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A Sand County Almanac & Other Writings on Ecology and Conservation, Leopold Aldo



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Автор: Leopold Aldo
Название:  A Sand County Almanac & Other Writings on Ecology and Conservation
Перевод названия: Леопольд Алдо: Альманах песчаных земель
ISBN: 9781598532067
Издательство: Random House (USA)
Классификация:
ISBN-10: 1598532065
Обложка/Формат: Hardcover
Страницы: 832
Вес: 0.453 кг.
Дата издания: 21.03.2013
Язык: English
Размер: 201 x 130 x 38
Поставляется из: США
Описание: Since his death in 1948, Aldo Leopold has been increasingly recognized as one of the indispensable figures of American environmentalism. A pioneering forester, sportsman, wildlife manager, and ecologist, he was also a gifted writer whose farsighted land ethic is proving increasingly relevant in our own time. Now, Leopold s essential contributions to our literature some hard-to-find or previously unpublished are gathered in a single volume for the first time. Here is his classic A Sand County Almanac, hailed with Thoreau s Walden and Carson s Silent Spring as one of the main literary influences on the modern environmental movement. Published in 1949, it is still astonishing today: a vivid, firsthand, philosophical tour de force. Along with Sand County are more than fifty articles, essays, and lectures exploring the new complexities of ecological science and what we would now call environmental ethics. Leopold s sharp-eyed, often humorous journals are illustrated here for the first time with his original photographs, drawings, and maps. Also unique to this collection is a selection of over 100 letters, most of them never before published, tracing his personal and professional evolution and his efforts to foster in others the love and sense of responsibility he felt for the land.


The Hirschfeld Century: Portrait of an Artist and His Age

Автор: Leopold David, Hirschfeld Al
Название: The Hirschfeld Century: Portrait of an Artist and His Age
ISBN: 110187497X ISBN-13(EAN): 9781101874974
Издательство: Random House (USA)
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Цена: 4514 р.
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Описание:

I am down to a pencil, a pen, and a bottle of ink. I hope one day to eliminate the pencil.

Al Hirschfeld redefined caricature and exemplified Broadway and Hollywood, enchanting generations with his mastery of line. His art appeared in every major publication during nine decades of the twentieth and twenty-first centuries, as well as on numerous book, record, and program covers; film posters and publicity art; and on fifteen U.S. postage stamps.

Now, The Hirschfeld Century brings together for the first time the artist's extraordinary eighty-two-year career, revealed in more than 360 of his iconic black-and-white and color drawings, illustrations, and photographs--his influences, his techniques, his evolution from his earliest works to his last drawings, and with a biographical text by David Leopold, Hirschfeld authority, who, as archivist to the artist, worked side by side with him and has spent more than twenty years documenting the artist's extraordinary output.

Here is Hirschfeld at age seventeen, working in the publicity department at Goldwyn Pictures (1920-1921), rising from errand boy to artist; his year at Universal (1921); and, beginning at age eighteen, art director at Selznick Pictures, headed by Louis Selznick (father of David O.) in New York. We see Hirschfeld, at age twenty-one, being influenced by the stylized drawings of Miguel Covarrubias, newly arrived from Mexico (they shared a studio on West Forty-Second Street), whose caricatures appeared in many of the most influential magazines, among them Vanity Fair. We see, as well, how Hirschfeld's friendship with John Held Jr. (Held's drawings literally created the look of the Jazz Age) was just as central as Covarrubias to the young artist's development, how Held's thin line affected Hirschfeld's early caricatures.

Here is the Hirschfeld century, from his early doodles on the backs of theater programs in 1926 that led to his work for the drama editors of the New York Herald Tribune (an association that lasted twenty years) to his receiving a telegram from The New York Times, in 1928, asking for a two-column drawing of Sir Harry Lauder, a Scottish vaudeville singing sensation making one of his (many) farewell tours, an assignment that began a collaboration with the Times that lasted seventy-five years, to Hirschfeld's theater caricatures, by age twenty-five, a drawing appearing every week in one of four different New York newspapers.

Here, through Hirschfeld's pen, are Ethel Merman, Benny Goodman, Judy Garland, Mickey Rooney, Katharine Hepburn, the Marx Brothers, Barbra Streisand, Elia Kazan, Mick Jagger, Ella Fitzgerald, Laurence Olivier, Martha Graham, et al. . . . Among the productions featured: Fiddler on the Roof, West Side Story, Rent, Guys and Dolls, The Wizard of Oz (Hirschfeld drew five posters for the original release), Gone with the Wind, The Sopranos, and more.

Here as well are his brilliant portraits of writers, politicians, and the like, among them Ernest Hemingway (a pal from 1920s Paris), Tom Wolfe, Charles de Gaulle, Nelson Mandela, Joseph Stalin, Winston Churchill, and every president from Franklin D. Roosevelt to Bill Clinton.

Sumptuous and ambitious, a book that gives us, through images and text, a Hirschfeld portrait of an artist and his age.

G Is For Goat

Автор: Leopold, Niki Clark
Название: G Is For Goat
ISBN: 0399240187 ISBN-13(EAN): 9780399240188
Издательство: Random House (USA)
Цена: 1917 р.
Наличие на складе: Нет в наличии.


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