A Companion to Renaissance and Baroque Art, Bohn Babette, Saslow James M.
Автор: Bailey Gauvin Название: Baroque & Rococo ISBN: 0714857424 ISBN-13(EAN): 9780714857428 Издательство: Phaidon Press Ltd. Рейтинг: Цена: 8276.00 р. Наличие на складе: Есть (1 шт.) Описание: Insightful exploration of arts across the world during these dynamic eras.
Автор: Nichols, Tom Название: Renaissance Art in Venice ISBN: 1780678517 ISBN-13(EAN): 9781780678511 Издательство: Laurence King Рейтинг: Цена: 3028.00 р. Наличие на складе: Поставка под заказ.
Описание: By adopting a chronological approach, with each chapter covering a successive twenty-five year period, and focusing attention on the artists, Tom Nichols presents a vivid, richly illustrated and easily navigable study of Venetian Renaissance art.
Автор: Lois Parkinsonzamora, Monika Kaup, Zamora Lois Par Название: Baroque New Worlds: Representation, Transculturation, Counterconquest ISBN: 0822346427 ISBN-13(EAN): 9780822346425 Издательство: Wiley EDC Рейтинг: Цена: 5834.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Baroque New Worlds traces the changing nature of Baroque representation in Europe and the Americas across four centuries, from its seventeenth-century origins as a Catholic and monarchical aesthetic and ideology to its contemporary function as a postcolonial ideology aimed at disrupting entrenched power structures and perceptual categories. Baroque forms are exuberant, ample, dynamic, and porous, and in the regions colonized by Catholic Europe, the Baroque was itself eventually colonized. In the New World, its transplants immediately began to reflect the cultural perspectives and iconographies of the indigenous and African artisans who built and decorated Catholic structures, and Europe’s own cultural products were radically altered in turn. Today, under the rubric of the Neobaroque, this transculturated Baroque continues to impel artistic expression in literature, the visual arts, architecture, and popular entertainment worldwide.
Since Neobaroque reconstitutions necessarily reference the European Baroque, this volume begins with the reevaluation of the Baroque that evolved in Europe during the late nineteenth century and the early twentieth. Foundational essays by Friedrich Nietzsche, Heinrich Wölfflin, Walter Benjamin, Eugenio d’Ors, René Wellek, and Mario Praz recuperate and redefine the historical Baroque. Their essays lay the groundwork for the revisionist Latin American essays, many of which have not been translated into English until now. Authors including Alejo Carpentier, José Lezama Lima, Severo Sarduy, Édouard Glissant, Haroldo de Campos, and Carlos Fuentes understand the New World Baroque and Neobaroque as decolonizing strategies in Latin America and other postcolonial contexts. This collection moves between art history and literary criticism to provide a rich interdisciplinary discussion of the transcultural forms and functions of the Baroque.
Contributors. Dorothy Z. Baker, Walter Benjamin, Christine Buci-Glucksmann, José Pascual Buxó, Leo Cabranes-Grant, Haroldo de Campos, Alejo Carpentier, Irlemar Chiampi, William Childers, Gonzalo Celorio, Eugenio d’Ors, Jorge Ruedas de la Serna, Carlos Fuentes, Édouard Glissant, Roberto González Echevarría, Ángel Guido, Monika Kaup, José Lezama Lima, Friedrich Nietzsche, Mario Praz, Timothy J. Reiss, Alfonso Reyes, Severo Sarduy, Pedro Henríquez Ureña, Maarten van Delden, René Wellek, Christopher Winks, Heinrich Wölfflin, Lois Parkinson Zamora
Автор: Dixon Название: Italian Baroque Art ISBN: 1405139668 ISBN-13(EAN): 9781405139663 Издательство: Wiley Рейтинг: Цена: 15990.00 р. Наличие на складе: Поставка под заказ.
Описание: This anthology presents classic and recent scholarship on Italian art from 1600-1750. Arranged thematically, it highlights the key debates with which art historians continue to grapple.
Автор: Toman Rolf Название: Baroque box ISBN: 3848000393 ISBN-13(EAN): 9783848000395 Издательство: Ullmann Рейтинг: Цена: 17325.00 р. Наличие на складе: Нет в наличии.
Описание: After the global hit Ars Sacra, Rolf Toman and his team embark on a journey once more. The Palace of Versailles and St. Peter s Basilica in the Vatican are the outstanding buildings from this epoch. There are undreamed of jewels in Europe and America, the New World, waiting for discovery. Magnificent libraries, vaults of science or mysterious gardens, skilled works of porcelain and illusionistic painting, to name just a few aspects of this complex epoch. With his passion and meticulousness, photographer Achim Bednorz succeeded to get details in front of his camera that cannot even be seen on the original locally. The photographs that are exclusive for this volume are particularly wellpresented in their large format. The author Barbara Borngasser wrote her take on Baroque history to fit, and swiftly takes the reader into the Great World Theater, the Theatrum Mundi.
Описание: In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists' creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters was an accepted part of the artistic process.The consensus of the contributors amounts to a revision, or at least a qualification, of Bernard Berenson's interpretation of the emergent Renaissance ideal of individual ""genius"" as a measure of original artistic achievement: we must accord greater influence to the collaborative, appropriative conventions and practices of the craft workshop, which persisted into and beyond the Renaissance from its origins in the Middle Ages. Consequently, we must acknowledge the sometimes rather ordinary beginnings of some of the world's great works of art--an admission, say the contributors, that will open new avenues of study and enhance our understanding of the complex connections between invention and execution.With one exception, these essays were delivered as lectures in conjunction with the exhibition The Artists and Artisans of Florence: Works from the Horne Museum hosted by the Georgia Museum of Art in the fall of 1992.
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