Описание: A famous Confederate commander and the elite force that bore his name The American Civil War, which split the nation's small officer cadre in two, inevitably ensured many young officers from both Union and Confederate states would reach high rank. Some of those men earned abiding fame. One of the subjects of this book, John Bell Hood, needs little introduction to any student of the period. Hood, a veritable 'Viking warrior' of a figure epitomised the dash, daring and aggressive command in action which typified the cream of the officer corps of the Confederate Army and his leadership qualities elevated him from the rank of First-Lieutenant, USA to Lieutenant-General, CSA. Initially he directly led the equally renowned hard fighting infantry of his 'Texas Brigade, ' consisting of the 1st, 4th and 5th Texas Infantry together with the 18th Georgia Infantry and, later, the 3rd Arkansas Infantry. There was, of course, a justifiable glamour associated with these men from the 'wild' west, particularly when led by the imposing figure, character and military talent of Hood. 'Hood's Texas Brigade' amply justified their reputation as a force to be reckoned with and, along with the 'Stonewall Brigade, ' were thought of as the 'shock troops' of the Army of Northern Virginia. They saw action in many of the pivotal engagements of the conflict including, of course, at Gettysburg where they came under Hood's divisional command. This book combines a detailed history of the services of 'Hood's Texas Brigade' with a short biography of John Bell Hood, who was ultimately transferred to the western theatre of the conflict and the Army of Tennessee. Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket.
Описание: Hoo-Doo Cowboys and Bronze Buckaroos undertakes an interdisciplinary exploration of the African American West through close readings of texts from a variety of media. This approach allows for both an in-depth analysis of individual texts and a discussion of material often left out or underrepresented in studies focused only on traditional literary material. The book engages heretofore unexamined writing by Rose Gordon, who wrote for local Montana newspapers rather than for a national audience; memoirs and letters of musicians, performers, and singers (such as W. C. Handy and Taylor Gordon), who lived in or wrote about touring the American West; the novels and films of Oscar Micheaux; black-cast westerns starring Herb Jeffries; largely unappreciated and unexamined episodes from the ""golden age of western television"" that feature African American actors; film and television westerns that use science fiction settings to imagine a ""postracial"" or ""postsoul"" frontier; Percival Everett's fiction addressing contemporary black western experience; and movies as recent as Quentin Tarantino's Django Unchained.Despite recent interest in the history of the African American West, we know very little about how the African American past in the West has been depicted in a full range of imaginative forms. Hoo-Doo Cowboys and Bronze Buckaroos advances our discovery of how the African American West has been experienced, imagined, portrayed, and performed.
Автор: Pitilli Lawrence Название: Doo-Wop Acappella ISBN: 1442244291 ISBN-13(EAN): 9781442244290 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 16474.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In Doo-Wop Acappella: A Story of Street Corners, Echoes, and Three-Part Harmonies, scholar and musician Lawrence Pitilli details this too-little-explored area of 1950's - early 60's American culture. As Kenny Vance and the Planotones suggested in their classic song "Looking for an Echo," every doo-wop acapella group's mission--the search "for a sound, a place to be in harmony, a place we almost found"--was more than the story of street kids seeking recording glory. It is the tale of urban change, mass migrations, ethnic acculturation, a changing radio and recording industry, and the dynamics of cultural change in the "sounds"--sonic and linguistic--that every generation seeks to make and re-make for itself. In his study of this neglected period, Pitilli uncovers a rich musical tradition practiced largely by amateurs in an almost mythologized urban America. Although most of these practitioners were musically untrained, their lack of formal music education and financial support neither diluted their passion for singing or their quest for possible fame and fortune. In this engagingly written and celebratory work, Pitilli further demonstrates that doo-wop acappella was closely tied to broader issues, including the self-invented individual, gender roles, ethnicity, race, and class.
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