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Bourgeois, Moretti Franco


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Автор: Moretti Franco
Название:  Bourgeois
Перевод названия: Франко Моретти: Буржуа
ISBN: 9781781680858
Издательство: Неизвестно
Классификация:
ISBN-10: 178168085X
Обложка/Формат: Hardcover
Страницы: 228
Вес: 0.42 кг.
Дата издания: 31.05.2013
Язык: English
Размер: 215 x 142 x 21
Поставляется из: Англии
Описание: Who - and what - are the Bourgeois?


Place, Setting, Perspective: Narrative Space in the Films of Nanni Moretti

Автор: Andrews Eleanor
Название: Place, Setting, Perspective: Narrative Space in the Films of Nanni Moretti
ISBN: 1611477638 ISBN-13(EAN): 9781611477634
Издательство: Неизвестно
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Цена: 12642.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Place, Setting, Perspective examines the films of the Italian filmmaker, Nanni Moretti, from a fresh viewpoint, employing the increasingly significant research area of space within a filmic text. The book is conceived with the awareness that space cannot be studied only in aesthetic or narrative terms: social, political, and cultural aspects of narrated spaces are equally important if a thorough appraisal is to be achieved of an oeuvre such as Moretti's, which is profoundly associated with socio-political commentary and analysis. After an exploration of various existing frameworks of narrative space in film, the book offers a particular definition of the term based on the notions of Place, Setting, and Perspective. Place relates to the physical aspect of narrative space and specifically involves cityscapes, landscapes, interiors, and exteriors in the real world. Setting concerns genre characteristics of narrative space, notably its differentiated use in melodrama, detective stories, fantasy narratives, and gender based scenarios. Perspective encompasses the point of view taken optically by the camera which supports the standpoint of Moretti's personal philosophy expressed through the aesthetic aspects which he employs to create narrative space. The study is based on a close textual analysis of Moretti's eleven major feature films to date, using the formal film language of mise-en-sc ne, cinematography, editing, and sound. The aim is to show how Moretti selects, organizes, constructs, assembles, and manipulates the many elements of narrative space into an entire work of art, to enable meanings and pleasures for the spectator.


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