Автор: Bordwell; Thompson Название: Film History: An Introduction ISBN: 0071151419 ISBN-13(EAN): 9780071151412 Издательство: McGraw-Hill Цена: 2758 р. Наличие на складе: Невозможна поставка. Описание: Offers a comprehensive survey of film - from the backlots of Hollywood, across the United States, and around the world. As in the authors` "Film Art", the concepts and events in this title are illustrated with frame enlargements, aiming to give students realistic points of reference.
Автор: Chion, Michel Название: Eyes Wide Shut (BFI Film Classics) ISBN: 085170932X ISBN-13(EAN): 9780851709321 Издательство: Springer Рейтинг: Цена: 1589 р. Наличие на складе: Есть (1 шт.) Описание: Michel Chion's study of this film makes the case that it is one of Kubrick's masterpieces and a fitting testament. To appreciate this, though it is necessary to look at what happens on the screen without bringing preconceptions to bear.
Автор: Mathijs, Ernest Mendik, Xavier Charles Название: Cult film reader ISBN: 0335219233 ISBN-13(EAN): 9780335219230 Издательство: McGraw-Hill Рейтинг: Цена: 2990 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Cult movies are emerging as a distinct subject of film and media theory. This book brings together various works in the field on the structure, form, status, and reception of cult cinema traditions. It is divided into four areas of study - the conceptions of cult; cult case studies; national and international Cults; and cult consumption.
Автор: Monaco, James Название: How to Read a Film ISBN: 0195321057 ISBN-13(EAN): 9780195321050 Издательство: Oxford Academ Рейтинг: Цена: 2866 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Monaco offers a special anniversary edition of his classic work, featuring a new preface and several new sections, including an "Essential Library: One Hundred Books About Film and Media You Should Read" and "One Hundred Films You Should See." As in previous editions, Monaco once again looks at film from many vantage points, as both art and craft, sensibility and science, tradition and technology. After examining film's close relation to other narrative media such as the novel, painting, photography, television, and even music, the book discusses the elements necessary to understand how films convey meaning, and, more importantly, how we can best discern all that a film is attempting to communicate. In addition, Monaco stresses the still-evolving digital context of film throughout and his chapter on multimedia brings media criticism into the twenty-first century.
Автор: Wood Michael Название: Film: A Very Short Introduction ISBN: 0192803530 ISBN-13(EAN): 9780192803535 Издательство: Oxford Academ Рейтинг: Цена: от 569 р. Наличие на складе: Есть
Описание: Film is considered to be the dominant art form of the twentieth century. It can be considered many other things; a record of events, a modern mythology, a career, an industry, an art, a hobby, and much else. Michael Wood explores the history of film, its venture into the digital age, and its role and impact on modern society.
Описание: This new edition covers the history of avante-garde film and video, ranging from Cezanne and dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 1990s. The author also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse.
Автор: Williams Michael Название: Film Stardom, Myth and Classicism ISBN: 0230355447 ISBN-13(EAN): 9780230355446 Издательство: Springer Рейтинг: Цена: 8414 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Since the golden era of silent movies, stars have been described as screen gods, goddesses and idols. This is the story of how Olympus moved to Hollywood to divinise stars as Apollos and Venuses for the modern age, and defined a model of stardom that is still with us today.
Описание: The Concise Routledge Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumiere brothers' Workers Leaving the Lumiere Factory (1885) to Michael Moore's Fahrenheit 911 (2004). Previously published in three volumes, entries have been edited and updated for the new, concise edition and three new entries have been added on: India, China and Africa. The Concise Routledge Encyclopedia of the Documentary Film: Discusses individual films and filmmakers including little-known filmmakers from countries such as India, Bosnia, China and others Examines the documentary filmmaking traditions within nations and regions, or within historical periods in places such as Iran, Brazil, Portugal, and Japan Explores themes, issues, and representations in documentary film including human rights, modernism, homosexuality, and World War I, as well as types of documentary film such as newsreels and educational films Elaborates on production companies, organizations, festivals, and institutions such as the American Film Institute, Ceylon Tea Propaganda Board, Hot Docs (Toronto), and the World Union of Documentary Describes styles, techniques, and technical issues such as animation, computer imaging, editing techniques, IMAX, music, and spoken commentary Bringing together all aspects of documentary film, this accessible concise edition provides an invaluable resource for both scholars and students. With film stills from key films, this resource provides the decisive entry point into the history of an art form.
Автор: Ashkenazi Ofer Название: Weimar Film and Modern Jewish Identity ISBN: 0230341365 ISBN-13(EAN): 9780230341364 Издательство: Springer Рейтинг: Цена: 7947 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In reading popular films of the Weimar Republic as candid commentaries on Jewish acculturation, Ofer Ashkenzi provides an alternative context for a re-evaluation of the infamous `German-Jewish symbiosis` before the rise of Nazism, as well as a new framework for the understanding of the German `national` film in the years leading to Hitler`s regime.
