в наличии.
Описание: The Italian Renaissance is among the most glamorousepochs of European art. Art historians as well as a widepublic are fascinated by three centuries of exceptionallyprolific artistic creation that produced works ofinternational fame such as Michelangelo`s frescos in theSistine Chapel.
At the mid-point of the sixteenth century, a Neapolitan gentleman, Federico Grisone, published, for the first time, a printed book about the art of training the horse "for the use of war" and on the secrets to "emend his defects". The work was a huge and immediate success and was soon emulated by other authors. The new literary genre of equestrian treatises was thus born and its tradition, with ups and downs, became alive and remains vital up to this day. It is no coincidence that this first work was printed in Italy because, between the fifteenth and sixteenth century, it was in that country that a new culture of the court, in which horse riding had a key role was developed. During this time, Italian riding masters were sought out by the members of European courts. The scions of the European aristocracy ventured to Italy to perfect their skill in the art of riding with renowned masters. Following the thread of equestrian treatises, this book traces the history of Italian and European equitation, recounting the rich cultural implications, the evolution of the techniques, and the many connections with the great events of European history. It is a story full of characters surrounded by an aura of legendary skill, of disputes between opposing schools, and of memorable deeds. It is a story that goes from the sixteenth century up to the early twentieth century, when again an Italian, Federico Caprilli, revolutionized the riding world, creating the jumping technique still in use today. This volume is populated with reproductions of paintings and frescos from the period and illustrations from the surveyed texts. A fascinating read, belonging in any serious rider's library. Giovanni Battista Tomassini is a journalist and researcher in the field of literature and history. He is a published author and is also the author of the blog worksofchivalry.com/en dedicated to the equestrian culture and in particular to the tradition of the Italian Renaissance treatises.
Автор: Baker Patrick Название: Italian Renaissance Humanism in the Mirror ISBN: 1107530695 ISBN-13(EAN): 9781107530690 Издательство: Cambridge Academ Рейтинг: Цена: 4435.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This important study takes a new approach to understanding Italian Renaissance humanism, one of the most important cultural movements in Western history. Through a series of close textual studies, Patrick Baker explores the meaning that Italian Renaissance humanism had for an essential but neglected group: the humanists themselves.
Автор: J.R. Mulryne; Margaret Shrewring Название: Theatre of the English and Italian Renaissance ISBN: 0333485882 ISBN-13(EAN): 9780333485880 Издательство: Springer Рейтинг: Цена: 20962.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: From seminar papers given at Warwick University on English and Italian Renaissance theatre, these essays examine repertoire, exploring English theatre within the context of Italian theatrical modes. The authors have also written "War, Literature and the Arts in 16th Century Europe".
Автор: Lopez Название: The Three Ages Of The Italian Renaissance ISBN: 0813930111 ISBN-13(EAN): 9780813930114 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4264.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Mr. Lopez reinterprets the civilization of the High Renaissance in Italy as a dramatic succession of three ages: Youth, 1454-1494; Maturity, 1494-1527; Decline, 1527-1559. In the first period, political and economic stabilization brings forth a mood of confident expectation which expresses itself in literature, art, and philosophy, all reaching for a goal of "self-centered aesthetic harmony." In the second period, a series of foreign invasions shatters the political and economic well-being of the Indian elite but does not slow down the artistic and literary drive. Whether in hope or in sorrow, in response to shock or in escape from reality, the Renaissance attains its glorious climax. The third period is torn between conflicting tendencies. The political battle is lost but there is a second economic revival; art and literature give out despondent notes but successfully explore new channels; philosophic permissiveness comes to an end but scientific reserach comes into its own. Mr. Lopez's tripartition of an age which is usually described as a single sweep adds depth to the definition of the Italian Renaissance. It is enhanced by his fresh translations of Renaissance poems and by twenty-four illustrations which pick out from the incomparable wealth of Renaissance art a few historically significant works. All the famous names are there, from Lorenzo de'Medici to Ariosto, Machiavelli, and Cardano, from Botticelli to Leonardo, Michelangelo, and Palladio; but one also meets a large number of minor figures and anonymous people in the street. America is discovered; new diseases appear; anti-Semitism reawakens; religious unity is destroyed - these and other events form the backdrop. The sparkling narration is thoroughly grounded in contemporary sources.
Описание: Strathern also follows the lives of many of the great Renaissance artists with whom the Medici had dealings, including Leonardo, Michelangelo and Donatello; as well as scientists like Galileo and Pico della Mirandola; and the fortunes of those members of the Medici family who achieved success away from Florence, including the two Medici popes and Catherine de' M dicis, who became Queen of France and played a major role in that country through three turbulent reigns.
Автор: Burroughs Название: The Italian Renaissance Palace Fa?ade ISBN: 0521109736 ISBN-13(EAN): 9780521109734 Издательство: Cambridge Academ Рейтинг: Цена: 6019.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Traces the development of the Italian Renaissance palace facade as a cultural as well as architectural and spatial phenomenon. The author draws on literary evidence as well as analyses of significant Renaissance buildings, noting the paucity of explicit discussion of the theme in an era of extensive architectural publishing.
Описание: In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists' creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters was an accepted part of the artistic process.The consensus of the contributors amounts to a revision, or at least a qualification, of Bernard Berenson's interpretation of the emergent Renaissance ideal of individual ""genius"" as a measure of original artistic achievement: we must accord greater influence to the collaborative, appropriative conventions and practices of the craft workshop, which persisted into and beyond the Renaissance from its origins in the Middle Ages. Consequently, we must acknowledge the sometimes rather ordinary beginnings of some of the world's great works of art--an admission, say the contributors, that will open new avenues of study and enhance our understanding of the complex connections between invention and execution.With one exception, these essays were delivered as lectures in conjunction with the exhibition The Artists and Artisans of Florence: Works from the Horne Museum hosted by the Georgia Museum of Art in the fall of 1992.
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