Автор: Grieg, Edvard Название: Piano Concerto in Full Score ISBN: 0486279316 ISBN-13(EAN): 9780486279312 Издательство: Dover Цена: 1687 р. Наличие на складе: Поставка под заказ.
Автор: Mozart, Wolfgang Amadeus Название: Piano Concertos Nos. 11-16 in Full Score ISBN: 0486254682 ISBN-13(EAN): 9780486254685 Издательство: Dover Цена: 2252 р. Наличие на складе: Поставка под заказ.
"The series of piano concertos that Mozart composed in Vienna are probably his greatest achievement in instrumental music." -- New Grove's Dictionary of Music and Musicians The characteristic invention, clarity, grace, and proportion that distinguish Mozart's music are fully evident in the six remarkable piano concertos that make up this volume. Staples of the concerto repertoire, the works include: Piano Concerto No. 11 in F Major, K.413; Piano Concerto No. 12 in A Major, K.414; Piano Concerto No. 13 in C Major, K.415; Piano Concerto No. 14 in E-flat Major, K.449; Piano Concerto No. 15 in B-flat Major, K.450; and Piano Concerto No. 16 in D Major, K.451. Also included are the cadenzas Mozart wrote for Nos. 12 to 16. Noteheads are large enough to read easily, while margins and spaces between staves permit written notes, harmonic analysis, fingering, and running measure numbers. Pianists and music lovers will welcome this attractive, durable edition, reprinted complete and unabridged from the standard authoritative Breitkopf & H rtel edition.
Автор: Chopin Fr?d?ric Название: The Piano Concertos in Full Score ISBN: 0486258351 ISBN-13(EAN): 9780486258355 Издательство: Dover Цена: 2139 р. Наличие на складе: Поставка под заказ.
Описание: Chopin's piano concertos combine bold orchestral pieces with delicate keyboard solos. The composer described the slow movement of Concerto No. 1 as being "like dreaming in beautiful springtime, by moonlight." Concerto No. 2 features a dramatic first theme, followed by a romantic second movement and a lively, mazurka-like final movement. Features lay-flat sewn binding.
Описание: Ambitious in scale, highly original in both content and design, these popular works exhibit Brahms's mastery of the concerto and his role as heir to the classical tradition of Mozart and Beethoven. Both works are marked by drama, elegance, rich orchestral textures, and virtuoso writing for the soloist. Concerto No. 1 in D Minor, Op. 15, is a mighty work, featuring a theatrically powerful first movement, a tranquil adagio, and a spirited finale. Concerto No. 2 in B-flat Major, Op. 83, is a majestic piece that includes a notable departure from the classical tradition: the addition of a scherzo between the opening movement and the andante. Both works appear here in authoritative two-piano editions, featuring the solo part together with an orchestral reduction for second piano, the standard format for learning and practice. In addition, this volume offers pianists the convenience and economy of two major concertos in a single edition.
This volume contains two of Beethoven's most loved and widely performed piano concertos, printed in the traditional format for two pianos: Piano I is the solo part; Piano II, a piano reduction of the orchestral score. Concerto No. 4 in G Major, Op. 58, composed in 1805-06, is one of the great masterpieces of the form, perfectly designed, profoundly poetic. From its striking opening for the solo instrument -- a true innovation for the concerto concept -- through the slow movement's literal conversation between solo and orchestra, the work broke new ground as it reshaped the form. The powerful Concerto No. 5 in E-flat Major, Op. 73, called the Emperor for its grandeur, was Beethoven's last piano concerto. Composed in 1809, when the composer was 39, it is counted among the most popular concertos in the repertoire. Grove considers it one of the strongest works conceived by Beethoven, and by far the most symphonic, from the thunderous cadential celebration of the very first bars to the brilliant rondo-finale. Both works are presented here in authoritative two-piano playing editions edited by Franz Kullak, one of the nineteenth century's leading piano editors and teachers of pianists. His classic format for two keyboards is the universal standard, for students and professionals alike, for learning and rehearsing all piano concertos. It gives the pianist the most accessible form and practical means to prepare a work for performance. To this practicality, Dover adds the convenience and economy of joining two major concertos within a single volume.
This authoritative edition continues Dover's series of great piano concertos with orchestral reduction for second piano -- the universal standard, for students and professionals alike, for learning and rehearsing all concertos. Together for the first time are two of the most performed and recorded concertos of all time: the Tchaikovsky Piano Concerto No. 1 in G-flat Minor, Op. 23, and the Rachmaninoff Piano Concerto No. 2 in C Minor, Op. 18. Both of these great Russian works have achieved unrivaled worldwide popularity and are absolute musts in the repertoire of every serious pianist. The Tchaikovsky concerto combines a virtuoso piano part with brilliant orchestral scoring. The Rachmaninoff concerto is universally admired for the dark, brooding opening, enormously popular themes, and passionate, lyrical final movement. Every pianist and serious piano student will want this attractive and modestly priced edition.
Lovers of the rich burnished tones of the cello will appreciate the keynote of this volume: complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the last half of the nineteenth century, the compositions reveal extraordinary lyricism, imagination, and individual interpretation of the concerto form. The works in this volume are Robert Schumann: Cello Concerto in A Minor, Op. 129; Camille Saint-Sa ns: Cello Concerto No. 1, Op. 33; and Anton n Dvoř k: Cello Concerto in B Minor, Op. 104. Generations of cellists and music lovers have savored these works for their unique qualities: the Schumann concerto for its ravishing interweaving of cello and orchestra; that of Saint-Sa ns for solid musical craftsmanship; the Dvoř k work for enchanting melodies and exceptionally rich invention. Now musicians can enjoy the felicities of each work, complete and unabridged, in this sturdy, attractive Dover volume. Reprinted directly from authoritative editions, this volume offers not only great music but also the quality features that musicians have come to expect from Dover: clear reproduction of musical notation; ample space for analysis, notes, fingerings, etc.; glossaries of musical terms; and more. For playing or study, this inexpensive edition is a must for every serious cellist.
Описание: This original compilation features three superb pieces for piano and orchestra by one of the key composers and pianists of the Romantic era. Composers from Brahms to Grieg have been influenced by Robert Schumann's Piano Concerto in A Minor, Op. 54. The composer's wife Clara was the solo pianist at the work's 1846 debut, under the direction of Ferdinand Hiller, to whom the work was dedicated. The Concerto in A Minor was the only piano concerto that Schumann completed in his tragically brief life. This volume features two additional works by the composer for piano and orchestra: Konzertstuck (Introduction and allegro appassionato), Op. 92, and Introduction and allegro, Op. 134. All three works are reproduced from the authoritative Breitkopf & Hartel editions."
Описание: Brahms wrote only two concerti in his lifetime, each one an important staple of the concert repertoire. Noted for their grand classical concepts and thrilling technical challenges, these masterpieces — Piano Concertos Nos. 1 and 2 — are featured here in full score in one convenient, affordable volume. From their mysterious and passionate introductions to their mighty conclusions, pianists, conductors, music students, and scholars will find the works in this handsome, full-sized edition ideal for study and performance purposes.
Reprint of the Breitkopf & Hartel, Leipzig, ca. 1926–27 edition.
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