Автор: Tomecek, Marek Название: Berkeley`s common sense and science ISBN: 1433128071 ISBN-13(EAN): 9781433128073 Издательство: Peter Lang Рейтинг: Цена: 13236.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The topic of George Berkeley and common sense is challenging: Berkeley claims that matter does not exist and at the same time he writes a whole book (Three Dialogues between Hylas and Philonous) on how his system agrees with common sense. However, once we understand why he felt so confident that his immaterialism is not an affront to the plain man, we will get a better insight into the metaphysical system itself. The solution involves a more prominent role for science in immaterialism, which justifies the more revisionist aspects of the overall metaphysics, together with a new role of common sense in philosophy. Berkeley was a successful scientist in his own right; his Theory of Vision defined the topic of psychology of vision for the next two centuries. His metaphysics grows naturally out of his science, the crucial term «idea” being a psychological entity anchored in his theory of vision. At the same time, immaterialism is friendlier to the plain man in not redefining key words of his vocabulary, such as «know», «real», and «certain», unlike the then-reigning representative realism harboring skeptical tendencies. Traditionally, common sense has been taken to include the belief that external objects exist. Once we get rid of this philosophical travesty of the plain man's beliefs identifying dualistic metaphysics with common sense, we will be able to appreciate the seminal importance of immaterialism and its twentieth-century analogies in the works of J. L. Austin, Wittgenstein, and others.
Автор: Haltof, Marek Название: A to z of polish cinema ISBN: 0810876175 ISBN-13(EAN): 9780810876170 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 9504.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In 1902, scientist and inventor Kazimierz Pr szynski made the first Polish narrative film, The Return of a Merry Fellow (Powr t Birbanta). Since then, the Polish film industry has produced a diverse body of work, ranging from patriotic melodramas and epic adaptations of the national literary canon to Yiddish cinema and films portraying the corrupted side of communism. Poland has produced several internationally known films, including Andrzej Wajda's war trilogy, A Generation (1955), Kanal (1957), and Ashes and Diamonds (1958), Roman Polanski's Knife in the Water (1962), and Andrzej Munk's The Passenger (1963). Often performing specific political and cultural duties for their nation, Polish filmmakers were well aware of their role as educators, entertainers, social activists, and political leaders. The A to Z of Polish Cinema fills the gap in film scholarship, presenting an extensive factual survey of Polish film. Through its chronology, introductory essay, appendixes, bibliography, and cross-referenced dictionary entries on films, directors, actors, producers, and film institutions, a balanced picture of the richness of Polish cinema is presented. Readers with professional interest in cinema will welcome this new work, which would be useful for any senior undergraduate or post-graduate courses in film studies.
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