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Cinema of Tarkovsky, Skakov Nariman


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Автор: Skakov Nariman
Название:  Cinema of Tarkovsky
Перевод названия: Кинематограф Тарковского
ISBN: 9781848856301
Издательство: I B Tauris
Классификация:
ISBN-10: 184885630X
Обложка/Формат: Paperback
Страницы: 280
Вес: 0.38 кг.
Дата издания: 10.01.2012
Серия: Kino - the russian and soviet cinema
Язык: English
Иллюстрации: 30 bw integrated illustrations
Размер: 158 x 234 x 20
Читательская аудитория: Postgraduate, research & scholarly
Ключевые слова: Film theory & criticism,Individual film directors, film-makers,Cultural studies,Media studies, HISTORY / Europe / Russia & the Former Soviet Union,PERFORMING ARTS / Film & Video / History & Criticism,PERFORMING ARTS / Individual Director
Подзаголовок: Labyrinths of space and time
Рейтинг:
Поставляется из: Англии
Описание: Explores the phenomenon of spatio-temporal lapse in Tarkovsky`s cinema - from Ivan`s Childhood (1962) to Sacrifice (1986). Dreams, visions, mirages, memories, revelations, reveries and delusions are phenomena which present alternative spatio-temporal patterns; they disrupt the linear progression of events and create narrative discontinuity.


Andrei tarkovsky

Название: Andrei tarkovsky
ISBN: 1578062209 ISBN-13(EAN): 9781578062201
Издательство: Mare Nostrum (Eurospan)
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Цена: 3800.00 р.
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Описание: Andrei Tarkovsky (1932-86) was considered by many to be one of Russia`s most influential filmmakers, despite an output of only 7 feature films in 20 years. This book presents a collection of Andrei`s candid and articulate interviews, spanning the length of his career, exploring his aesthetic ideology and his self-exile from his Russian homeland.

Sacred cinema of andrei tarkovsky

Автор: Robinson, Jeremy M
Название: Sacred cinema of andrei tarkovsky
ISBN: 1861710283 ISBN-13(EAN): 9781861710284
Издательство: Неизвестно
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Цена: 3694.00 р.
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Описание: THE SACRED CINEMA OF ANDREI TARKOVSKY

A major new study of Russian filmmaker Andrei Tarkovsky (1932-1986), director of seven feature films, including Mirror, Andrei Roublyov, Solaris and The Sacrifice. ?This book explores every aspect of Andrei Tarkovsky's output in the most detailed fashion - including scripts, budget, production, shooting, editing, camera, sound, music, acting, themes, symbols, motifs, and spirituality. Tarkovsky's films are analyzed in depth, with scene-by-scene discussions.

This is an important addition to film studies, the most painstaking study of Andrei Tarkovsky's work available.

Contains 150 illustrations, of Tarkovsky's films, Tarkovsky at work, his contemporaries, and his favourite painters.

Andrei Tarkovsky is one of the most fascinating of filmmakers. He is supremely romantic, an old-fashioned, traditional artist - at home in the company Leonardo da Vinci, Pieter Brueghel, Aleksandr Pushkin, Fyodor Dostoievsky and Byzantine icon painters. Tarkovsky is a magician, no question, but argues for demystification (even while films celebrate mystery). His films are full of magical events, dreams, memory sequences, multiple viewpoints, multiple time zones and bizarre occurrences.

As genre films, Andrei Tarkovsky's movies are some of the most accomplished in cinema. As science fiction films, Stalker and Solaris have no superiors, and very few peers. Only the greatest sci-fi films can match them: Metropolis, King Kong, Close Encounters of the Third Kind and 2001: A Space Odyssey. Tarkovsky happily and methodically rewrote the rules of the sci-fi genre: Stalker and Solaris are definitely not routine genre outings. They don't have the monsters, the aliens, the visual effects, the battles, the laser guns, the stunts and action set-pieces of regular science fiction movies.

No one could deny that Andrei Roublyov is one of the greatest historical films to explore the Middle Ages, up there with The Seventh Seal, El Cid, The Navigator and Pier Paolo Pasolini's 'Life' trilogy. If you judge Andrei Roublyov in terms of historical accuracy, epic spectacle, serious themes, or cinematic poetry, it comes out at the top. Finally, in the religious film genre, The Sacrifice and Nostalghia are among the finest in cinema, the equals of the best of Ingmar Bergman, Luis Bunuel, Robert Bresson and Carl-Theodor Dreyer.

Andrei Tarkovsky: Interviews ( Conversations with Filmmakers (Hardcover) )

Автор: Gianvito, John (Editor)
Название: Andrei Tarkovsky: Interviews ( Conversations with Filmmakers (Hardcover) )
ISBN: 1578062195 ISBN-13(EAN): 9781578062195
Издательство: Mare Nostrum (Eurospan)
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Цена: 6270.00 р.
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Описание: Andrei Tarkovsky (1932-1986) was one of Russia`s most influential and renowned filmmakers, despite an output of only seven feature films in twenty years. Andrei Tarkovsky: Interviews is the first English-language collection of interviews with and profiles of the filmmaker. It includes conversations originally published in French, Italian, Russian, and British periodicals.

The Films of Andrei Tarkovsky: A Visual Fugue

Автор: Johnson, Vida T (Author), Petrie, Graham (Author)
Название: The Films of Andrei Tarkovsky: A Visual Fugue
ISBN: 0253208874 ISBN-13(EAN): 9780253208873
Издательство: Wiley EDC
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Цена: 4117.00 р.
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Описание: "Johnson and Petrie have produced an admirable book. Anyone who wants to make sense of Tarkovsky's films—a very difficult task in any case—must read it." —The Russian Review
"This book is a model of contextual and textual analysis. . . . the Tarkovsky myth is stripped of many of its shibboleths and the thematic structure and coherence of his work is revealed in a fresh and stimulating manner." —Europe-Asia Studies
"[This book,] with its wealth of new research and critical insight, has set the standard and should certainly inspire other writers to keep on trying to collectively explore the possible meanings of Tarkovsky's film world." —Canadian Journal of Film Studies
"For Tarkovsky lovers as well as haters, this is an essential book. It might make even the haters reconsider." —Cineaste
This definitive study, set in the context of Russian cultural history, throws new light on one of the greatest—and most misunderstood—filmmakers of the past three decades. The text is enhanced by more than 60 frame enlargements from the films.


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