Family authorship and romantic print culture, Levy, Michelle
Автор: Dobranski Название: Milton, Authorship, and the Book Trade ISBN: 0521119006 ISBN-13(EAN): 9780521119009 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examining Milton`s changing historical circumstances with special attention to his texts` material production, Stephen B. Dobranski shows in a series of provocative and original case studies that Milton benefited from a collaborative process of writing and publishing, working with amanuenses, acquaintances, printers and publishers, in dramatic and surprising ways.
Автор: Heale Название: Autobiography and Authorship in Renaissance Verse ISBN: 0333773977 ISBN-13(EAN): 9780333773970 Издательство: Springer Рейтинг: Цена: 18866.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The advent of relatively cheap editions of poetry in the mid-16th century produced an explosion of verse, much of which represented the first person speaker as a version of the author. This work examines ways in which writers harnessed verse for self-promotional purposes.
Автор: Strachan Название: Advertising and Satirical Culture in the Romantic Period ISBN: 0521293065 ISBN-13(EAN): 9780521293068 Издательство: Cambridge Academ Рейтинг: Цена: 6019.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is a study of the cultural resonance and literary influences of advertising in the late eighteenth and early nineteenth centuries. John Strachan addresses the many ways in which literary figures including George Crabbe, Lord Byron and Charles Dickens responded to the commercial culture around them.
Автор: Loewenstein Название: Ben Jonson and Possessive Authorship ISBN: 0521812178 ISBN-13(EAN): 9780521812177 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Writing before the institution of copyright, Renaissance authors were not recognized as owning their works, yet the written word could be marketed by printers or acting companies and authors held responsible for their writings. This 2002 book probes the literary and institutional history, the politics and the psychology of possessive authorship.
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