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Aesthetic Life of Cyril Scott, Collins Sarah


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Автор: Collins Sarah
Название:  Aesthetic Life of Cyril Scott
ISBN: 9781843838074
Издательство: Boydell & Brewer
Классификация:
ISBN-10: 1843838079
Обложка/Формат: Hardback
Страницы: 280
Вес: 0.68 кг.
Дата издания: 21.03.2013
Серия: Arts
Язык: English
Размер: 239 x 165 x 25
Читательская аудитория: Professional and scholarly
Ключевые слова: Individual composers & musicians, specific bands & groups, BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians
Поставляется из: Англии
Описание: Prolific and personable, innovative and contentious, Cyril Scott (1879 - 1970) was considered to be one of the most promising young talents in modern British music at the turn of the twentieth century. He was a member of the Frankfurt Group (together with Percy Grainger, Norman ONeill, Roger Quilter and Balfour Gardiner), his music was performed by some of the leading conductors of the time in Britain and on the Continent, and his friends included highly influential figures in European literature, art and politics. Apart from his music, Scott was the author of many books on alternative medicine, psychology, Occultism, Theosophy and comparative religion. He also wrote fiction, autobiography, and poetry. Scott embodied a unique time in a particularly unique way. His aesthetic ideas informed both his professional creative practice and his manner of living. He was not merely a composer, but an artist in the broadest possible sense of the term. This book provides the first comprehensive account of Scotts life and influences as well as an outline and contextualization of his aesthetic thinking. It traces his changing conception of the function of art and the role of the artist from his formative exposure to Symbolism through his friendship with the German poet Stefan George, to his exploration of Western and Eastern esoteric traditions, showing how the prevailing cross-pollination of ideas allowed him to develop a fully integrated rationale for his art and life. The story of Scotts development guides the reader through some of the most fascinating intellectual discourses of late-nineteenth and early-twentieth-century Europe. Sarah Collins current research focuses on British music aesthetics and criticism in the late-nineteenth and early-twentieth centuries. She has a particular interest in the interaction between turn-of-the-century conceptions of the function of criticism, theories of critical intuition and questions of moral philosophy. She lectured at the University of Queensland from 2006 and joined the faculty of Monash University in 2012.



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