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Monsters: A Bestiary of Devils, Demons, Vampires, Werewolves, and Other Magical Creatures, Dell Christopher


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Автор: Dell Christopher
Название:  Monsters: A Bestiary of Devils, Demons, Vampires, Werewolves, and Other Magical Creatures
Перевод названия: К. Делл: Монстры. Бестиарий бесов, демонов, вампиров, вервульфов и других чудовищ
ISBN: 9781594773945
Издательство: Inner Traditions International
Классификация: ISBN-10: 1594773947
Обложка/Формат: Paperback
Страницы: 192
Вес: 0.65 кг.
Дата издания: 01.10.2010
Язык: English
Поставляется из: США


Tanners dell

Автор: England, Sarah
Название: Tanners dell
ISBN: 0993518354 ISBN-13(EAN): 9780993518355
Издательство: Неизвестно
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Цена: 2192.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Book 2 in `Disturbing, Occult Horror Trilogy, Father of Lies`. Following the hypnosis of highly disturbed psychiatric patient, Ruby Dean,an unholy dark force was released on the medical staff who tried to help her. Now only one remains. But no one asking questions in this desolate mining village ever comes to a good end...

Commedia dell` arte and the mediterranean

Автор: Jaffe-berg, Professor Erith
Название: Commedia dell` arte and the mediterranean
ISBN: 147241814X ISBN-13(EAN): 9781472418142
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: Drawing on published collections and also manuscripts from Mantuan archives, Commedia dell' arte and the Mediterranean locates commedia dell' arte as a performance form reflective of its cultural crucible in the Mediterranean. The study provides a broad perspective on commedia dell’ arte as an expression of the various cultural, gender and language communities in Italy during the early-modern period, and explores the ways in which the art form offers a platform for reflection on power and cultural exchange. While highlighting the prevalence of Mediterranean crossings in the scenarios of commedia dell' arte, this book examines the way in which actors embodied characters from across the wider Mediterranean region. The presence of Mediterranean minority groups such as Arabs, Armenians, Jews and Turks within commedia dell' arte is marked on stage and 'backstage' where they were collaborators in the creative process. In addition, gendered performances by the first female actors participated in 'staging' the Mediterranean by using the female body as a canvas for cartographical imaginings. By focusing attention on the various communities involved in the making of theatre, a central preoccupation of the book is to question the dynamics of 'exchange' as it materialized within a spectrum inclusive of both cultural collaboration but also of taxation and coercion.


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