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Chester Brown, Grace Dominick


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Автор: Grace Dominick
Название:  Chester Brown
ISBN: 9781617038686
Издательство: Mare Nostrum (Eurospan)
Классификация:





ISBN-10: 1617038687
Обложка/Формат: Hardback
Страницы: 256
Вес: 0.59 кг.
Дата издания: 30.10.2013
Серия: Conversations with comic artists series
Язык: English
Иллюстрации: 40|40 black & white line illustrations
Размер: 229 x 152 x 19
Читательская аудитория: Professional and scholarly
Ключевые слова: Individual artists, art monographs,Anthologies (non-poetry)
Подзаголовок: Conversations
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Поставляется из: Англии
Описание: The early 1980s saw a revolution in mainstream comics as new methods of publishing and distribution broadened the possibilities. Among those artists utilizing these new methods, Chester Brown quickly developed a cult following. This volume presents interviews covering all facets of the cartoonist`s long career and includes several pieces from now-defunct periodicals and fanzines.


Writing History, Writing Trauma

Автор: LaCapra Dominick
Название: Writing History, Writing Trauma
ISBN: 1421414007 ISBN-13(EAN): 9781421414003
Издательство: Неизвестно
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Цена: 4950.00 р.
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Описание: This updated edition includes a substantive new preface that reconsiders some of the issues raised in the book.

History and Memory After Auschwitz

Автор: LaCapra Dominick, Capra Dominick L.
Название: History and Memory After Auschwitz
ISBN: 0801484960 ISBN-13(EAN): 9780801484964
Издательство: Wiley EDC
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Цена: 4117.00 р.
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Описание:

The relations between memory and history have recently become a subject of contention, and the implications of that debate are particularly troubling for aesthetic, ethical, and political issues. Dominick LaCapra focuses on the interactions among history, memory, and ethicopolitical concerns as they emerge in the aftermath of the Shoah. Particularly notable are his analyses of Albert Camus's novella The Fall, Claude Lanzmann's film Shoah, and Art Spiegelman's "comic book" Maus. LaCapra also considers the Historians' Debate in the aftermath of German reunification and the role of psychoanalysis in historical understanding and critical theory. In six essays, LaCapra addresses a series of related questions. Are there experiences whose traumatic nature blocks understanding and disrupts memory while producing belated effects that have an impact on attempts to address the past? Do some events present moral and representational issues even for groups or individuals not directly involved in them? Do those more directly involved have special responsibilities to the past and the way it is remembered in the present? Can or should historiography define itself in a purely scholarly and professional way that distances it from public memory and its ethical implications? Does art itself have a special responsibility with respect to traumatic events that remain invested with value and emotion?


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