Описание: Rebecca Prime documents the untold story of the American directors, screenwriters, and actors who exiled themselves to Europe as a result of the Hollywood blacklist. During the 1950s and 1960s, these Hollywood émigrés directed, wrote, or starred in almost one hundred European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (1955, Jules Dassin, director) to international blockbusters like The Bridge on the River Kwai (1957, Carl Foreman and Michael Wilson, screenwriters) and acclaimed art films like The Servant (1963, Joseph Losey, director).At once a lively portrait of a lesser-known American “lost generation” and an examination of an important transitional moment in European cinema, the book offers a compelling argument for the significance of the blacklisted émigrés to our understanding of postwar American and European cinema and Cold War relations. Prime provides detailed accounts of the production and reception of their European films that clarify the ambivalence with which Hollywood was regarded within postwar European culture. Drawing upon extensive archival research, including previously classified material, Hollywood Exiles in Europe suggests the need to rethink our understanding of the Hollywood blacklist as a purely domestic phenomenon. By shedding new light on European cinema’s changing relationship with Hollywood, the book illuminates the postwar shift from national to transnational cinema.
Iris Barry (1895-1969) was a pivotal modern figure and one of the first intellectuals to treat film as an art form, appreciating its far-reaching, transformative power. Although she had the bearing of an aristocrat, she was the self-educated daughter of a brass founder and a palm-reader from the Isle of Man. An aspiring poet, Barry attracted the attention of Ezra Pound and joined a demimonde of Bloomsbury figures, including Ford Maddox Ford, T. S. Eliot, Arthur Waley, Edith Sitwell, and William Butler Yeats. She fell in love with Pound's eccentric fellow Vorticist, Wyndham Lewis, and had two children by him.
In London, Barry pursued a career as a novelist, biographer, and critic of motion pictures. In America, she joined the modernist Askew Salon, where she met Alfred Barr, director of the new Museum of Modern Art. There she founded the museum's film department and became its first curator, assuring film's critical legitimacy. She convinced powerful Hollywood figures to submit their work for exhibition, creating a new respect for film and prompting the founding of the International Federation of Film Archives.
Barry continued to augment MoMA's film library until World War II, when she joined the Office of Strategic Services to develop pro-American films with Orson Welles, Walt Disney, John Huston, and Frank Capra. Yet despite her patriotic efforts, Barry's "foreignness" and association with such filmmakers as Luis Bunuel made her the target of an anticommunist witch hunt. She eventually left for France and died in obscurity. Drawing on letters, memorabilia, and other documentary sources, Robert Sitton reconstructs Barry's phenomenal life and work while recasting the political involvement of artistic institutions in the twentieth century.
Автор: Corrigan Timothy Название: Film Experience ISBN: 0230359094 ISBN-13(EAN): 9780230359093 Издательство: Palgrave Рейтинг: Цена: 4058 р. Наличие на складе: Нет в наличии.
Описание: A comprehensive introduction to film that recognizes students as movie fans and helps them understand the art form's full scope. The authors situate their strong coverage of the medium's formal elements within the larger cultural contexts that inform the ways we watch film, from economics and exhibition to marketing and the star system.
Описание: This is the first comprehensive English-language account of the Polish avant-garde film, from its beginnings in the early decades of the last century to the collapse of communism in 1989. Taking a broad understanding of avant-garde film, this collection includes writings on the pioneering work of the internationally-acclaimed Franciszka and Stefan Themerson; the Polish Futurists' (Jalu Kurek, Anatol Stern) engagement with film; the Thaw and animation (Jan Lenica and Walerian Borowczyk, Andrzej Pawlowski, Zbigniew Rybczynski); documentary (Natalia Brzozowska, Kazimierz Karabasz, Wojciech Wiszniewski), Polish 'migr' filmmakers (Roman Polanski, Jerzy Skolimowski, Andrzej Zulawski) as well as essays and documentation on the highly influential Film Form Workshop (Jzef Robakowski, Ryszard Wasko, Wojciech Bruszewski). Including a mix of historical writings from early film magazines with commissioned essays, this book constitutes an important source on the rich, complex and diverse history of the Polish film avant-garde, which is presented from the perspective of both British (A. L. Rees, Jonathan Owen, Michael O'Pray) and Polish (Marcin Gizycki, Ryszard Kluszczynski, Kamila Kuc) authorities on the subject. This book is thus an indispensable introduction to the theories and practices of critically important avant-garde artists and filmmakers.
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