Автор: Suarez, Daniel Название: Daemon ISBN: 0451228731 ISBN-13(EAN): 9780451228734 Издательство: Random House (USA) Рейтинг: Цена: 1378.00 р. Наличие на складе: Нет в наличии.
Описание: Daniel Suarez'sNew York Timesbestselling debut high-tech thriller is ';so frightening even the government has taken note' (Entertainment Weekly).
Daemons: computer programs that silently run in the background, waiting for a specific event or time to execute. They power almost every service. They make our networked world possible.
But they also make it vulnerable...
When the obituary of legendary computer game architect Matthew Sobol appears online, a previously dormant daemon activates, initiating a chain of events that begins to unravel our interconnected world. This daemon reads news headlines, recruits human followers, and orders assassinations. With Sobol's secrets buried with him, and as new layers of his daemon are unleashed, it's up to Detective Peter Sebeck to stop a self-replicating virtual killer before it achieves its ultimate purposeone that goes far beyond anything Sebeck could have imagined...
Автор: Suarez, Juan Название: Jim jarmusch ISBN: 0252074432 ISBN-13(EAN): 9780252074431 Издательство: Wiley EDC Рейтинг: Цена: 2041.00 р. 2915.00-30% Наличие на складе: Есть (1 шт.) Описание:
The first major English-language study of Jarmusch
At a time when gimmicky, action-driven blockbusters ruled Hollywood, Jim Jarmusch spearheaded a boom in independent cinema by making now-classic low-budget films like Stranger than Paradise, Down by Law, and Mystery Train. Jarmusch's films focused on intimacy, character, and new takes on classical narratives. His minimal form, peculiar pacing, wry humor, and blank affect have since been adopted by directors like Sofia Coppola, Hal Hartley, Richard Linklater, and Tsai Ming-liang.
Juan A. Suárez identifies and describes an abundance of aesthetic influences on Jarmusch, delving into the director's links to punk, Structural film, classic street photography, hip-hop, beat literature and art, and the New York pop vanguard of the late 1970s. At the same time, he analyzes Jarmusch's work from three mutually implicated perspectives: in relation to independent filmmaking from the 1980s to the present; as a form of cultural production that appropriates existing icons, genres, and motifs; and as an instance of postmodern politics.
A volume in the series Contemporary Film Directors, edited by James R. Naremore
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