Bodyweight Strength Training Anatomy, Contreras Bret
Автор: Brett, Jan Название: Jan Brett`S Animal Treasury ISBN: 1524738026 ISBN-13(EAN): 9781524738020 Издательство: Random House (USA) Цена: 4137.00 р. Наличие на складе: Нет в наличии.
Автор: Brett Jan Название: Jan Brett`s Snowy Treasury ISBN: 0399254013 ISBN-13(EAN): 9780399254017 Издательство: Random House (USA) Цена: 2758.00 р. Наличие на складе: Нет в наличии.
Описание: Four of Jan Brett s bestsellers together in a gorgeous treasury.
Jan Brett s fans count her snowy books set in irresistible winter landscapes among their favorites. Now they can own a beautiful edition containing four of her bestselling titles: "Gingerbread Baby," "The Mitten," "The Hat" and "The Three Snow Bears," set in Switzerland, the Ukraine, Denmark and the Arctic, respectively. Memorable characters, such as the mischievous Gingerbread Baby, the woodland animals in Nicki s white mitten, Hedgie and the farm animals, and the three polar bears and an Inuit Goldilocks, star in picture books perfect for sharing and reading aloud. A beautiful gift for the holidays and beyond.
Автор: Buch, Esteban Contreras Zubillaga, Mr. Igor Deniz Silva, Dr. Manuel Название: Composing for the state ISBN: 1472437497 ISBN-13(EAN): 9781472437495 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order.
This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State.
This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes.
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