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The Philosophy of Art: The Question of Definition: From Hegel to Post-Dantian Theories, Tiziana Andina


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Автор: Tiziana Andina
Название:  The Philosophy of Art: The Question of Definition: From Hegel to Post-Dantian Theories
ISBN: 9781441140517
Издательство: Bloomsbury Academic
Классификация:
ISBN-10: 1441140514
Обложка/Формат: Hardback
Страницы: 208
Вес: 0.45 кг.
Дата издания: 11.04.2013
Серия: Bloomsbury studies in philosophy
Язык: English
Иллюстрации: 5 halftones
Размер: 241 x 157 x 17
Читательская аудитория: College/higher education
Ключевые слова: Philosophy: aesthetics, PHILOSOPHY / Aesthetics
Основная тема: Philosophy: aesthetics,PHILOSOPHY / Aesthetics
Подзаголовок: From hegel to post-dantian theories
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Поставляется из: Англии
Описание: Drawing on the philosophies of art developed by the continental authors and studies of Anglo-American philosophers, this book presents a panorama of the philosophy of art. It discusses definitions offered from the analytical school including Arthur Danto’s representationalism, Dipert’s theories of artefactualism, Dickie’s institutional and procedural theories and Levinson’s historical and cultural theories. From the continental theories it reflects on Hegel’s notion of philosophy of art, Martin Heidegger’s and Hans Georg Gadamer’s hermeneutic tradition and Alexius Meinong’s theory of objects. This range of definitions and theories are judged and defended using a form of representationalism that begins with the results of Arthur Danto’s thinking and integrates the aesthetic reflection of the Baumgarten School. The result is not only a presentation of philosophy of art from the beginning of the twentieth century to present day, but a study that proposes a theory capable of synthesizing the finest contributions of the analytic and continental traditions.
Дополнительное описание: Introduction: On the Philosophy of Art \ 1. The Twentieth Century and the Long History of the Imitative Theory \ 2. Definitions \ 3. On the Impossibility of Defining \ 4. Works of Art as Social and Historical Objects \ Notes \ Bibliography \ Index of Name



Hegel and the English Romantic Tradition

Автор: Deakin
Название: Hegel and the English Romantic Tradition
ISBN: 1137482176 ISBN-13(EAN): 9781137482174
Издательство: Springer
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Цена: 11179.00 р.
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Описание: Re-examining English Romanticism through Hegel`s philosophy, this book outlines and expands upon Hegel`s theory of recognition. Deakin critiques four canonical writers of the English Romantic tradition, Coleridge, Wordsworth, P.B. Shelley and Mary Shelley, arguing that they, as Hegel, are engaged in a struggle towards philosophical recognition.

After the Beautiful: Hegel and the Philosophy of Pictorial Modernism

Автор: Pippin Robert B.
Название: After the Beautiful: Hegel and the Philosophy of Pictorial Modernism
ISBN: 022632558X ISBN-13(EAN): 9780226325583
Издательство: Wiley
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Цена: 3010.00 р.
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Описание: In his Berlin lectures on fine art, Hegel argued that art involves a unique form of aesthetic intelligibility--the expression of a distinct collective self-understanding that develops through historical time. Hegel's approach to art has been influential in a number of different contexts, but in a twist of historical irony Hegel would die just before the most radical artistic revolution in history: modernism. In After the Beautiful, Robert B. Pippin, looking at modernist paintings by artists such as douard Manet and Paul C zanne through Hegel's lens, does what Hegel never had the chance to do.

While Hegel could never engage modernist painting, he did have an understanding of modernity, and in it, art--he famously asserted--was "a thing of the past," no longer an important vehicle of self-understanding and no longer an indispensable expression of human meaning. Pippin offers a sophisticated exploration of Hegel's position and its implications. He also shows that had Hegel known how the social institutions of his day would ultimately fail to achieve his own version of genuine equality, a mutuality of recognition, he would have had to explore a different, new role for art in modernity. After laying this groundwork, Pippin goes on to illuminate the dimensions of Hegel's aesthetic approach in the path-breaking works of Manet, the "grandfather of modernism," drawing on art historians T. J. Clark and Michael Fried to do so. He concludes with a look at C zanne, the "father of modernism," this time as his works illuminate the relationship between Hegel and the philosopher who would challenge Hegel's account of both modernity and art--Martin Heidegger.
Elegantly inter-weaving philosophy and art history, After the Beautiful is a stunning reassessment of the modernist project. It gets at the core of the significance of modernism itself and what it means in general for art to have a history. Ultimately, it is a testament, via Hegel, to the distinctive philosophical achievements of modernist art in the unsettled, tumultuous era we have inherited.


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