Автор: D`Arcais Francesca Flores Название: Giotto ISBN: 0789212668 ISBN-13(EAN): 9780789212665 Издательство: Abbeville Press Цена: 4751 р. Наличие на складе: Есть (более 5-ти шт.) Описание: These splendid images and d`Arcais`s insightful text, now, for the first time, in an affordable paperback edition, make this the definitive monograph on Giotto, the greatest of trecento masters.
Автор: D`Arcais Francesca Flores Название: Giotto ISBN: 0789212668 ISBN-13(EAN): 9780789212665 Издательство: Abbeville Press Рейтинг: Цена: 4751 р. Наличие на складе: Есть (более 5-х шт.) Описание: These splendid images and d`Arcais`s insightful text, now, for the first time, in an affordable paperback edition, make this the definitive monograph on Giotto, the greatest of trecento masters.
Описание: A comprehensive survey of the surviving Italian frescoes from the end of the Middle Ages to the Renaissance and Mannerism. This book offers a descriptive and interpretive essay on all aspects of fresco painting, covering the artists and their patrons in the context of their cultural and political history.
Автор: Thiebaum, D/ Название: Giotto e Compagni ISBN: 8897737110 ISBN-13(EAN): 9788897737117 Издательство: ACC-distribution titles Рейтинг: Цена: 5775 р. Наличие на складе: Невозможна поставка.
Описание: A Louvre exhibit and catalogue on Giotto (c. 1267 1337), universally considered one of the greatest artists of all times and the renovator of Western painting.
Описание: This ambitious book is about a way of building that for centuries dominated the making of monumental architecture - yet now not only is it lost as practice, but knowledge of its very existence is consigned to oblivion. In pre-modern Europe, the architect built not just with imagination, brick and mortar, but with time, using vast quantities of duration to erect monumental buildings that otherwise would have been impossible. Not mere medieval muddling-through, this entailed a sophisticated set of norms and practices. Virtually all the great cathedrals of France and the rest of Europe were built under this regime, here given the name 'Building-in-Time'. In particular, the major works of pre-modern Italy, from the Pisa cathedral group to the cathedrals of Milan, Venice and Siena, and from the monuments of fourteenth-century Florence to the new St Peter's - the apotheosis of the practice - are thus cast in an entirely new light.
Even as 'Building-in-Time' was flourishing, the fifteenth-century Italian architect Leon Battista Alberti proposed a new temporal regime whereby time would ideally be excluded from the making of architecture ('Building-outside-Time'). Planning and building, which had formed one fluid, imbricated process, were to be sharply divided, and the change that always came with time excluded from architectural facture. Ironically, it was Brunelleschi, as creator of the cupola of Florence cathedral and one of the supreme practitioners of Building-in-Time, who was the lynchpin of Alberti's turn to the arts in the mid-1430s. That he arrived in Florence just at the moment Brunelleschi's dome was being completed was crucial to Alberti's subsequent career in visual culture. Yet his relationship to Brunelleschi was conflicted; first praising and attaching himself to Brunelleschi, later Alberti silently sought to banish him from history's central stage.
In telling this story, Marvin Trachtenberg rewrites the history of medieval and Renaissance architecture in Italy and recasts the turn to modernity in new terms, those of temporality and its role in architectural theory and practice. Recovering this lost element of the deep architectural past allows us also to see the present in a new way: that temporality is not any neutral or secondary factor in modern architecture culture, but an epistemic condition that silently affects all production and experience of the built environment.
Описание: Profiles 50 major artists alongside their representative works. This work includes brief biographies, time lines, and critical analyses. It offers additional information to help readers locate the artist`s work online and in museums, a glossary of important terms, and sidebars highlighting relevant movements and techniques.
Описание: The authors take a look at a variety of types of painting by artists such as Holbein, Raphael, Titian and Bronzino providing insight into the meanings of individual pictures and their purpose as they explore the materials, procedures, practices and the social position of the artist of the 1500s.
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