Описание: "A wonderful introduction the Japanese tradition of jisei, this volume is crammed with exquisite, spontaneous verse and pity, often hilarious, descriptions of the eccentric and committed monastics who wrote the poems." --Tricycle: The Buddhist Review Although the consciousness of death is, in most cultures, very much a part of life, this is perhaps nowhere more true than in Japan, where the approach of death has given rise to a centuries-old tradition of writing jisei, or the "death poem." Such a poem is often written in the very last moments of the poet's life. Hundreds of Japanese death poems, many with a commentary describing the circumstances of the poet's death, have been translated into English here, the vast majority of them for the first time. Yoel Hoffmann explores the attitudes and customs surrounding death in historical and present-day Japan and gives examples of how these have been reflected in the nation's literature in general. The development of writing jisei is then examined--from the longing poems of the early nobility and the more "masculine" verses of the samurai to the satirical death poems of later centuries. Zen Buddhist ideas about death are also described as a preface to the collection of Chinese death poems by Zen monks that are also included. Finally, the last section contains three hundred twenty haiku, some of which have never been assembled before, in English translation and romanized in Japanese.
Zen, the practice of seeking and achieving enlightenment, is embodied in art forms as diverse as sand gardens and tea ceremonies. However, the attempt to artistically express the inexpressible finds one of its clearest manifestations in painting. Especially after 1600, more and more Japanese Zen masters began depicting their individual paths to enlightenment with bold, inked brushstrokes of images and calligraphy of Zen subjects and sayings. The result was a visual expression of Zen called Zenga (literally "Zen picture"), the purest possible communication of Zen principles, and often used as an aid in meditation. As practiced by Zen masters, who were expert in calligraphy but not professional artists, the subject matter was often simple, suggestive, and abstract, though sometimes the artists depicted humorous portraits of Zen masters and their followers. With this stunning collection of Zenga masterpieces from the seventeenth to twentieth centuries, prolific author and Professor of Art, Emeritus, at the University of Richmond, Stephen Addiss showcases centuries of great works of Zen calligraphy and painting. Many of the pieces, gathered from Japanese temples, have never been widely seen before. The book also provides a comprehensive introduction to the major Zenga artists, offering extensive, engaging biographies of these awakened monks. Dr. Addiss insightfully describes the history of Japanese Zen art and culture, and includes translations of Zen prose and poems. He also explains the various styles of the fascinating monk-artists, with enriching commentary on their techniques and innovations. These marvelous visual expressions of self-knowledge and enlightenment will delight readers, and perhaps even inspire some to deepen their own spiritual practices.
Описание: Peter O`Leary reads a diverse set of writers to argue for the existence and importance of religious poetry in twentieth- and twenty-first-century American literature. He traces a poetic genealogy that begins with Whitman and Dickinson and continues in the work of contemporary writers to defend the value and meaning of religious poetry against the grain of a secular society.
Автор: Sandig Ulrike Almut Название: Thick of It ISBN: 0857425560 ISBN-13(EAN): 9780857425560 Издательство: Eurospan Рейтинг: Цена: 2429 р. Наличие на складе: Поставка под заказ.
Описание: The poems of Ulrike Almut Sandig are at once simple and fantastic. This new collection finds her on her way to imaginary territories. Thick of It charts a journey through two hemispheres to "the center of the world" and navigates a "thicket" that is at once the world, the psyche, and language itself. The poems explore an urgently urban reality, but that reality is interwoven with references to nightmares, the Bible, fairy tales, and nursery rhymes--all overlaid with a finely tuned longing for a disappearing world. The old names are forgotten, identities fall away; things disappear from the kitchen; everything is sliding away. Powerful themes emerge, but always mapped onto the local, the fractured individual in "the thick of it" all. This is language at its most crafted and transformative, blisteringly contemporary, but with a kind of austerity, too. By turns comic, ironic, skeptical, nostalgic, these poems are also profoundly musical, exploiting multiple meanings and stretching syntax, so that the audience is constantly kept guessing, surprised by the next turn in the line.
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