Pop surrealism, 

Автор: Choucha, Nadia
Название: Surrealism & the occult
ISBN: 1906958742 ISBN-13(EAN): 9781906958749
Издательство: Gazelle Book Services
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Описание: Many people associate Surrealism with politics, but it was also permeated by occult ideas, a fact often overlooked by art historians. This occult influence goes beyond general themes to the movements very heart. This occult influence goes beyond general themes to the movements very heart. The antinomian stance of Surrealism can be traced directly to the influence of radical nineteenth century magi such as Eliphas Levi, whose Dogma and Ritual of High Magic was widely read by Surrealisms ideologues. Amongst these we find its progenitor Andre Breton. The book shows how many Surrealists and their predecessors were steeped in magical ideas: Kandinsky, with his involvement with Theosophy, the sorcery of Salvador Dali; the alchemy of Pablo Picasso and the shamanism of Max Ernst and Leonora Carrington. Surrealism did not establish itself in Britain until the 1930s but a select few felt something in the air. Almost ten years before the Surrealist experiments with automatic drawing, an obscure English artist, Austin Osman Spare had perfected the technique. Nadia Choucha shows, convincingly, that occult and surrealist philosophies were often interchangeable. Surrealism and the Occult is seminal reading for art historians and occultists alike, while artists will find it a vital guide to the unlocking of the imagination.

Автор: Richter, David F.
Название: Garcia lorca at the edge of surrealism
ISBN: 1611485770 ISBN-13(EAN): 9781611485776
Издательство: Неизвестно
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Описание: Garcia Lorca at the Edge of Surrealism: The Aesthetics of Anguish examines the variations of surrealism and surrealist theories in the Spanish context, studied through the poetry, drama, and drawings of Federico Garcia Lorca.

Автор: Richardson, Michael
Название: Surrealism and cinema
ISBN: 1845202260 ISBN-13(EAN): 9781845202262
Издательство: Bloomsbury
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Описание: Surrealism has been recognised as having made a major contribution to film theory and practice, and many contemporary film-makers acknowledge its influence. This book charts the history of surrealist film-making in both Europe and Hollywood. It is suitable for those interested in surrealist ideas, and art and the history of film.