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A Concise History of Canadian Painting, third edition, Reid, Dennis



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Автор: Reid, Dennis
Название:  A Concise History of Canadian Painting, third edition   (Денни Рейд: Краткая история канадской живописи)
Издательство: Oxford Academ
Классификация:
Стили и направления искусства /история искусства
Живопись

ISBN: 0195444566
ISBN-13(EAN): 9780195444568
ISBN: 0-19-544456-6
ISBN-13(EAN): 978-0-19-544456-8
Обложка/Формат: Hardcover
Страницы: 448
Вес: 1.699 кг.
Дата издания: 27.10.2011
Серия: Painting
Язык: English
Размер: 217 x 262 x 34
Читательская аудитория: Those in the field of art history-curators, professors, and students alike-will look to this new edition for the latest research on Canadian painting since 1980 to supplement the Second Edition. As well, those with a perennial interest in the visual
Ссылка на Издательство: Link
Поставляется из: Англии
Описание: Originally published in 1973, A Concise History of Canadian Painting has become the definitive volume on Canadian art. Now in its third edition, it remains an invaluable narrative history of Canadian painting from the late seventeenth century to the present. With a masterful critical eye, Dennis Reid examines the artists, movements, and styles that have come to define Canadian art. The highly anticipated third edition, fully revised throughout, brings the work dramatically up to date with a new chapter on painting since 1980. Redesigned in full-colour, with over 220 illustrations, this attractive new edition is an essential addition to any art lovers library.
Дополнительное описание: Preface to the Third Edition; Preface to the Second Edition; Preface to the First Edition; 1. Painting in New France 1665-1760; 2. Painting in British North America 1760-1860; 3. French-speaking Artists in Montreal 1785-1830 and Quebec 1820-1860; 4. Paul




Classical Myths in Italian Renaissance Painting

Автор: Freedman
Название: Classical Myths in Italian Renaissance Painting
ISBN: 1107512956 ISBN-13(EAN): 9781107512955
Издательство: Cambridge Academ
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Цена: 3795 р.
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Описание: This book retraces the development of classical imagery in the visual arts of the Italian Renaissance. The extant artifacts of Roman antiquity, in addition to the study of Greek and Latin texts which brought to light descriptions of ancient paintings, were used as models for re-creating the visual culture of antiquity.

Sienese Painting after the Black Death

Автор: Steinhoff
Название: Sienese Painting after the Black Death
ISBN: 1107686695 ISBN-13(EAN): 9781107686694
Издательство: Cambridge Academ
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Цена: 3680 р.
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Описание: This book provides a new perspective on Sienese painting after the Black Death, asking how social, religious, and cultural change affect visual imagery and style. Judith Steinhoff demonstrates that Siena's artistic culture of the mid and late fourteenth century was intentionally pluralistic, and not conservative as is often claimed. She shows that Sienese art both before and after the Black Death was the material expression of an artistically sophisticated population that consciously and carefully integrated tradition and change. Promoting both iconographic and stylistic pluralism, Sienese patrons furthered their own goals as well as addressed the culture's changing needs. Steinhoff presents both detailed case studies as well as a broader view of trends in artistic practice and patronage. She offers a new approach to interpreting artistic style in the Trecento, arguing that artists and patrons alike understood the potential of style as a vehicle that conveys specific meanings.

Antiquity, Theatre, and the Painting of Henry Fuseli

Автор: Pop Andrei
Название: Antiquity, Theatre, and the Painting of Henry Fuseli
ISBN: 0198709277 ISBN-13(EAN): 9780198709275
Издательство: Oxford Academ
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Цена: 10929 р.
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Описание: In this volume, Pop examines how art of the mid 1700s and early 1800s - inspired by translations of Greek tragedy - reveals a view of modern Europe attempting to recognize its own historical status as one culture among many. He analyses this broad view of culture through the lens of Anglo-Swiss artist Henry Fuseli`s life and work.

The Dark Side of the Landscape: The Rural Poor in English Painting 1730 1840

Автор: Barrell John
Название: The Dark Side of the Landscape: The Rural Poor in English Painting 1730 1840
ISBN: 0521276551 ISBN-13(EAN): 9780521276559
Издательство: Cambridge Academ
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Цена: 3795 р.
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Описание: John Barrell`s study shows why the poor interested painters and how painters could represent them for the rich.

Bosch and Bruegel: From Enemy Painting to Everyday Life

Автор: Koerner Joseph Leo
Название: Bosch and Bruegel: From Enemy Painting to Everyday Life
ISBN: 0691172285 ISBN-13(EAN): 9780691172286
Издательство: Wiley
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Цена: 6635 р.
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Описание:

A bold new interpretation of two northern Renaissance masters

In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us.

Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history's unexplored underside: the image itself as an enemy.

An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists--including Bosch's notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner's A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington.

