Описание: This colourful book surveys the innovations and the stylistic diversity of the music from this period by an in-depth study of the cultural socio-political forces which inevitably defined the period of baroque.
Автор: Harris-Warrick Название: Dance and Drama in French Baroque Opera ISBN: 1107137896 ISBN-13(EAN): 9781107137899 Издательство: Cambridge Academ Рейтинг: Цена: 11761 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. Dance and Drama in French Baroque Opera exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement - present in every act of every opera - is essential to understanding the work. The book considers the operas of Lully - his lighter works as well as his tragedies - and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Academie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera.
Автор: Schulenberg, David Название: Music of the Baroque ISBN: 0199942013 ISBN-13(EAN): 9780199942015 Издательство: Oxford Academ Рейтинг: Цена: 5308 р. Наличие на складе: Поставка под заказ.
Описание: This textbook is a concise survey of European music from 1600 through 1750 and is designed for junior/senior level courses in Baroque music.
Автор: Heller Wendy Название: Anthology for Music in the Baroque ISBN: 0393920208 ISBN-13(EAN): 9780393920208 Издательство: Wiley Рейтинг: Цена: 2611 р. Наличие на складе: Поставка под заказ.
Описание: A concise anthology including a wide range of Baroque music.
Автор: Heller Wendy Название: Music in the Baroque ISBN: 0393929175 ISBN-13(EAN): 9780393929171 Издательство: Wiley Рейтинг: Цена: 2611 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Baroque music in its cultural, social, and intellectual contexts.
Автор: Schulenberg, David Название: Music of the baroque ISBN: 0195331060 ISBN-13(EAN): 9780195331066 Издательство: Oxford Academ Рейтинг: Цена: 4163 р. Наличие на складе: Поставка под заказ.
Автор: Hall, John Walter Название: Anthology of baroque music ISBN: 039397801X ISBN-13(EAN): 9780393978018 Издательство: Wiley Рейтинг: Цена: 2402 р. Наличие на складе: Поставка под заказ.
Описание: The Anthology of Baroque Music contains 130 carefully selected scores for the compositions highlighted in Baroque Music.
Автор: Schulenberg, David Название: Music of the Baroque ISBN: 0195331168 ISBN-13(EAN): 9780195331165 Издательство: Oxford Academ Рейтинг: Цена: 3642 р. Наличие на складе: Поставка под заказ.
Описание: In considering the role of practical music in education, this book attempts to define the art of performance in Germany during the Baroque period. The author examines the large number of surviving treatises and instruction manuals used in the Lutheran ‘Latin’ schools during the period 1530–1800 and builds up a picture of the function and status of music in both school and church. The understanding, gained through these educational texts, of music as a functional art - musica practica - in turn gives us insight into the thoughts of the contemporary performer and how he might have performed the sacred work of Praetorius, Schutz, Buxtehude or Bach. For all those interested in historical performance this book provides valuable information on the growing science of performance practice and the development of a conscious awareness of style and idiom in this period.
Music in the Baroque World: History, Culture, Performance offers an interdisciplinary study of the music of Europe and the Americas in the seventeenth and first half of the eighteenth centuries. It answers calls for an approach that balances culture, history, and musical analysis, with an emphasis on performance considerations such as notation, instruments, and performance techniques. It situates musical events in their intellectual, social, religious, and political contexts and enables in-depth discussion and critical analysis. The companion web site provide links to scores and audio/visual performances, making this a complete course for the study of Baroque music.
An interdisciplinary approach that balances detailed analysis of specific pieces of music and broader historical overview and relevance
A selection of historical documents at the end of each chapter that position musical works and events in their cultural context
Extensive musical examples that show the melodic, textural, harmonic, or structural features of baroque music and enhance the utility of the textbook for undergraduate and graduate music majors
A global perspective with a chapter on Music in the Americas
A companion score anthology and website with links to audio/video content of key performances and research and writing guides
Music in the Baroque World: History, Culture, Performance tells stories of local traditions, cultural exchange, performance trends, and artistic mixing. It illuminates representative works through the lens of politics, visual arts, theology, print culture, gender, domesticity, commerce, and cultural influence and exchange.
Описание: After their military defeat by the Florentines in the mid-sixteenth century, the citizens of Siena turned from politics to celebratory, social occasions to express their civic identity and show their capacity for collective action. In the first major work of its kind, Colleen Reardon opens a window on the ways in which the Sienese absorbed the new genre of opera into their own festive apparatus and challenges the prevailing view that operatic productions in the city were merely an extension of Medici power to the provinces. It was, rather, members of the expatriate Chigi family who exploited the festive impulse of their countrymen, coordinating operatic performances with their triumphant visits home by activating ties of friendship and family as well as connections to Sienese institutions, most notably the Assicurate, possibly the first all-female academy in Italy. If the Chigi proved successful at inserting opera into larger patterns of sociability that conveyed the very essence of what it meant to be Sienese (senesita), their successor, the flamboyant playwright and librettist Girolamo Gigli, struggled in his attempts to transform operatic performances into professional enterprises. Fluidly written and richly embellished with anecdotes from historical chronicles, A Sociable Moment offers insight into the Sienese experience with opera during the genre's rapid expansion throughout the Italian peninsula during the late seventeenth and early eighteenth centuries. "
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