Автор: John T. Paolettii Название: Art in Renaissance Italy ISBN: 1856694399 ISBN-13(EAN): 9781856694391 Издательство: Thames & Hudson Цена: 4950.00 р. Наличие на складе: Невозможна поставка. Описание: With a freshness and breadth of approach that sets the art in its context, this book explores why works were created and who commissioned the palaces, cathedrals, paintings, and sculptures. Chapters are grouped into four chronological parts, allowing for a sustained examination of individual cities in different periods.
Автор: Nichols, Tom Название: Renaissance Art in Venice ISBN: 1780678517 ISBN-13(EAN): 9781780678511 Издательство: Laurence King Рейтинг: Цена: 3028.00 р. Наличие на складе: Поставка под заказ.
Описание: By adopting a chronological approach, with each chapter covering a successive twenty-five year period, and focusing attention on the artists, Tom Nichols presents a vivid, richly illustrated and easily navigable study of Venetian Renaissance art.
Автор: Monnas Lisa Название: Renaissance Velvets ISBN: 1851776567 ISBN-13(EAN): 9781851776566 Издательство: Abrams Рейтинг: Цена: 5198.00 р. Наличие на складе: Поставка под заказ.
Описание: Silk velvet was first woven in Europe during the second half of the thirteenth century, but it reached a peak of perfection during the fifteenth and sixteenth centuries. The V&A holds one of the finest collections of Renaissance velvets, including a wide selection of fragments, a papal carpet, a sixteenth-century cloak, books and caskets covered in velvet, and numerous ecclesiastical vestments. This unique book introduces these velvets to the general reader, setting them within their historical context, exploring the skills and special equipment needed to produce velvet, and describing the basic weaving techniques. A beautifully illustrated catalogue of fifty pieces, includes detailed weave analyses and diagrams.
Название: Byzantium: From Antiquity to the Renaissance ISBN: 0300167660 ISBN-13(EAN): 9780300167665 Издательство: Wiley yUP Рейтинг: Цена: 2473.00 р. Наличие на складе: Поставка под заказ.
Описание: With images culled from eleven hundred years of history, this comprehensive survey explores the Byzantine empire's vast range of artistic splendors that indelibly informed the art of modern Europe. Renowned scholar Thomas Mathews emphasizes that the Byzantines' interest in humanism and painting the human figure became the essential bridge between classical and renaissance Europe. Starting with a brief history of Byzantium as a basis for understanding Byzantine theology and art, he places the empire's artistic development within a broad cultural and historical context. Featuring more than one hundred color plates of mosaics, metalwork, architecture, frescoes and religious artifacts, as well as maps, diagrams, and a timeline, this definitive work provides a complete yet succinct introduction to the full range of Byzantine art and iconography.
Описание: Known as the "century of anatomy", the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period's most prominent artists - including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy - turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained.
Art and Anatomy in Renaissance Italy examines this crossroads between art and science, showing how the attempt to depict bone structure, musculature, and our inner workings - both in drawings and in three dimensions - constituted an important step forward in how the body was represented in art. While already remarkable at the time of their original publication, the anatomical drawings by 16th-century masters have even foreshadowed developments in anatomic studies in modern times.
Описание: Renowned throughout Renaissance Europe, Pieter Coecke van Aelst (1502–1550) produced works for the wealthiest and most important patrons of the time, including Emperor Charles V, Francis I of France, Henry VIII of England, the Habsburgs, and Cosimo de Medici. While he is best known for his magnificent tapestries, he was also a consummate artist in other media, and the output from his workshop included painted altarpieces, as well as designs and cartoons for stained glass. This lavish publication, the first comprehensive volume devoted to this Renaissance master since 1966, introduces Pieter Coecke van Aelst to a contemporary audience and places him among the great artists of the 16th century. New photographs, including fine details, reunite twenty of the splendid Renaissance tapestries made to his designs with some of his finest surviving drawings and panel paintings, while texts by thirteen prominent scholars explore Coecke's art and world. Both a feast for the eyes and an important reappraisal of a great Renaissance master, this important study will stand as the comprehensive volume on a major artist of the Northern Renaissance
The great Venetian sculptors of the High Renaissance, led by Tullio Lombardo (c. 1455-1532), explored a poetic and nostalgic approach to classical antiquity in their work. Their expression shares much with Mantegna, Bellini, Giorgione, and Titian in these painters' imaginative evocations of ancient history, mythology, philosophy, and poetry.
Featuring a range of Tullio's work, including his sensuous and dramatic double-portrait reliefs, this book introduces the romantic qualities and beautiful craftsmanship of the sculptor and his closest followers, including his brother Antonio Lombardo, Simone Bianco, Antonio Minello, and Giammaria Mosca. Essays examine Tullio's innovations and the Venetian cultural setting where he developed them in dialogue with the northern Italian masters of Renaissance painting. Twelve works, carefully selected from this milieu, exemplify the creative approach and influ-ence of Tullio and the Lombardo workshop.
Описание: The exhibition is divided into different parts, the first (Section I: The Legacy of the Fathers) exploring the rediscovery of ancient art in the 13th and 14th centuries by the likes of Nicola Pisano, Arnolfo and their successors. It then looks into the assimilation of Gothic style of French origin, including Brunelleschi's renowned sculpture, which is the starting point for the Early Renaissance. The exhibition follows development and influences from monumental sculptures by the likes of Donatello, Ghiberti, Nanni di Banco and Michelozzo, painting by artists such as Masaccio, Paolo Uccello, Andrea del Castagno and Filippo Lippi, and the impact on the political and spiritual mood of the city. Other elements include the development of perspective in bas-relief work, a taste for 'new beauty' and new commissions in places of worship, and the transition to the private patronage of the powerful Medici family. This beautiful exhibition catalogue encompasses the exhibition through over 200 images.
Описание: Featuring fifty masterworks by Mantegna, Giorgione, Titian, Veronese and Tintoretto, this stunning book examines the brilliant painters who transformed the art of Renaissance Venice.
Описание: A leading architect of the Italian Renaissance, Baldassarre Peruzzi (1481-1536) has, until now, been a little-known, enigmatic figure. A paucity of biographical documentation and a modest number of surviving buildings, coupled with an undeservedly critical assessment by Giorgio Vasari (1511-1574), have long cast Peruzzi's career in shadow. With Becoming an Architect in Renaissance Italy, Ann C. Huppert taps into a known, but neglected resource--Peruzzi's autograph drawings--and reveals the full scope and artistic mastery of Peruzzi's work and its enduring influence.
Extraordinary not only in their beauty and design inventiveness, but also in the varied representational techniques and practical mathematics noted within them, Peruzzi's drawings record an evolving artistic process. Reassessing his architectural masterworks, Huppert also explores lesser-known work: his studies of Roman antiquity, realized paintings and unrealized buildings, as well as engineering projects. Huppert shows that Peruzzi anticipated modern representational methods and scientific approaches in architecture, and pinpoints the moment when architecture began to emerge as a profession distinct from the other arts.
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