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Mapping Exile and Return: Palestinian Dispossession and a Political Theology for a Shared Future, Weaver Alain Epp


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Автор: Weaver Alain Epp
Название:  Mapping Exile and Return: Palestinian Dispossession and a Political Theology for a Shared Future
ISBN: 9781451470123
Издательство: Fortress Press
Классификация:
ISBN-10: 1451470126
Обложка/Формат: Paperback
Страницы: 176
Вес: 0.31 кг.
Дата издания: 01.01.2014
Язык: English
Иллюстрации: Black & white illustrations
Размер: 224 x 165 x 12
Читательская аудитория: Postgraduate, research & scholarly
Подзаголовок: Palestinian dispossession and a political theology for a shared future
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Поставляется из: США
Описание:

One of the most persistent, if vexing, issues is the state of affairs in the ancient land of Palestine. Palestinian Christians bear the enormous brunt of suffering and dispossession in the current situation, and are burdened even more by Christian political appropriation of Zionism.Through an analysis of Palestinian refugee mapping practices for returning to their homeland, Alain Epp Weaver argues against the political theology embedded in Zionist cartographic practices that refuse and eliminate all evidence of co-existence, and offers a political theology of redrawing the territory compatible with a bi-national vision for a shared Palestinian-Israeli future.




Sounds and sights of performance in early music

Автор: Epp, Maureen
Название: Sounds and sights of performance in early music
ISBN: 1138264989 ISBN-13(EAN): 9781138264984
Издательство: Taylor&Francis
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Цена: 8114.00 р.
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Описание: The experience of music performance is always far more than the sum of its sounds, and evidence for playing and singing techniques is not only inscribed in music notation but can also be found in many other types of primary source materials. This volume of essays presents a cross-section of new research on performance issues in music of the Middle Ages and Renaissance. The subject is approached from a broad perspective, drawing on areas such as dance history, art history, music iconography and performance traditions from beyond Western Europe. In doing so, the volume continues some of the many lines of inquiry pursued by its dedicatee, Timothy J. McGee, over a lifetime of scholarship devoted to practical questions of playing and singing early music. Expanding the bases of inquiry to include various social, political, historical or aesthetic backgrounds both broadens our knowledge of the issues pertinent to early music performance and informs our understanding of other cultural activities within which music played an important role. The book is divided into two parts: 'Viewing the Evidence' in which visually based information is used to address particular questions of music performance; and 'Reconsidering Contexts' in which diplomatic, commercial and cultural connections to specific repertories or compositions are considered in detail. This book will be of value not only to specialists in early music but to all scholars of the Middle Ages and Renaissance whose interests intersect with the visual, aural and social aspects of music performance.


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