Автор: Hollander John Название: Poems Bewitched and Haunted ISBN: 1400043883 ISBN-13(EAN): 9781400043880 Издательство: Random House (USA) Цена: 1467.00 р. Наличие на складе: Нет в наличии.
Описание: A delightfully ghoulish array of specters and sorceresses, witches and ghosts, hags and apparitions haunt these pagesa literary parade of phantoms and shades to add to the revelry of All Hallows Eve.
From Homer to Horace, Pope to Poe, Randall Jarrell to James Merrill, Poems Bewitched and Haunted draws on three thousand years of poetic forays into the supernatural. Ovid conjures the witch Medea, Virgil channels Aeneass wife from the afterlife, Baudelaire lays bare the wiles of the incubus, and Emily Dickinson records two souls conversing in a crypt, in poems that call out to be read aloud, whether around the campfire or the Ouija board. From ballads and odes, to spells and chants, to dialogues and incantations, here is a veritable witches brew of poems from the spirit world.
Автор: Hollander, John Название: Poems bewitched and haunted ISBN: 184159766X ISBN-13(EAN): 9781841597669 Издательство: Random House - Penguin Рейтинг: Цена: 1584.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Ovid conjures the witch Medea, Virgil summons Aeneas`s wife from the afterlife, Baudelaire lays bare the wiles of the incubus, and Emily Dickinson records two souls conversing in a crypt in poems that call out to be read aloud, whether around the campfire or the Ouija board.
Автор: Hollander, Martha Название: An Entrance for the Eyes ISBN: 0520221354 ISBN-13(EAN): 9780520221352 Издательство: California UP Цена: 7595.00 р. Наличие на складе: Нет в наличии.
Описание: Martha Hollander's lively and gracefully written book considers one of the most intriguing features of seventeenth-century Dutch painting: the pictorial language
of space, in particular the use of secondary scenes. Many Dutch pictures, especially genre scenes and portraits, introduce a gap through the trees; a view of distant mountains; views
through windows, archways, open doors, and pulled-back curtains; or mirrors and pictures-within-pictures to comment on, explain, and enrich the primary scene that unfolds on the
canvas. Hollander uncovers the meanings generated by the formal structure of such pictures, tracing their heritage in the medieval and Renaissance pictorial traditions of illuminated
manuscripts, emblems, and stage design.
Hollander's narrative deals with complex issues in lucid and direct language. In tracing how the inventive juxtaposing of public and
private spaces played out social anxieties and ideals, she inspires readers to look more closely and thoughtfully at the paintings.
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