Russian television today, Macfadyen, David

Автор: Rzhevsky
Название: The Cambridge Companion to Modern Russian Culture
ISBN: 0521175585 ISBN-13(EAN): 9780521175586
Издательство: Cambridge Academ
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Описание: This highly successful Companion has now been updated to include post-Soviet trends and new developments in Russian culture of the twenty-first century in this second edition. Each chapter has been revised or rewritten to take account of current conditions and the further reading brought up to date.

Автор: Bourdon J.; Meadel C.
Название: Television Audiences Across the World
ISBN: 1137345098 ISBN-13(EAN): 9781137345097
Издательство: Springer
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Описание: This book is the first to deal with the world composition of television ratings. It focuses on the peoplemeter, a 25 year old technology which succeeds in homogenizing very different populations and television practices. It provides a fascinating account of the production of figures on which the whole world of popular culture depends.

Автор: Marsh
Название: Gender and Russian Literature
ISBN: 0521174945 ISBN-13(EAN): 9780521174947
Издательство: Cambridge Academ
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Описание: This 1996 collection of fascinating essays by leading western and Russian specialists gives an overview of key issues in Russian women`s writing and of important representations of women by men, between 1600 and the present, exploring the differences between the writing of women and men in Russia.

Автор: Ellen Mickiewicz
Название: Television, Power, and the Public in Russia
ISBN: 0521716756 ISBN-13(EAN): 9780521716758
Издательство: Cambridge Academ
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Описание: Russian leaders are increasingly controlling the media, assuming that viewers will automatically assimilate the messages it broadcasts. This is the first book to reveal what the Russian audience really thinks of its TV news and the original and individual ways they process it.

Автор: Sewell, Philip W.,
Название: Television in the age of radio :
ISBN: 0813562694 ISBN-13(EAN): 9780813562698
Издательство: Mare Nostrum (Eurospan)
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Описание: Television existed for a long time before it became commonplace in American homes. Even as cars, jazz, film, and radio heralded the modern age, television haunted the modern imagination. During the 1920s and 1930s, U.S. television was a topic of conversation and speculation. Was it technically feasible? Could it be commercially viable? What would it look like? How might it serve the public interest? And what was its place in the modern future? These questions were not just asked by the American public, but also posed by the people intimately involved in television’s creation. Their answers may have been self-serving, but they were also statements of aspiration. Idealistic imaginations of the medium and its impact on social relations became a de facto plan for moving beyond film and radio into a new era. In Television in the Age of Radio, Philip W. Sewell offers a unique account of how television came to be—not just from technical innovations or institutional struggles, but from cultural concerns that were central to the rise of industrial modernity. This book provides sustained investigations of the values of early television amateurs and enthusiasts, the fervors and worries about competing technologies, and the ambitions for programming that together helped mold the medium. Sewell presents a major revision of the history of television, telling us about the nature of new media and how hopes for the future pull together diverse perspectives that shape technologies, industries, and audiences.