Byzantine Art and Italian Panel Painting

Автор: Folda
Название: Byzantine Art and Italian Panel Painting
ISBN: 1107010233 ISBN-13(EAN): 9781107010239
Издательство: Cambridge Academ
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Описание: The Virgin and Child Hodegetria was a widely venerated Byzantine image depicting the Virgin holding and pointing to her son as the way to salvation. In this book, Jaroslav Folda traces the appropriation of this image by thirteenth-century Crusader and central Italian painters, where the Virgin Mary is transformed from the human mother of god, the Theotokos, of Byzantine icons, to the resplendent Madonna radiant in her heavenly home with Christ and the angels. This transformation, Folda demonstrates, was brought about by using chrysography, or golden highlighting, which came to be used on both the Virgin and Child. This book shows the important role played by Crusader painters in bringing about this shift and in disseminating the new imagery to Central Italy. By focusing on the Virgin and Child Hodegetria, Folda reveals complex artistic interchanges and influences extending across the Mediterranean from Byzantium and the Holy Land to Italy.

Distorted Ideals in Greek Vase-Painting

Автор: Walsh
Название: Distorted Ideals in Greek Vase-Painting
ISBN: 1107669650 ISBN-13(EAN): 9781107669659
Издательство: Cambridge Academ
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Цена: 5176 р.
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Описание: This book examines Greek vase-paintings that depict humorous, burlesque, and irreverent images of Greek mythology and the gods. Many of the images present the gods and heroes as ridiculous and ugly. While the narrative content of some images may appear to be trivial, others address issues that are deeply serious. When placed against the background of the religious beliefs and social frameworks from which they spring, these images allow us to explore questions relating to their meaning in particular communities. Throughout, we see indications that Greek vase-painters developed their own comedic narratives and visual jokes. The images enhance our understanding of Greek society in just the same way as their more sober siblings in 'serious' art.

Mughal Painting

Название: Mughal Painting
ISBN: 0199451133 ISBN-13(EAN): 9780199451135
Издательство: Oxford Academ
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Цена: 1149 р.
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Описание: Using diverse sources - Persia, Central Asian, European, and Indian, Som Prakash Verma provides a detailed survey of Mughal painting. His thematic approach offers a fresh treatment of the subject and highlights features that set the genre apart. Verma`s detailed account of the Mughal atelier, genre of narrative art, historical portraits, self - portraits, paintings on natural history, and the analyses of the impact of Renaissance art of Europe make the bookdistinctive. This little showcases the Mughal patrons` and painters` concern for aesthetic appeal and intellectual message.

The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha

Автор: Foster Hal
Название: The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha
ISBN: 0691160988 ISBN-13(EAN): 9780691160986
Издательство: Wiley
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Цена: 3159 р.
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Описание: Who branded painting in the Pop age more brazenly than Richard Hamilton, Roy Lichtenstein, Andy Warhol, Gerhard Richter, and Ed Ruscha? And who probed the Pop revolution in image and identity more intensely than they? This book presents an interpretation of Pop art through the work of these Pop Five.

Manet`s modernism or the face of painting in the 1860s

Автор: Fried, Michael
Название: Manet`s modernism or the face of painting in the 1860s
ISBN: 0226262170 ISBN-13(EAN): 9780226262178
Издательство: Wiley
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Цена: 6526 р.
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Описание: "Manet`s Modernism", or, "The Face of Painting in the 1860s" is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. It argues that the claiming of Manet as the first modernist painter is an over-simplification.

Chinese Literati on Painting

Автор: Bush Susan
Название: Chinese Literati on Painting
ISBN: 9888139703 ISBN-13(EAN): 9789888139705
Издательство: Wiley
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Цена: 2310 р.
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Описание:

This classic work, first published in 1971, explores the transition in painting styles from the late Sung period to the art of Yuan dynasty literati. Building on the pioneering work of Oswald Siren and James Cahill, Susan Bush's investigations of painting done under the Chin dynasty confirmed the dominance of scholar-artists in the north and their gradual development of scholarly painting traditions, and a related study of Northern Sung writings showed that their theory was shaped as much by the views of their social class as by their artistic aims. Bush's perspective on Sung scholars' art and theory helps explain the emergence of literati painting as the main artistic tradition in Yuan times. Social history thus served to supplement an understanding of the evolution of artistic styles.

Birth of Western Painting

Автор: Byron Robert
Название: Birth of Western Painting
ISBN: 0415809185 ISBN-13(EAN): 9780415809184
Издательство: Taylor&Francis
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Цена: 17903 р.
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Описание: First published in 1930, this book deals with Byzantine art, not as an isolated province, but as one intimately connected with the subsequent history of European painting. After a summary of the whole question in its relation to modern art, the second chapter opens with a novel analysis of the iconoclast controversy, and shows how it was only by this movement that Hellenistic naturalism was finally vanquished and the seed of interpretational art planted in Europe in its stead. The third chapter reveals how this seed was nourished by the Constantinopolitan Renascence, and how that event, combined with the increasing humanisation of religious emotion, culminated, not only in Duccio and Giotto, but in the equally important work of their contemporaries at Mistra and Mount Athos. A detailed account of these works is given and in the last part of the book, the mystery of El Greco is finally resolved. The book is based, not only on extensive research but on personal observation of nearly all the works mentioned, in Constantinople, Greece, Crete, Italy, and Spain. It is an important and exciting addition to the history of European Art and establishes, scientifically, theories which only existed in conjecture before its publication. The book includes 94 black and white plates.


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