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Whores, Mullen, Brendan


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Цена: 2883.00р.
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При оформлении заказа до: 2025-07-28
Ориентировочная дата поставки: Август-начало Сентября
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Автор: Mullen, Brendan
Название:  Whores
Перевод названия: Брендан Муллен: Проститутки
ISBN: 9780306814785
Издательство: Hachette UK
Классификация:

ISBN-10: 0306814781
Обложка/Формат: Paperback
Страницы: 336
Вес: 0.45 кг.
Дата издания: 06.04.2006
Язык: English
Издание: New ed
Иллюстрации: 35 b&w photographs
Размер: 221.00 x 152.40 x 24.60
Читательская аудитория: General (us: trade)
Подзаголовок: An oral biography of perry farrell and "jane`s addiction"
Рейтинг:
Поставляется из: Европейский союз
Описание: Takes readers through the formative days of Jane`s Addiction to their drug-addled break-up and controversial reunion in 2003


Education Policy Perils: Tackling the Tough Issues

Автор: Tienken Christopher H. Ed.D ., Mullen Carol A.
Название: Education Policy Perils: Tackling the Tough Issues
ISBN: 1138898198 ISBN-13(EAN): 9781138898196
Издательство: Taylor&Francis
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Цена: 6123.00 р.
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Описание: Education Policy Perils provides educators and those interested in the future of public education with research-based and practical analyses of some of the foremost issues facing public schools today.

We Got the Neutron Bomb: The Untold Story of L.A. Punk

Автор: Spitz Marc, Mullen Brendan
Название: We Got the Neutron Bomb: The Untold Story of L.A. Punk
ISBN: 0609807749 ISBN-13(EAN): 9780609807743
Издательство: Random House (USA)
Цена: 1563.00 р.
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Описание: Taking us back to late 70s and early 80s Hollywood pre-crack, pre-AIDS, pre-Reagan We Got the Neutron Bomb re-creates word for word the rage, intensity, and anarchic glory of the Los Angeles punk scene, straight from the mouths of the scenesters, zinesters, groupies, filmmakers, and musicians who were there.
California was wide-open sex no condoms, no birth control, no morality, no guilt. Kim Fowley
The Runaways were rebels, all of us were. And a lot of people looked up to us. It helped a lot of kids who had very mediocre, uneventful, unhappy lives. It gave them something to hold on to. Cherie Currie
The objective was to create something for our own personal satisfaction, because everything in our youthful and limited opinion sucked, and we knew better. John Doe
The Masque was like Heaven and Hell all rolled into one. It was a bomb shelter, a basement. It was so amazing, such a dive ... but it was our dive. Hellin Killer
At least fifty punks were living at the Canterbury. You d walk into the courtyard and there d be a dozen different punk songs all playing at the same time. It was an incredible environment. Belinda Carlisle
Assembled from exhaustive interviews, We Got the Neutron Bomb tells the authentically gritty stories of bands like the Runaways, the Germs, X, the Screamers, Black Flag, and the Circle Jerks their rise, their fall, and their undeniable influence on the rock n roll of today."

Darktown

Автор: Mullen, Thomas
Название: Darktown
ISBN: 150113387X ISBN-13(EAN): 9781501133879
Издательство: Simon & Schuster
Цена: 1954.00 р.
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Описание: "One incendiary image ignites the next in this highly combustible procedural...written with a ferocious passion that'll knock the wind out of you." --The New York Times Book Review
"Fine Southern storytelling meets hard-boiled crime in a tale that connects an overlooked chapter of history to our own continuing struggles with race today." --Charles Frazier, bestselling author of Cold Mountain
"This page-turner reads like the best of James Ellroy." --Publishers Weekly, starred review
"In the way the story is told coupled with its heightened racial context, Darktown reminded me of Walter Mosley or a George Pelecanos novel." --Milwaukee Journal Sentinel
"High-quality...crime fiction with a nimble sense of history...quick on its feet and vividly drawn." --Dallas Morning News
"Some books educate, some books entertain, Thomas Mullen's Darktown is the rare book that does both." --Huffington Post
Award-winning author Thomas Mullen is a "wonderful architect of intersecting plotlines and unexpected answers"(The Washington Post) in this timely and provocative mystery and brilliant exploration of race, law enforcement, and justice in 1940s Atlanta.
Responding to orders from on high, the Atlanta Police Department is forced to hire its first black officers, including war veterans Lucius Boggs and Tommy Smith. The newly minted policemen are met with deep hostility by their white peers; they aren't allowed to arrest white suspects, drive squad cars, or set foot in the police headquarters.
When a woman who was last seen in a car driven by a white man turns up dead, Boggs and Smith suspect white cops are behind it. Their investigation sets them up against a brutal cop, Dunlow, who has long run the neighborhood as his own, and his partner, Rakestraw, a young progressive who may or may not be willing to make allies across color lines. Among shady moonshiners, duplicitous madams, crooked lawmen, and the constant restrictions of Jim Crow, Boggs and Smith will risk their new jobs, and their lives, while navigating a dangerous world--a world on the cusp of great change.
A vivid, smart, intricately plotted crime saga that explores the timely issues of race, law enforcement, and the uneven scales of justice.

Show must go on!

Автор: Mullen, John
Название: Show must go on!
ISBN: 1472441583 ISBN-13(EAN): 9781472441584
Издательство: Taylor&Francis
Рейтинг:
Цена: 22202.00 р.
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Описание: Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers’ songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. Mullen considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of working-class audiences who loved this music. To do this, he dispels some of the nostalgic, rose-tinted myths about music hall. At a time when recording companies and record sales were marginal, the book shows the centrality of the live show and of the sale of sheet music to the economy of the entertainment industry. Mullen assesses the popularity and significance of the different genres of musical entertainment which were common in the war years and the previous decades, including music hall, revue, pantomime, musical comedy, blackface minstrelsy, army entertainment and amateur entertainment in prisoner of war camps. He also considers non-commercial songs, such as hymns, folk songs and soldiers’ songs and weaves them into a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.


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