Post-Marxism, Sim

Автор: Traverso Enzo
Название: Left-Wing Melancholia: Marxism, History, and Memory
ISBN: 0231179421 ISBN-13(EAN): 9780231179423
Издательство: Wiley
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Цена: 4752.00 р.
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Описание: Uncovering the melancholic tradition of the global left.

Автор: Breckman Warren
Название: Adven Adventures of the Symbolic: Post-Marxism and Radical Democracy
ISBN: 0231143958 ISBN-13(EAN): 9780231143950
Издательство: Wiley
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Цена: 4435.00 р.
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Описание: Warren Breckman critically revisits thrilling experiments in the aftermath of Marxism.

Автор: Peffer Rodney G.
Название: Marxism, Morality, and Social Justice
ISBN: 0691608881 ISBN-13(EAN): 9780691608884
Издательство: Wiley
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Цена: 11880.00 р.
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Описание: The interpreter of Marx`s writings faces the task of reconciling, on the one hand, Marx`s frequent explicit condemnations and criticisms of morality and, on the other, the obvious way in which his world-view reflects substantive moral judgments. In this book R. G. Peffer tackles the challenges of finding in Marx`s work an implicit moral theory, of

Автор: Sigurdson Ola
Название: Theology and Marxism in Eagleton and Zizek
ISBN: 0230340113 ISBN-13(EAN): 9780230340114
Издательство: Springer
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Цена: 12577.00 р.
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Описание: Taking its cue from the renewed interest in theology among Marxist and politically radical philosophers or thinkers, this study inquires into the reasons for this interest in theology focusing on the British literary theorist Terry Eagleton and the Slovenian philosopher and psychoanalyst Slavoj Zizek, as two contemporary prominent Marxist thinkers.

Автор: Hamza, Agon
Название: Althusser and Pasolini. Philosophy, Marxism, and Film
ISBN: 1137566515 ISBN-13(EAN): 9781137566515
Издательство: Springer
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Цена: 10760.00 р.
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Описание: Agon Hamza offers an in-depth analysis of the main thesis of Louis Althusser’s philosophical enterprise alongside a clear, engaging dissection of Pier Paolo Pasolini’s most important films. There is a philosophical, religious, and political relationship between Althusser’s philosophy and Pier Paolo Pasolini’s films. Hamza teases out the points of contact, placing specific focus on critiques of ideology, religion, ideological state apparatuses, and the class struggle. The discussion, however, does not address Althusser and Pasolini alone. Hamza also draws on Spinoza, Hegel, Marx, and ?i?ek to complete his study. Pasolini’s films are a treasure-trove of Althusserian thought, and Hamza ably employs Althusserian terms in his reading of the films. Althusser and Pasolini provides a creative reconstruction of Althusserian philosophy, as well as a novel examination of Pasolini’s film from the perspective of the filmmaker’s own thought and Althusser’s theses.