Описание: Classic document of social realism contains 37 photographs by famed Victorian photographer John Thomson, accompanied by individual essays -- by Thomson himself or social activist Adolphe Smith -- that offer sharply drawn vignettes of lower-class laborers, dustmen, street musicians, shoe blacks, and other street people. A treasure trove of astonishing historical detail.
Life on the Mississippi in the heyday of the steamboat lives in our imaginations through the artistry of Mark Twain, Edna Ferber, and Hollywood films, or perhaps a glimpse of a salvaged riverboat living out its last years as a theme restaurant. Surely the Mississippi steamboat era is among the most colorful and romantic in our history. But what was it really like, beyond our secondhand notions of stalwart river pilots, wayward boys and runaway slaves, of gamblers in tall hats and ladies in hoopskirts, of cotton, cakewalks, and carpetbaggers. This extraordinary book of recently discovered photographs, taken by a father and son who were professional photographers in Natchez, Mississippi, brings us for the first time a stunning array of images of steamboat life as it really was -- from its glory days in the post-Civil War era to its demise in the years immediately following World War I. The photographers are Henry Norman and his son Earl. With boundless enthusiasm and curiosity, and the consummate skills of pictorial artists, they captured the beauties and rigors of a half-century of life on the Mississippi. Their priceless legacy has been preserved by Joan and Thomas Gandy, who recently acquired the extremely rare and valuable negatives and here present a collection of 170 of the most spectacular and arresting photographs of steamboat life. Together with an extremely informative text, replete with detailed information and fascinating anecdotes, the photographs make up a splendid account of the major steamboats that plied the great waterway and their essential social and economic role in river life. Vivid, beautifully composed images of stately ships, luxurious interiors, shipboard life, picturesque river towns, busy landings, paddle wheelers laden with cotton and other cargoes, and the disasters that claimed so many of these proud craft, comprise a stunning firsthand account of a long-lost -- but now accurately, lovingly recaptured -- way of American life.
Mola is the Cuna Indian word for an intricate reverse-applique needlework technique unique to this unusual, isolated tribe inhabiting the San Blas islands off the Atlantic coast of Panama. Mola motifs and methods recall the body-painting practiced by the Cuna in past centuries; today Cuna women's blouses display the colorful patchwork designs rendered here in black and white from the original pieces. The 45 folk-style designs signify themes ancient and modern: pre-Christian crosses, mermaids, dancers, animals, birds, butterflies, fish and flowers, abstracts, and repeating mazes. The introduction includes photographs of the Cuna; captions identify the motifs and give Cuna names. Designers and needleworkers will find these royalty-free designs a source of inspiration, and colorists will enjoy adding their own sense of color and tone to the illustrations.
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