African American Women Writers` Historical Fiction, Nunes Ana
Автор: Weldt-Basson Название: Redefining Latin American Historical Fiction ISBN: 1137277564 ISBN-13(EAN): 9781137277565 Издательство: Springer Рейтинг: Цена: 10394 р. Наличие на складе: Поставка под заказ.
Описание: Current scholarship on Latin American historical fiction has failed to take feminism and postcolonialism into account. This study uses these important contemporary discourses as a starting point for a new definition of the Latin American historical novel that includes national identity, magical realism, historical intertextuality, and symbolism.
Автор: Dickson-carr, Darryl Название: Columbia guide to contemporary african american fiction ISBN: 0231124724 ISBN-13(EAN): 9780231124720 Издательство: Wiley Рейтинг: Цена: 10175 р. Наличие на складе: Поставка под заказ.
Описание: From Ishmael Reed and Toni Morrison to Colson Whitehead and Terry McMillan, this is a guide to contemporary African American literature. It presents information about the major authors, texts, movements, and ideas that have shaped contemporary African American fiction.
Автор: Graham-bertolini, Alison Название: Vigilante women in contemporary american fiction ISBN: 0230110908 ISBN-13(EAN): 9780230110908 Издательство: Springer Рейтинг: Цена: 10394 р. Наличие на складе: Поставка под заказ.
Описание: Graham-Bertolini provides the first analysis of vigilante women in contemporary American fiction. She develops a dynamic model of vigilante heroines using literary and feminist theory and applies it to important texts to broaden our understanding of how law and culture infringe upon women`s rights.
Автор: Meyers Название: African American Women in the News ISBN: 0415875730 ISBN-13(EAN): 9780415875738 Издательство: Taylor&Francis Рейтинг: Цена: 4811 р. Наличие на складе: Поставка под заказ.
Описание: African American Women in the News offers the first in-depth examination of the varied representations of Black women in American journalism, from analyses of coverage of domestic abuse and "crack mothers" to exploration of new media coverage of Michelle Obama on Youtube. Marian Meyers interrogates the complex and often contradictory images of African American women in news media through detailed studies of national and local news, the mainstream and Black press, and traditional news outlets as well as newer digital platforms. She argues that previous studies of African Americans and the news have largely ignored the representations of women as distinct from men, and the ways in which socioeconomic class can be a determining factor in how Black women are portrayed in the news. Meyers also proposes that a pattern of paternalistic racism, as distinct from the "modern" racism found in previous studies of news coverage of African Americans, is more likely to characterize the media's treatment of African American women. Drawing on critical cultural studies and black feminist theory concerning representation and the intersectionality of gender, race and class, Meyers goes beyond the cultural myths and stereotypes of African American women to provide an updated portrayal of Black women today. African American Women in the News is ideal for courses on African American studies, American studies, journalism studies, media studies, sociology studies, women’s studies and for professional journalists and students of journalism who seek to improve the diversity and sensitivity of their journalistic practice.
Автор: Meyers Название: African American Women in the News ISBN: 0415875722 ISBN-13(EAN): 9780415875721 Издательство: Taylor&Francis Рейтинг: Цена: 16500 р. Наличие на складе: Поставка под заказ.
Описание: African American Women in the News offers the first in-depth examination of the varied representations of Black women in American journalism, from analyses of coverage of domestic abuse and "crack mothers" to exploration of new media coverage of Michelle Obama on Youtube. Marian Meyers interrogates the complex and often contradictory images of African American women in news media through detailed studies of national and local news, the mainstream and Black press, and traditional news outlets as well as newer digital platforms. She argues that previous studies of African Americans and the news have largely ignored the representations of women as distinct from men, and the ways in which socioeconomic class can be a determining factor in how Black women are portrayed in the news. Meyers also proposes that a pattern of paternalistic racism, as distinct from the "modern" racism found in previous studies of news coverage of African Americans, is more likely to characterize the media's treatment of African American women. Drawing on critical cultural studies and black feminist theory concerning representation and the intersectionality of gender, race and class, Meyers goes beyond the cultural myths and stereotypes of African American women to provide an updated portrayal of Black women today. African American Women in the News is ideal for courses on African American studies, American studies, journalism studies, media studies, sociology studies, women’s studies and for professional journalists and students of journalism who seek to improve the diversity and sensitivity of their journalistic practice.
Описание: This book is a study of the `mothers` of the mystery genre. Traditionally the invention of crime writing has been ascribed to Poe, Wilkie Collins and Conan Doyle, but they had formidable women rivals, whose work has been until recently largely forgotten. The purpose of this book is to `cherchez les femmes`, in a project of rediscovery.
Few institutions seem more opposed than African American literature and J. Edgar Hoover's white-bread Federal Bureau of Investigation. But behind the scenes the FBI's hostility to black protest was energized by fear of and respect for black writing. Drawing on nearly 14,000 pages of newly released FBI files, F.B. Eyes exposes the Bureau's intimate policing of five decades of African American poems, plays, essays, and novels. Starting in 1919, year one of Harlem's renaissance and Hoover's career at the Bureau, secretive FBI "ghostreaders" monitored the latest developments in African American letters. By the time of Hoover's death in 1972, these ghostreaders knew enough to simulate a sinister black literature of their own. The official aim behind the Bureau's close reading was to anticipate political unrest. Yet, as William J. Maxwell reveals, FBI surveillance came to influence the creation and public reception of African American literature in the heart of the twentieth century.
