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Muraqqa`: Imperial Mughal Albums, Wright, Elaine Julia


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Автор: Wright, Elaine Julia
Название:  Muraqqa`: Imperial Mughal Albums
Перевод названия: Альбом рисунков и каллиграфии времен династии Великих Моголов
ISBN: 9780883971543
Издательство: Art Services Intl
Классификация: ISBN-10: 0883971542
Обложка/Формат: Hardcover
Страницы: 500
Вес: 3.31 кг.
Язык: English
Размер: 31.09 x 23.60 x 4.95 cm
Поставляется из: США
Описание: Throughout history, people have assembled albums that record their lives and the world around them. Among the most remarkable of all albums ever created are those made in the years 1600-1657 for the emperors Jahangir and Shah Jahan. The Mughal dynasty ruled India for more than three centuries, but the period of greatest artistic production was that of these two great emperors, and the albums of paintings and calligraphy (called muraqqa in Persian), that they assembled now serve as a window to understanding the history and culture of this important period of Indian history. The paintings in the albums include formal (often symbolic) portraits of the emperors themselves, depictions of members of the royal family in relaxed private settings, portraits of courtiers, Sufi saints and mystics, genre scenes, and natural history subjects.
Exhibition Itinerary
The exhibition premieres at the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC (May 3 - August 3, 2008). Subsequent venues include the Detroit Institute of Arts, Michigan (August 23 - November 16, 2008); the Honolulu Academy of Arts, Hawaii (December 17, 2008 - March 1, 2009); the Nelson-Atkins Museum of Art, Kansas City, Missouri (March 21 - June 14, 2009); and the Denver Art Museum, Colorado (July 4 - September 27, 2009).



Men with stakes

Автор: Wright, Dr. Julia M.
Название: Men with stakes
ISBN: 0719097703 ISBN-13(EAN): 9780719097706
Издательство: NBN International
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Цена: 17952.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Moves beyond a focus on gothic machinery and adaptations of literary gothic to consider television gothic in light of recent scholarship on the mode itself. -- .


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