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Northern Renaissance Art, Nash



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Цена: 4031р.
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Автор: Nash
Название:  Northern Renaissance Art
Перевод названия: Искусство Северного Ренессанса
ISBN: 9780192842695
Издательство: Oxford Academ
Классификация:
ISBN-10: 0192842692
Обложка/Формат: Paperback
Страницы: 384
Вес: 0.672 кг.
Дата издания: 27.11.2008
Серия: Oxford history of art s.
Язык: English
Иллюстрации: 211 illustrations in full colour
Размер: 239 x 168 x 17
Читательская аудитория: Postgraduate, research & scholarly
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Англии
Описание: The history of northern Renaissance art, from the late 14th to the early 16th century, drawing on a rich range of sources to show how northern European art dominated the visual culture of Europe in this formative period


Art in Renaissance Italy 1350-1500

Автор: Welch
Название: Art in Renaissance Italy 1350-1500
ISBN: 019284279X ISBN-13(EAN): 9780192842794
Издательство: Oxford Academ
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Цена: 4031 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: The Italian Renaissance is a pivotal episode in the history of Western culture. This book discusses a range of works from across Italy, examines the issues of materials, workshop practices and artist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social and political behaviour.

Classical Myths in Italian Renaissance Painting

Автор: Freedman
Название: Classical Myths in Italian Renaissance Painting
ISBN: 1107512956 ISBN-13(EAN): 9781107512955
Издательство: Cambridge Academ
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Цена: 6347 р.
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Описание: This book retraces the development of classical imagery in the visual arts of the Italian Renaissance. The extant artifacts of Roman antiquity, in addition to the study of Greek and Latin texts which brought to light descriptions of ancient paintings, were used as models for re-creating the visual culture of antiquity.

The Grove Encyclopedia of Northern Renaissance Art

Автор: Campbell, Gordon
Название: The Grove Encyclopedia of Northern Renaissance Art
ISBN: 0195334663 ISBN-13(EAN): 9780195334661
Издательство: Oxford Academ
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Цена: 70928 р.
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Описание: The Grove Encyclopedia of Northern Renaissance Art (GENR) deals with all aspects of Northern Renaissance art ranging from artists, architecture, and patrons, to the cities and centres of production vital to the flourishing of art in this period. Drawing upon the unsurpassed scholarship in The Dictionary of Art and adding dozens of new entries, GENR is a comprehensive reference resource on this important area.

The Art of Philosophy: Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment

Автор: Berger Susanna C.
Название: The Art of Philosophy: Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment
ISBN: 0691172277 ISBN-13(EAN): 9780691172279
Издательство: Wiley
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Цена: 10639 р.
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Описание:

The first book to explore the role of images in philosophical thought and teaching in the early modern period

Delving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical thinking and instruction. From frontispieces of books to monumental prints created by philosophers in collaboration with renowned artists, Susanna Berger examines visual representations of philosophy and overturns prevailing assumptions about the limited function of the visual in European intellectual history.

Rather than merely illustrating already existing philosophical concepts, visual images generated new knowledge for both Aristotelian thinkers and anti-Aristotelians, such as Descartes and Hobbes. Printmaking and drawing played a decisive role in discoveries that led to a move away from the authority of Aristotle in the seventeenth century. Berger interprets visual art from printed books, student lecture notebooks, alba amicorum (friendship albums), broadsides, and paintings, and examines the work of such artists as Pietro Testa, Leonard Gaultier, Abraham Bosse, Durer, and Rembrandt. In particular, she focuses on the rise and decline of the "plural image," a genre that was popular among early modern philosophers. Plural images brought multiple images together on the same page, often in order to visualize systems of logic, metaphysics, natural philosophy, or moral philosophy.

Featuring previously unpublished prints and drawings from the early modern period and lavish gatefolds, The Art of Philosophy reveals the essential connections between visual commentary and philosophical thought.

Renaissance Art

Автор: Johnson
Название: Renaissance Art
ISBN: 0192803549 ISBN-13(EAN): 9780192803542
Издательство: Oxford Academ
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Цена: 1714 р.
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Описание: Botticelli, Holbein, Leonardo, Durer, Michelangelo: the names are familiar, as are many of the works. But who were these artists, why did they produce such memorable images, and how would their original beholders have viewed these objects? This book answers such questions by considering both famous and lesser-known artists, patrons, and works of art from the period.

The Creation of Eve and Renaissance Naturalism

Автор: Jack M. Greenstein
Название: The Creation of Eve and Renaissance Naturalism
ISBN: 110710324X ISBN-13(EAN): 9781107103245
Издательство: Cambridge Academ
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Цена: 16129 р.
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Описание: This book traces how four early Renaissance masters represented the Creation of Eve, which showed woman rising weightlessly from Adam`s side at God`s command.

The Revival of the Olympian Gods in Renaissance Art

Автор: Luba Freedman
Название: The Revival of the Olympian Gods in Renaissance Art
ISBN: 0521815762 ISBN-13(EAN): 9780521815765
Издательство: Cambridge Academ
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Цена: 13213 р.
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Описание: In this study, Luba Freedman examines the revival of the twelve Olympian deities in the visual arts of sixteenth-century Italy. Renaissance representation of the Olympians as autonomous figures in paintings, sculpture and drawing were not easily integrated into a Christian society. While many patrons and artists venerated the ancient art works for their artistic qualities, others, nourished by religious beliefs, felt compelled to adapt ancient representations to Christian subjects.

These conflicting attitudes influenced the representation of deities intentionally made all'antica, often resulting in an interweaving of classical and non-classical elements that is alien to the original, ancient sources. This study, the first devoted to this problem, highlights the problematic framework of the display and reception of ancient art during the Cinquecento. It offers new insights into the uneven absorption of the classical heritage during the early modern era.


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