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Pierre Bonnard: The Late Still Lifes and Interiors


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Автор: Amory Dita
Название:  Pierre Bonnard: The Late Still Lifes and Interiors
Перевод названия: Пьер Боннар: поздние натюрморты и интерьеры
ISBN: 9780300148893
Издательство: Wiley yUP
Классификация:


ISBN-10: 0300148895
Обложка/Формат: Hardback
Страницы: 195
Вес: 1.37 кг.
Дата издания: 28.02.2009
Серия: Metropolitan museum of art s.
Язык: English
Иллюстрации: 75 black-&-white illustrations + 125 colour images
Размер: 31.14 x 23.93 x 2.82 cm
Читательская аудитория: General (us: trade)
Подзаголовок: The late still lifes and interiors
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Поставляется из: Англии
Описание: Working in his villa in the south of France, Pierre Bonnard (1867-1947) suffused his late canvases with radiant Mediterranean light and dazzling colour. Although his subjects were close at hand - usually everyday domestic scenes - Bonnard rarely painted from life. Instead, he made pencil sketches in diaries and relied on these, along with his memory, as he executed the works in his studio. These interiors thus often conflate details from the artists daily life with fleeting, mysterious evocations of his past. The spectral figures who appear at the margins of the canvases, overshadowed by brilliantly coloured baskets of fruit or other props, create an atmosphere of profound ambiguity and puzzling abstraction: the mundane rendered in a wholly new pictorial language. The more than 75 paintings, drawings, watercolours, and gouaches in this volume, some rarely seen treasures from private collections, all painted between 1923 and 1947, are central to the ongoing reappraisal of Bonnard as a leading figure of French modernism.


Bonnard: PB

Автор: Timothy Hyman
Название: Bonnard: PB
ISBN: 0500203105 ISBN-13(EAN): 9780500203101
Издательство: Thames & Hudson
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Цена: 4027.00 р.
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Описание: Bonnard found early fame among the Nabis, the radical young disciples of Gauguin, and went on with Vuillard to create a new intimist art of psychologically charged interiors. But from 1900 he turned back towards Impressionism, and his art recreates moments of heightened subjectivity, color, and space. His greatest works explore his claustrophobic relationship with Marthe, his wife; in his seventies he also completed some of the most poignant self-portraits in Western art. This new account shows how these beautiful and lyrical pictures sometimes emerged from terrible circumstances. As Bonnard himself wrote shortly before his death in 1947, one does not always sing out of happiness. Shaped in the 1890s by Mallarme and Symbolism, by Jarry and anarchism, and by the philosophy of Bergson, Bonnard's complex art took on full conviction only in the 1920s. His reassessment over the past thirty years has centered on these extraordinary late pictures, which are among the most enduring images of the twentieth century.


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