In the twenty-first century, political conflict and militarization have come to constitute a global social condition rather than a political exception. Military occupation increasingly informs the politics of both democracies and dictatorships, capitalist and formerly socialist regimes, raising questions about its relationship to sovereignty and the nation-state form. Israel and India are two of the worlds most powerful postwar democracies yet have long-standing military occupations. Pakistan, Bangladesh, and Turkey have passed through periods of military dictatorship, but democracy has yielded little for their ethnic minorities who have been incorporated into the electoral process. Sri Lanka and Bangladesh (like India, Pakistan, and Turkey) have felt the imprint of socialism; declarations of peace after long periods of conflict in these countries have not improved the conditions of their minority or indigenous peoples but rather have resulted in violent peace and remilitarization. Indeed, the existence of standing troops and ongoing state violence against peoples struggling for self-determination in these regions suggests the expanding and everyday nature of military occupation. Such everydayness raises larger issues about the dominant place of the military in society and the social values surrounding militarism.Everyday Occupations examines militarization from the standpoints of both occupier and occupied. With attention to gender, poetics, satire, and popular culture, contributors who have lived and worked in occupied areas in the Middle East and South Asia explore what kinds of society are foreclosed or made possible by militarism. The outcome is a powerful contribution to the ethnography of political violence.Contributors: Nosheen Ali, Kabita Chakma, Richard Falk, Sandya Hewamanne, Mohamad Junaid, Rhoda Kanaaneh, Hisyar Ozsoy, Cheran Rudhramoorthy, Serap Ruken Sengul, Kamala Visweswaran.
Healing the Forest—Cheran RudhramoorthyIntroduction: Everyday Occupations—Kamala VisweswaranChapter 1. Q?r?x: An "Inverted Rhapsody" on Kurdish National Struggle, Gender, and Everyday Life in Diyarbak?—Serap Ruken Sengul
