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Radiohead`s Kid A, Lin Marvin


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Цена: 1978.00р.
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Автор: Lin Marvin
Название:  Radiohead`s Kid A
ISBN: 9780826423436
Издательство: Continuum
Классификация:

ISBN-10: 0826423434
Обложка/Формат: Paperback
Страницы: 144
Вес: 0.16 кг.
Дата издания: 13.01.2011
Серия: 33 1/3
Язык: English
Иллюстрации: Ill
Размер: 165 x 121 x 10
Читательская аудитория: General (us: trade)
Рейтинг:
Поставляется из: Англии
Описание: An exploration of Radiohead`s game-changing album. Rather than simply reinforcing Kid A`s canonical status, it situates the album in the temporal, examining it from various philosophical and cultural interpretations of time in order to arrive at its political and social stakes.


Radiohead: Music for a Global Future

Автор: Rose Phil
Название: Radiohead: Music for a Global Future
ISBN: 144227929X ISBN-13(EAN): 9781442279292
Издательство: Rowman & Littlefield Publishers
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Цена: 7814.00 р.
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Описание: Phil Rose delves into Radiohead`s work and its cultural context, drawing out how the music addresses political, environmental, and social crises. This book reveals the true depth and musical genius that has solidified Radiohead`s place in rock history and pop culture.

Everything in Its Right Place: Analyzing Radiohead

Автор: Osborn Brad
Название: Everything in Its Right Place: Analyzing Radiohead
ISBN: 0190629231 ISBN-13(EAN): 9780190629236
Издательство: Oxford Academ
Цена: 5146.00 р.
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Описание: More than any rock artist since The Beatles, Radiohead's music inhabits the sweet spot between two extremes: on the one hand, music that is wholly conventional and conforms to all expectations of established rock styles, and, on the other hand, music so radically experimental that it thwarts
any learned notions. While averting mainstream trends but still achieving a significant level of success in both US and UK charts, Radiohead's music includes many surprises and subverted expectations, yet remains accessible within a framework of music traditions. In Everything in its Right Place:
Analyzing Radiohead, Brad Osborn reveals the functioning of this reconciliation of extremes in various aspects of Radiohead's music, analyzing the unexpected shifts in song structure, the deformation of standard 4/4 backbeats, the digital manipulation of familiar rock 'n' roll instrumentation, and
the expected resolutions of traditional cadence structures.

Expanding on recent work in musical perception, focusing particularly on form, rhythm and meter, timbre, and harmony, Everything in its Right Place treats Radiohead's recordings as rich sonic ecosystems in which a listener participates in an individual search for meaning, bringing along expectations
learned from popular music, classical music, or even Radiohead's own compositional idiolect. Radiohead's violations of these subjective expectation-realization chains prompt the listener to search more deeply for meaning within corresponding lyrics, biographical details of the band, or intertextual
relationships with music, literature, or film.

Synthesizing insights from a range of new methodologies in the theory of pop and rock, and specifically designed for integration into music theory courses for upper level undergraduates, Everything in its Right Place is sure to find wide readership among scholars and students, as well as avid
listeners who seek a deeper understanding of Radiohead's distinctive juxtapositional style.


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