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Mattias Adolfsson Sketchbook, Adolfsson Mattias


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Автор: Adolfsson Mattias
Название:  Mattias Adolfsson Sketchbook
Перевод названия: Маттиас Эдолфссон. Наброски. Альбом
ISBN: 9781608862771
Издательство: Boom Studios
Классификация: ISBN-10: 1608862771
Обложка/Формат: Paperback
Страницы: 128
Вес: 0.00 кг.
Дата издания: 02.10.2012
Язык: English
Поставляется из: США
Описание: For the first time in North America, brilliant Swedish illustrator Mattias Adolfssons incredibly lush sketchbook illustrations are collected in a facsimile Moleskine edition. Adolfsson, in between assignments for the New York Times, videogame design, childrens books and other major publications, spends his time filling untold Moleskines with intricate and beautifully detailed drawings of whatever strikes his fancy. From hot-rod spaceships to rocket-fueled fountain pens, from baroque robots to Richard-Scary-gone-berserk cityscapes, Adolfsson uses his imagination to create everything mad scientists world-over havent even begun to dream up.


Real-World Kanban

Автор: Skarin Mattias
Название: Real-World Kanban
ISBN: 1680500775 ISBN-13(EAN): 9781680500776
Издательство: Wiley
Рейтинг:
Цена: 3564.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Your team is stressed; priorities are unclear. You`re not sure what your teammates are working on, and management isn`t helping. If your team is struggling with any of these symptoms, these four case studies will guide you to project success.

Postwall German Cinema

Автор: Frey Mattias
Название: Postwall German Cinema
ISBN: 0857459473 ISBN-13(EAN): 9780857459473
Издательство: Berghahn
Рейтинг:
Цена: 17846.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Since the fall of the Berlin Wall, there has been a proliferation of German historical films. These productions have earned prestigious awards and succeeded at box offices both at home and abroad, where they count among the most popular German films of all time. Recently, however, the country’s cinematic take on history has seen a significant new development: the radical style, content, and politics of the New German Cinema. With in-depth analyses of the major trends and films, this book represents a comprehensive assessment of the historical film in today’s Germany. Challenging previous paradigms, it takes account of a postwall cinema that complexly engages with various historiographical forms and, above all, with film history itself.


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