Refrain and the Rise of the Vernacular in Medieval French Mu 9781843843498

Варианты приобретения

Цена: 9504.00р.
Кол-во:
Наличие: Поставка под заказ. Есть в наличии на складе поставщика.
Склад Америка: Есть
При оформлении заказа до: 2025-08-04
Ориентировочная дата поставки: Август-начало Сентября
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: Saltzstein Jennifer
Название: Refrain and the Rise of the Vernacular in Medieval French Mu
ISBN: 9781843843498
Издательство: Boydell & Brewer
Классификация:

Средневековая и ренессансная музыка (с 1000 до 1600)

ISBN-10: 1843843498
Обложка/Формат: Hardback
Страницы: 208
Вес: 0.52 кг.
Дата издания: 20.06.2013
Серия: Arts
Язык: English
Размер: 241 x 160 x 20
Читательская аудитория: Professional and scholarly
Ключевые слова: Medieval & Renaissance music (c 1000 to c 1600), LITERARY CRITICISM / Medieval
Поставляется из: Англии
Описание: The relationship between song quotation and the elevation of French as a literary language that could challenge the cultural authority of Latin is the focus of this book. It approaches this phenomenon through a close examination of the refrain, a short phrase of music and text quoted intertextually across thirteenth- and early fourteenth-century musical and poetic genres. The author draws on a wide range of case studies, from motets, trouvère song, plays, romance, vernacular translations, and proverb collections, to show that medieval composers quoted refrains as vernacular auctoritates; she argues that their appropriation of scholastic, Latinate writing techniques worked to authorize Old French music and poetry as media suitable for the transmission of knowledge. Beginning with an exploration of the quasi-scholastic usage of refrains in anonymous and less familiar clerical contexts, the book goes on to articulate a new framework for understanding the emergence of the first two named authors of vernacular polyphonic music, the cleric-trouvères Adam de la Halle and Guillaume de Machaut. It shows how, by blending their craft with the writing practices of the universities, composers could use refrain quotation to assert their status as authors with a new self-consciousness, and to position works in the vernacular as worthy of study and interpretation. Jennifer Saltzstein is Assistant Professor of Musicology at the University of Oklahoma.

Refrain and the Rise of the Vernacular in Medieval French Mu, Saltzstein Jennifer