Taking his title from Richard Wright's poem "The FB Eye Blues," Maxwell details how the FBI threatened the international travels of African American writers and prepared to jail dozens of them in times of national emergency. All the same, he shows that the Bureau's paranoid style could prompt insightful criticism from Hoover's ghostreaders and creative replies from their literary targets. For authors such as Claude McKay, James Baldwin, and Sonia Sanchez, the suspicion that government spy-critics tracked their every word inspired rewarding stylistic experiments as well as disabling self-censorship.
Illuminating both the serious harms of state surveillance and the ways in which imaginative writing can withstand and exploit it, F.B. Eyes is a groundbreaking account of a long-hidden dimension of African American literature.
Автор: Nunes, Ana Название: African american women writers` historical fiction ISBN: 0230112536 ISBN-13(EAN): 9780230112537 Издательство: Springer Рейтинг: Цена: 10394 р. Наличие на складе: Поставка под заказ.
Описание: This volume explores African American historical fiction written by women in the last four decades of the twentieth century. Nunes` approach to the texts aims at emphasizing the narrative and thematic achievements of individual novels set in the context of the main trends and developments of the contemporary African American historical novel.
Описание: Seeks to redress the lack of critical and comprehensive studies of postmodern Spanish American women novelists who produce lucid, experimental, deconstructive, and self-reflexive texts. This work traces a tradition of three decades of experimental women writers. It sheds light on a largely ignored contemporary tradition of female experimentalism.
Описание: Luminaries of the Harlem Renaissance—Langston Hughes, Jean Toomer, Wallace Thurman, and Arna Bontemps, among others—are associated with, well . . .Harlem. But the story of these New York writers unexpectedly extends to the American West. Hughes, for instance, grew up in Kansas, Thurman in Utah, and Bontemps in Los Angeles. Toomer travelled often to New Mexico. Indeed, as West of Harlem reveals, the West played a significant role in the lives and work of many of the artists who created the signal urban African American cultural movement of the twentieth century. Uncovering the forgotten histories of these major American literary figures, the book gives us a deeper appreciation of that movement, and of the cultures it reflected and inspired. These recovered experiences and literatures paint a new picture of the American West, one that better accounts for the disparate African American populations that dotted its landscape and shaped the multi-ethnic literatures and cultures of the borderlands.Tapping literary, biographical, historical, and visual sources, Emily Lutenski tells the New Negro movement’s western story. Hughes’s move to Mexico opens a window on African American transnational experiences. Thurman’s engagement with Salt Lake City offers an unexpected perspective on African American sexual politics. Arna Bontemps’s Los Angeles, constructed in conjunction with Louisiana, provides a new vision of the Spanish borderlands. Lesser-known writer Anita Scott Coleman imagines black Western autonomy through domesticity. The experience of others—like Toomer, invited to socialite Mabel Dodge Luhan’s circle of artists in Taos—present a more pluralistic view of the West. It was this place, with its transnational and multiracial mix of Native Americans, Latina/os, Anglos, and African-Americans, which buttressed Toomer’s idea of a “new American race.”Turning the lens elsewhere, Lutenski also explores how Latina/o, Asian American, and Native American western writers understood and represented African Americans in the early twentieth-century borderlands. The result is a new, unusually nuanced and unexpectedly complex view of key figures of the Harlem Renaissance and the borderlands cultures that influenced their art in surprising and important ways.
Описание: This book offers a new approach to reading the cultural memory of Africa in African American fiction from the post-Civil Rights era and in Black British fiction emerging in the wake of Thatcherism. The critical period between the decline of the Civil Rights Movement and the dawn of the twenty-first century saw a deep contrast in the distinctive narrative approaches displayed by diverse African diaspora literatures in negotiating the crisis of representing the past. Through a series of close readings of literary fiction, this work examines how the cultural memory of Africa is employed in diverse and specific negotiations of narrative time, in order to engage and shape contemporary identity and citizenship. By addressing the practice of “remembering” Africa, the book argues for the signal importance of the African diaspora’s literary interventions, and locates new paradigms for cultural identity in contemporary times.
Описание: The literary tradition begun by Zora Neale Hurston in the 1930s has since flourished and taken new directions with a diverse body of fiction by more contemporary African-American women writers. This book examines the treatment of domestic violence in Zora Neale Hurston's Their Eyes Were Watching God, Gayl Jones's Corregidora, Gloria Naylor's The Women of Brewster Place and Linden Hills, Alice Walker's The Color Purple, Toni Morrison's The Bluest Eye and Love, Terry McMillan's Mama and A Day Late and a Dollar Short, and Octavia Butler's Seed to Harvest. These novels both reveal and contribute to societal attitudes about domestic abuse, while giving voice to oppressed and abused women.The aims of this work are threefold: to examine how female African American novelists portray domestic abuse (and thus raise awareness about the problem); to outline how literary depictions of domestic violence are responsive to cultural and historical forces; and to explore the literary tradition of novels that deal with domestic abuse within the African American community - a tradition that was begun by Hurston in 1930s and has since flourished and taken different forms, thanks to the diverse body of fiction created by more contemporary African American women writers.
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