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Showtime: A History of the Broadway Musical Theater, Stempel Larry


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Автор: Stempel Larry
Название:  Showtime: A History of the Broadway Musical Theater
Перевод названия: История бродвейского музыкального театра
ISBN: 9780393067156
Издательство: Wiley
Классификация:
ISBN-10: 0393067157
Обложка/Формат: Hardback
Страницы: 848
Вес: 1.24 кг.
Дата издания: 06.09.2010
Язык: English
Иллюстрации: 16 pages of four-color; 105 black-and-white illustrations
Размер: 242 x 166 x 42
Читательская аудитория: Professional & vocational
Подзаголовок: A history of the broadway musical theater
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: The definitive history of the Broadway musical: the shows, the stars, the movers, and the shakers.


Nothing Like a Dame: Conversations with the Great Women of Musical Theater

Автор: Shapiro Eddie
Название: Nothing Like a Dame: Conversations with the Great Women of Musical Theater
ISBN: 019023119X ISBN-13(EAN): 9780190231194
Издательство: Oxford Academ
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Цена: 3483.00 р.
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Описание: Nothing Like a Dame captures the stories and insights of the greatest living female actors of the American musical theatre in exclusive interviews, accompanied by a terrific selection of photographs of the interviewees in their iconic roles.

Anything Goes: A History of American Musical Theater

Автор: Mordden Ethan
Название: Anything Goes: A History of American Musical Theater
ISBN: 0190227931 ISBN-13(EAN): 9780190227937
Издательство: Oxford Academ
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Цена: 2929.00 р.
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Описание: Ethan Mordden has been hailed as a sharp-eared listener and a discerning critic, by Opera News, which compares his books to dinner with a knowledgeable, garrulous companion. The preeminent historian of the American musical (New York Times), he brings boundless energy and enthusiasm
buttressed by an arsenal of smart anecdotes (Wall Street Journal). Now Mordden offers an entirely fresh and infectiously delightful history of American musical theatre.

Anything Goes stages a grand revue of the musical from the 1700s through to the present day, narrated in Mordden's famously witty, scholarly, and conversational style. He peers with us over Stephen Sondheim's shoulder as he composes at the piano. He places us in a bare rehearsal room as the cast of
Oklahoma! changes history by psychoanalyzing the plot in the greatest of the musical's many Dream Ballets. And he gives us tickets for orchestra seats on opening night-raising the curtain on the pleasures of Victor Herbert's The Red Mill and the thrill of Porgy and Bess. Mordden examines the music,
of course, but also more neglected elements. Dance was once considered as crucial as song; he follows it from the nineteenth century's zany hoofing to tap combinations of the 1920s, from the injection of ballet and modern dance in the 1930s and '40s to the innovations of Bob Fosse. He also
explores the changing structure of musical comedy and operetta, and the evolution of the role of the star. Fred Stone, the avuncular Scarecrow in the Wizard of Oz, seldom varied his acting from part to part; but the versatile Ethel Merman turned the headlining role inside out in Gypsy, playing a
character who was selfish, fierce, and destructive.

From ballad opera to burlesque, from Fiddler on the Roof to Rent, the history and lore of the musical unfolds here in a performance worthy of a standing ovation.


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